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Typography

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Koto launches CCType foundry to create typefaces that meet the demands of modern brands

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

The “glitchy, jittery” visuals of this Pitchfork designer are made with serendipity and his new favourite motion software

Stanley Plowman’s Garble is machine-executed typography filled with human mess

Building a brand means building a world – that’s why Blanca Doba’s identity for Bare Earth didn’t stop at a wordmark

How Tiquismiquis Club brought rhythm and scale to Odda’s 700-page issue

Rapha’s brand identity is rebooted with six bespoke typefaces inspired by vintage cycling ephemera

Whether it’s Tipp-Ex or crayons, David Heofs builds music identities from physical materials

How&How’s colourful and collaged Bristol Dockyards rebrand makes nautical cliches walk the plank

Studio Nari wordmark gives Threads a voice of its own

Enter the Bucketverse: KFC’s finger-licking rebrand turns an icon into an entire world

Meet the iconic printmakers that shaped half a century of the UK’s contemporary graphic art

A24 creative director Liam Hamill embraces brainrot with his monthly music venue posters

Daryn Roongrawewan doesn’t design logos, she crafts “ornamental icons”

Koto revives an 80-year-old wordmark to rebrand Norton Museum of Art

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How does contemporary type design translate into the wider world? Type01’s Amber Weaver shares her wisdom

Why design studio OnePlus treats branding like cultural excavation, not invention

Ey Studio avoided ‘gourmet’ trends for something more authentic to rebrand Italy’s most iconic panettone

How do you design youth? The Young Vic’s new logo uses motion blur to flip dated theatre branding

A tobacco factory turned restaurant, Nikotin’s logo takes the shape of a cigarette