Launch Recite Me assistive technology

ExploringTechnology

Search
Insights logo-02 (2).pngVisual Research Departmentones-to-watch-logo.pngNew Talent Showcasenicer-tuesdays_4EYeKbc.original_LX34dOgtRradbgIB.pngEventsif-you-could.original_229MJxvLEEiTYHJk.pngCreative Jobs Board
Home

Technology

All 1920 articles
Search within
Technology
Why Nothing’s Charlie Smith is doubling down on “joy and wonder”

Why Nothing’s Charlie Smith is doubling down on “joy and wonder”

3 days ago

Air has built an agent for creative tasks – creative teams are paying attention

7 days ago
Three portraits are shown side by side. The first is a black and white collage of a person with a beard, overlaid with colourful abstract shapes. The second is a person wearing white-rimmed sunglasses and a patterned top, smiling. The third is a person with grey hair and glasses, wearing a striped shirt against a pink background.

Made for Business in NYC: Today at Apple and It’s Nice That’s panel series continues

12 October 2026
An illustration of a stylized figure in olive green, holding two detached heads in their hands. Bold black text across the centre reads “ONLY HUMANS CAN HUMANISE TECHNOLOGY”, with the letters “POV” appearing in large, chunky type below.

POV: AI needs mascots and only humans can make them

12 October 2026
Three black posters are arranged diagonally against a dark grey background. Each features a white, circular organic pattern resembling a fingerprint or cellular structure, with the phrases “Propagating possibility.”, “Building biology.” and “Honoring Humanity.” written in white. The final poster includes a small “biotic” logo in the bottom right corner.

Mucho reaches beyond Silicon Valley with the branding for Biotic, the organisation behind breakthrough biology

8 October 2026
An animation of a pixelated white typeface reading “abcdefg” against a dark, textured background. A cursor moves across the letters, adjusting red measurement markers and grid lines.

How Love And Money designed the identity and tiny typeface for Tame Impala’s synthesiser brand, Orchid

6 October 2026
A 3D render of an underwater scene featuring a wooden treasure chest overflowing with glowing yellow spheres. A blue, cloud-shaped character with square eyes floats above the chest, surrounded by small fish and sandy seabed.

Xsolla (the biggest gaming company you’ve never heard of) gets a retro-futuristic identity from Pentagram partners

5 October 2026
A sleek, dark purple Formula E racing car speeds across a black background. Bold white text above the car reads “FORMULA E”, and “Google Cloud” is visible on the side of the chassis.

Mox reimagine racing entertainment with a brand refresh for Formula E, one of the fastest and sleekest sports in the world

1 October 2026
A two-panel meme. The top image is a colourful, surreal collage of dolphins, rainbows and fish with the text “I am mentally unstable”. Below, two figures with blonde hair pose in white T-shirts featuring bright, airbrushed graphics.

Gary Grimes examines the niche memes and noughties tech-optimism behind Zara Larsson’s visual world

21 September 2026

“Fundamentally wrong, but also perfectly right”: Jonas Sprattland’s videos for Nike and Balenciaga play with space, motion and form

10 September 2026

The Next Interface: Learn how Google Gemini is rethinking how we design and build for AI

1 September 2026
An illustration of a hand holding a smartphone with a cracked screen. On the display, a person wears pink headphones and a green top. The phone is surrounded by a grid of digital symbols, including a clock, a battery toggle, a handheld game console and a string of smiley face emojis.

How can we claw our way out of bad screen time?

1 September 2026
A humanoid robot with a smooth, silver metallic finish stands against a plain light grey background. It has a simplified human face and articulated joints in its arms and legs.

Mattia Balsamini subverts sci-fi cliches of robotics with striking portraits of mechas and mechanical dogs

19 August 2026
A 3D render of a surreal, colourful machine made of geometric shapes and pipes on a green landscape. Spheres in various colours move through the contraption, passing through a funnel, a magnifying glass and a coiled blue tube.

Clay embraces imperfection in the face of AI-prompted aesthetics

13 August 2026
A pixelated graphic in grey, purple and green reads “Good Screens”. Below, smaller text reads “insights | It’s Nice That”.

How can tech serve us better? Insights explores in new report, Good Screens

12 August 2026

“We treat code as material”: Studio Dial weaves motion design into cocktail menus, Afghan textiles and city plans

11 August 2026
A 3D render of a green, perforated plastic vessel shown as an exploded view. Inside the disassembled parts sits a miniature landscape of soil, moss and small dead trees.

Less of an object, more of a place: Mattering and Oio’s Mur Mur is a portable speaker that holds an entire ecosystem within

3 August 2026
A 3D render of a hand holding a smartphone. The screen displays a smaller hand holding another phone, creating a recursive loop of screens featuring the text “MARTINE ROSE” and “OUR CHANNEL”.

How International Magic established its technology-bending design collaboration with Martine Rose

28 July 2026
A person wearing a VR headset stands beside another person who gestures towards a table. The table is covered in a grid of small, organic-looking prints in black, white and brown.

What we learned about immersive tech, fan experiences and storytelling at Belgium House

27 July 2026
An illustration of a purple, creature-like figure with pointed ears and glowing red eyes. A small fly rests on its head, and a single green drop falls from a crack in its forehead.

Robert Beatty on retro Photoshop, creative friction and designing album covers that feel almost primeval

20 July 2026

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.