TypographyAll 1878 articlesSearch withinTypographyWhy self-publishing pays off: No Ideas studio on the journey behind building their own imprint4 hours agoNicer TuesdaysWork...Fulham F.C gets a brand refresh built on hand-rendered lettering found on the walls of its stadiuma day agoWorkGraphic Design...Source Type’s Dictionary of the Illegible explores what happens when typography stops making sensea day agoFeaturesGraphic Design...Nicer Tuesdays LA: Get tickets for Debbie Millman, Micaiah Carter and Bijou Karman in November!4 days agoNicer TuesdaysWork...Sewell Killingstad on why making “art for art’s sake” lands you the briefs you love5 days agoWorkGraphic Design...“Less bank, more life”: Barkas gives Nigerian digital bank Kuda an identity with the pace of Lagos7 days agoWorkGraphic Design...David Rudnick on the “borderline impossible” process of designing a bespoke blackletter typeface for Arsenal8 days agoFeaturesGraphic Design...“I’m merely cosplaying as a type designer”: Raoul Gottschling on chasing ridiculous ‘what if’ questions8 days agoWorkGraphic Design...Perfection, begone! Laura Pappa and Tüpokompanii’s new typeface is all about letting yourself be bad at something13 days agoWorkGraphic Design...How Love And Money designed the identity and tiny typeface for Tame Impala’s synthesiser brand, Orchid14 days agoWorkGraphic Design...Mox reimagine racing entertainment with a brand refresh for Formula E, one of the fastest and sleekest sports in the world1 October 2026WorkGraphic Design...Swirls, beads and Art Nouveau roots: Emily Klaebe on type design as world building30 September 2026WorkGraphic Design...Mestiza Estudio built this play cafe brand like a game, fusing aesthetics to appeal to all ages24 September 2026WorkGraphic Design...Logos and glyphs grow out of agar and grapevines in Emi Takahashi’s graphic explorations of living forms23 September 2026WorkAnimation...Templo’s visual identity for DeafCity Hub is a fusion of creative coding, British sign language and gestural motion capture22 September 2026WorkGraphic Design...Skincare has never looked so good: Odds’ identity for Alaena strikes a soft balance between science and nature21 September 2026WorkGraphic Design...Marina Willer crafts letters with light and projection for BFI London Film Festival’s new identity and campaign16 September 2026WorkFilm...Hunter Harvey’s “text paintings” are graphic parodies where the typeface is the main character15 September 2026WorkArt...A Ntsal identity uses the nonlinear timeline of films to inspire its expressive and compressive motion15 September 2026WorkGraphic Design...How retro branding is bringing warmth and fun to São Paulo’s bars and restaurants14 September 2026The View From...Features...Next page12345...12345...Next pageIt's Nice That NewslettersFancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.Email address:Subscribe
