It's Nice That

“It’s weirdly helpful to get lost along the way” – how to make a film with John Wilson

The director chats to It’s Nice That about his first feature film, The History of Concrete, and the process by which his comedic explorations of the banal become so beautiful.

2 days ago

Menslies makes experimental posters for China’s club scene that shed grids and look purposely worn in

13 hours ago

Templo’s visual identity for DeafCity Hub is a fusion of creative coding, British sign language and gestural motion capture

13 hours ago

Gary Grimes examines the niche memes and noughties tech-optimism behind Zara Larsson’s visual world

2 days ago

Skincare has never looked so good: Odds’ identity for Alaena strikes a soft balance between science and nature

2 days ago

“I like to draw pretty things”: Lia Sued C. on trading too much screen-time for tactile illustrations

2 days ago

“This is just another phase the creative industry will take in its stride”

2 days ago

The Weekend With Can Can Press

5 days ago

Nicer Tuesdays LA: Get tickets for The New Company, Arielle Bobb-Willis, ilovecreatives and Bill Rebholz in September!

7 August 2026

Absolutely bananas! In a new book, 100 artists celebrate the fruit basket’s favourite class clown

6 days ago

Crocs and walking alarm clocks: Alistair Nicholls embraces “pure silliness” in his self-funded claymation

6 days ago

Nicer Tuesdays London: Get tickets for ManvsMachine, Silvana Trevale and Luci Pina in October!

5 days ago

Elizabeth Goodspeed on Szilveszter Makó and the commercial appeal of the auteur

7 days ago

The mascots, design and visual history of Wikipedia, the encyclopedia that puts functionality above aesthetics

Who actually makes Wikipedia? It’s Nice That speaks to the creatives behind, in-front and all around the greatest internet database, the site where every single human is the target audience.

Projects + Creatives

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Projects + Creatives

Victor Hwang on why we should be updating existing websites rather than making new ones

7 days ago

Marina Willer crafts letters with light and projection for BFI London Film Festival’s new identity and campaign

7 days ago

Hunter Harvey’s “text paintings” are graphic parodies where the typeface is the main character

8 days ago

Work
Art
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Insight + Opinion

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Insights + Opinion

Elizabeth Goodspeed on Szilveszter Makó and the commercial appeal of the auteur

7 days ago

The mascots, design and visual history of Wikipedia, the encyclopedia that puts functionality above aesthetics

8 days ago

How retro branding is bringing warmth and fun to São Paulo’s bars and restaurants

9 days ago

Why making the real thing still holds its magic: Isabel + Helen on a decade of putting impossible inventions into motion

As their Motion Sickness show opens at The Conran Shop for LDF, we catch up with the pair on their continued fascination with the mechanics of things, to uncover just how they have pulled off so many breathtaking projects – from larger-than-life kinetic sculptures to wearable Power Suits.

Resources + Advice

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Resources + Advice

Culture + Lifestyle

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Culture + Lifestyle

Explore over 580 inspiring talks on the new Nicer Tuesdays platform

Nicer Tuesdays is a global event from It’s Nice That: an evening of talks where speakers from across the creative sphere share insights from landmark projects.

Explore

Must reads

Igor Bastidas on the curious process of illustrating other people’s arguments

Features

Tinder’s first rebrand in nearly a decade channels the voice of a dating columnist

14 July 2026

The Nice FeedRefreshed 7h ago

“It’s weirdly helpful to get lost along the way” – how to make a film with John Wilson

Menslies makes experimental posters for China’s club scene that shed grids and look purposely worn in

Templo’s visual identity for DeafCity Hub is a fusion of creative coding, British sign language and gestural motion capture

Gary Grimes examines the niche memes and noughties tech-optimism behind Zara Larsson’s visual world

Skincare has never looked so good: Odds’ identity for Alaena strikes a soft balance between science and nature

“I like to draw pretty things”: Lia Sued C. on trading too much screen-time for tactile illustrations

“This is just another phase the creative industry will take in its stride”

The Weekend With Can Can Press

Nicer Tuesdays LA: Get tickets for The New Company, Arielle Bobb-Willis, ilovecreatives and Bill Rebholz in September!

Absolutely bananas! In a new book, 100 artists celebrate the fruit basket’s favourite class clown

Crocs and walking alarm clocks: Alistair Nicholls embraces “pure silliness” in his self-funded claymation

Nicer Tuesdays London: Get tickets for ManvsMachine, Silvana Trevale and Luci Pina in October!

Elizabeth Goodspeed on Szilveszter Makó and the commercial appeal of the auteur

The mascots, design and visual history of Wikipedia, the encyclopedia that puts functionality above aesthetics

Projects + Creatives

Victor Hwang on why we should be updating existing websites rather than making new ones

Marina Willer crafts letters with light and projection for BFI London Film Festival’s new identity and campaign

Hunter Harvey’s “text paintings” are graphic parodies where the typeface is the main character

Insight + Opinion

Elizabeth Goodspeed on Szilveszter Makó and the commercial appeal of the auteur

The mascots, design and visual history of Wikipedia, the encyclopedia that puts functionality above aesthetics

How retro branding is bringing warmth and fun to São Paulo’s bars and restaurants

Why making the real thing still holds its magic: Isabel + Helen on a decade of putting impossible inventions into motion

Resources + Advice

“This is just another phase the creative industry will take in its stride”

“Grunt work is a right of passage”

“The worst thing you can do is stay unchallenged for too long”

Culture + Lifestyle

“It’s weirdly helpful to get lost along the way” – how to make a film with John Wilson

20 years, a bunch of photographers, one very sweaty archive: how to shoot The Warehouse Project

“I take the silliness very seriously”: Joe Lycett on taxidermy, extinction and his debut solo exhibition

Explore over 580 inspiring talks on the new Nicer Tuesdays platform

Must reads

Igor Bastidas on the curious process of illustrating other people’s arguments

20 years, a bunch of photographers, one very sweaty archive: how to shoot The Warehouse Project

From Barbie logos to medieval manuscripts: step inside Teddy Blanks’ film title design process

I bumped into my ex (boss): Harriet Richardson on life after design

“I take the silliness very seriously”: Joe Lycett on taxidermy, extinction and his debut solo exhibition

The story behind Present & Correct, the perfectly curated stationery shop that’s every graphic designer’s dream

Robert Beatty on retro Photoshop, creative friction and designing album covers that feel almost primeval

How to wield the power of fan culture in design

Tinder’s first rebrand in nearly a decade channels the voice of a dating columnist

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