Typography

All 1676 articles

Saint Urbain’s brand for hotel Now Now has “soul and story” behind it

How Eliott Grunewald’s foundry OTT signals a shift in the creative industry

Bond’s typeface for the Finnish football league is based on the shape and movement of fan scarfs

Dinamo turns Stefan Marx’s handwriting into a font

Companion–Platform’s variable logo for Uncommon Fruits changes with the seasons

It’s a (wo)man’s game: Janet Delavan’s Feminine American Pastime deconstructs gender-based activities

Tjaša Cizej’s experimental work blurs the boundaries between the readable and unreadable

Onlysans from Daria Cohen rejects timelessness in favour of fierce modernity (and memes)

Siyu Shen couldn’t find soy milk that looked right, so she made Dou

Matt Willey’s Helions brand has a tender intensity in favour of tone rather than concept

Bubble and toil: Inside Hanna Karraby and James Paris’ eerie branding for a horror-inspired coffee shop

Suzy Chan’s handwritten film titles channel emotional tone for short film Muna

Claire Boon’s systematic practice challenges conventional design thinking

Gruppo Due’s typefaces offer a softer alternative to systematised workhorse fonts

Astrae’s nostalgic campaign for Nike steers clear of sleek sports advertising

Wedge’s brand for Diana’s Seafood turns a new tide for the company

In Requena Office’s identity for Garden Pizza, words look like plants and letters like flowers

“Divine intervention”: Universal Favourite overhauls a butt hygiene brand from top to bottom

Clement Cases’ typeface Base Pixel slowly turns to “trash”

Athletics’ identity for GOCA references traditional Japanese script and incorporates “infinite” patterns

Work
Art
...