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Accidental Collage is a celebration of noticing the hidden worlds of printed ephemera, torn posters and bygone advertising

Accidental Collage is a celebration of noticing the hidden worlds of printed ephemera, torn posters and bygone advertising

“Designing a good poster is a dark art” – highlights from this year’s INTL poster competition

“Designing a good poster is a dark art” – highlights from this year’s INTL poster competition

Mistakes, chaos and meditation: inside the mind of Bráulio Amado

Mistakes, chaos and meditation: inside the mind of Bráulio Amado

Design disasters or creative solutions? The self-made paper signs replacing wayfinding in Singapore’s railway stations

19 October 2026

Source Type’s Dictionary of the Illegible explores what happens when typography stops making sense

19 October 2026

A colourful grid of ten blocks, each featuring a different artist or band name in a stylised font. The names include “Gorillaz”, “The Prodigy”, “Kae Tempest”, “Hiroko Yamamura”, “Iglooghost”, “Lykke Li”, “Boko yout”, “Luisa Almaguer”, “Just Mustard” and “Idles”.

Andrej & Andrej gives Pohoda Festival an identity refresh, complete with 3D babies and a futuristic typeface

14 October 2026

A red poster in a black frame reads “Festes de Moros i Cristians d’Oliva 2026”. Two green figures in traditional costumes face each other, with the date “Del 16 al 19 de Juliol” printed below.

Sergio Membrillas on treading the path between two disciplines and taking yourself seriously as an art director

A line drawing of a cow on a pink background. Five empty buckets are arranged in two rows beneath the animal.

Nomka Enkhee’s whimsical cartoons are made up of mundane objects inspired by cursive handwriting

29 September 2026

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Three versions of a black and white graphic poster. The design features the word “ESCAPE” in a bold, dotted typeface above the word “ISM”, flanked by two dotted heart shapes. Small text reads “ART-ROCK, USA” and “TROKSON, 10.07”.

Designer Alexis Cros champions his local community through grungy, distorted graphics

28 September 2026

A colourful graphic poster designed like a crossword puzzle. The top reads “Heim” and “Residents” alongside the dates “7.18” and “7.19”. The grid contains names including “Kekexili”, “Floating”, “Call a Taxi” and “He Shang”. Various playful illustrations, such as a bear and a crown, surround the puzzle.

Menslies makes experimental posters for China’s club scene that shed grids and look purposely worn in

22 September 2026

How retro branding is bringing warmth and fun to São Paulo’s bars and restaurants

14 September 2026

A person smiles while standing at a podium with a microphone. The podium features the text “NICER TUESDAYS”. To the right, a large red lily is laid over a black and white image of clouds.

Jazz Grant uses collage as a radical form of archiving for The V&A and Hackney City Library

A split screen shows a person speaking at a podium on the left and a stylised illustration of a snow-capped mountain on the right. The podium features the text “NICER TU”.

How Lily Kong’s paintings of nature offer “a collective memory of sharing a space”

A colourful poster for the band Bikini Kill. The top section features the band name in white stars over a rainbow gradient, while the centre shows a collage figure in a landscape. The bottom section contains a stylized illustration of figures and the text “Snooper” and “29-30-2pm Mill Mine”.

Ian Teeple’s punk flyers look like they’ve been dragged through a photocopier and a mosh pit

An album cover featuring a black and white portrait of a person wearing a headscarf. They are framed by a yellow sunburst and architectural shapes against a dark background. Text at the top reads “EMAHOY TSEGE MARIAM GEBRU” in English and Amharic.

Sam Wenc’s handmade album covers for independent music prove the importance of doing it yourself

Anatomy’s campaign for the Horniman museum is built on a bespoke typeface foraged from its collections and gardens

A yellow typographic poster divided by a black grid. Large, black lowercase letters spell “faubourgs” across the layout, interspersed with repeated text that reads “Festival des Faubourgs 23–25.08.2024”.

Design studio Supersystème builds visual worlds by treating typography as image

An illustration of a purple, creature-like figure with pointed ears and glowing red eyes. A small fly rests on its head, and a single green drop falls from a crack in its forehead.

Robert Beatty on retro Photoshop, creative friction and designing album covers that feel almost primeval

From hand-drawn type to doodled logos, illustration takes the lead in the visual identity for Florence’s first art book fair

The cover of Plop Polish Design Revue, issue 02, featuring a bold black silhouette of a figure with a wide hat. A large red block at the bottom contains the quote, “I’m not someone who can organize a protest. But I can make a poster.”

At Warsaw’s The Poster Festival, a new school of artists emerge alongside an overlooked history of graphic design