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Identity

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Anatomy’s campaign for the Horniman museum is built on a bespoke typeface foraged from it’s collections and gardens

Design studio Supersystème builds visual worlds by treating typography as image

Noble Signs restores NYC’s storefront signage so you “feel at home before you’ve stepped in your own door”

From hand-drawn type to doodled logos, illustration takes the lead in the visual identity for Florence’s first art book fair

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

“Story is humanity’s oldest technology”: Wedge Studio on its 12 steps for tackling design projects

Building a brand means building a world – that’s why Blanca Doba’s identity for Bare Earth didn’t stop at a wordmark

“Every one in the world is a flower”: Photographer Da’Shaunae Marisa on the importance of grief and knowing your roots

How&How’s colourful and collaged Bristol Dockyards rebrand makes nautical cliches walk the plank

What happens when the gap between thinking and making closes?

From Olivetti to Instagram: a short history of modern brand design

Sicko is a book that celebrates the design of airline sick bags and the man who’s collected them since 1989

Mamdani’s NYC World Cup campaign is inspired by sports memorabilia, city signage, the subway and the five boroughs

Sebastian Curi, How&How, Minute Shorts, Canva: Tickets now available for Cannes Nicer Tuesdays!

James Stuart is railing against boring design with techniques inspired by the spirit of Arabic hardcore music

Daryn Roongrawewan doesn’t design logos, she crafts “ornamental icons”

How does contemporary type design translate into the wider world? Type01’s Amber Weaver shares her wisdom

Why design studio OnePlus treats branding like cultural excavation, not invention

How do you design youth? The Young Vic’s new logo uses motion blur to flip dated theatre branding

A tobacco factory turned restaurant, Nikotin’s logo takes the shape of a cigarette