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An album cover featuring a black and white portrait of a person wearing a headscarf. They are framed by a yellow sunburst and architectural shapes against a dark background. Text at the top reads “EMAHOY TSEGE MARIAM GEBRU” in English and Amharic.

Sam Wenc’s handmade album covers for independent music prove the importance of doing it yourself

With over ten years experience in DIY music, Sam Wenc reminds us why album art, merchandise and posters should feel DIY too.

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Date
5 August 2026

The Philadelphia-based Sam Wenc, an interdisciplinary artist, composer and “improviser” has been making album covers, show posters and merchandise for over ten years. It really shows. A self taught designer, his work is inspired by various aesthetics which is evident in his taste of music – Yo La Tengo, Emahoy Tsege Mariam Gebru, Arvo Part – all artists he has also worked with. At the core of his practice is a handmade collage-style approach – it’s soulful, non-flashy and folky takes on design, sculpture, textile art and poetry. “They all are pulling from the same well that has its roots in my relationship with sound,” says Sam. “Contrast, harmonics, decay, velocity, attack, rhythm, pulse, texture, heart, all come into play when thinking about making work.”

As the co-founder of Lobby Art Editions, a record label that releases works by artists that explore the boundaries of genre, Sam knows his stuff. “Where I first really grew to appreciate the care and intent of crafting a visual language to accompany albums would be from my time with Hometapes Records (shoutout Sara and Adam!)” says Sam. “I interned with them while I was in undergrad and they ran the label out of their house. This is where I fell in love with packaging, print and the whole presentation of an album.” Through the multi-directional responsibilities of running a label that celebrates indie artists and representing them through faithful album art, Sam encapsulates what is so addicting and warm about underground music.

His album cover designs get to the heart of the DIY attitude with block prints, scanned archival materials, cut up shapes and homespun photographs. Unpretentious and made to touch and hold, Sam’s work is inspired by “hearing and feeling the labour in music, art and design”, – meaning, even the grunt work of packing up records and making runs to the post office feel integral to the process. “I want to know if a human touched it, ran it through their fingers and made a decision and ran with it,” ends Sam.

A black and white collage of five band members, overlaid with bold, colourful text. The yellow text at the top reads “SMELLS LIKE...”, while the word “FLORRY” appears in blue, wavy letters across the centre. Red text at the bottom reads “LIVE AS HELL”.
Above

Sam Wenc: Florry (Copyright © Sam Wenc, 2026)

A green and cream poster for the film “Chess of the Wind”, directed by Mohamed Reza Aslani. Stylised portraits of three people appear above the title, with a central figure seen from behind. Text at the bottom lists screening dates in June at the Anthology Film Archives, Hollywood Theater and Sun Cinema. A final sentence describes the event as a release for a “masterpiece of Iranian cinema” revived by Martin Scorsese’s World Cinema Project.
Above

Sam Wenc: Chess Of The Wind (Copyright © Sam Wenc, 2026)

A black and white publication titled “Meridian Edition” rests on a series of matching prints. The cover features a high-contrast image of a person riding a motorbike across a rugged landscape.
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Sam Wenc: Country Tropics: Meridian Edition (Copyright © Sam Wenc, 2026)

A poster for a screening of Kelly Reichardt’s film “Old Joy”, featuring a large, pale cloud of smoke or dust against a muted teal background. Text at the top reads “Mississippi Records & Bomb Magazine present” and “Vinyl soundtrack release & screening of Kelly Reichardt’s 2006 classic”. The bottom of the poster lists the venue as “Film Forum” in New York, with the date “January 14th, 2025”.
Above

Sam Wenc: Yo La Tengo: Old Joy (Copyright © Sam Wenc, 2026)

A film poster for Old Joy, featuring a landscape of rolling green hills and pine trees under a pale sky. In the foreground, a person bends over near an orange tent and a brown sofa left in the wilderness. Blue and red text reads “soundtrack by Yo La Tengo”, “Old Joy” and “film by Kelly Reichardt”.
Above

Sam Wenc: Yo La Tengo: Old Joy (Copyright © Sam Wenc, 2026)

A purple and green poster for a screening of the film “And then came the evening and the morning”. Large, bold text across the centre reads “Arvo Pärt”, with “Anthology Film Archives” layered behind it. The bottom half features a purple-toned image of a bearded person holding a bell.
Above

Sam Wenc: Arvo Part (Copyright © Sam Wenc, 2026)

A black and white photograph of three people, with a person in a light-coloured suit singing into a microphone. They are set against a red patterned background featuring white, radiating floral motifs.
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Sam Wenc: Alick Booklet (Copyright © Sam Wenc, 2026)

A black and white photograph shows a group of musicians posing together. They are dressed in smart attire, including suits and ties, and stand in front of a backdrop featuring the “CABs” logo.
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Sam Wenc: Alick Booklet (Copyright © Sam Wenc, 2026)

Two vinyl record sleeves and a black disc are laid out on a white background. The covers feature abstract, sketch-like illustrations and the name “Johnny Coley”. One sleeve reads “where the smoke goes” and the other “as it hits the sky”.
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Sam Wenc: Johnny Coley (Copyright © Sam Wenc, 2026)

A black rectangular panel on a cream paper background features six white abstract shapes stacked vertically. The top shape is a tight coil of lines, followed by five increasingly fluid, organic loops.
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Sam Wenc: Clarity (Copyright © Sam Wenc, 2026)

A gold album cover featuring a portrait of a person in a traditional headpiece. The text reads “EMAHOY TSEGE MARIAM GEBRU” at the top and “SOUVENIRS” at the bottom. The cover is held in front of three copies of the album's inner sleeve, which shows a colourful illustration of a figure holding a child.
Above
Left

Sam Wenc: Emahoy (Copyright © Sam Wenc, 2026)

Right

Sam Wenc: Emahoy (Copyright © Sam Wenc, 2026)

A person flips through a book, revealing a portrait of a person wearing a white headscarf. The page is laid over a gold foil cover featuring the word “SOUVENIRS” and the name “MARIAM GEB”.
Above

Sam Wenc: Emahoy (Copyright © Sam Wenc, 2026)

A black vinyl record rests on an open art book filled with mixed-media collages and photographs. The pages feature a blend of abstract paintings, sketches and candid portraits of a person.
Above

Sam Wenc: Johnny Coley (Copyright © Sam Wenc, 2026)

Hero Header

Sam Wenc: Emahoy Poster (Copyright © Sam Wenc, 2026)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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