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Design studio Supersystème builds visual worlds by treating typography as image

How Parallel Press is cataloguing Black history through indie books, graphic design and space travel

Kelli Anderson’s paper gadgets and pop-up books approach graphic design as a fine art

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

How&How’s colourful and collaged Bristol Dockyards rebrand makes nautical cliches walk the plank

Sick of being ripped off? Raymond Biesinger illustrates a self-defense guide for creatives

Meet the iconic printmakers that shaped half a century of the UK’s contemporary graphic art

Sebastian Curi, How&How, Minute Shorts, Canva: Tickets now available for Cannes Nicer Tuesdays!

Daryn Roongrawewan doesn’t design logos, she crafts “ornamental icons”

Why design studio OnePlus treats branding like cultural excavation, not invention

Zander Raymond’s improvised collages are made from daily debris and things you might find in the bin

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The designers injecting DIY charm into Pigeons & Planes’ annual mixtape

Why a 53-year-old travel brand is going back to guerrilla print: Lonely Planet on its pocket-sized zine, Artifact

What makes a branding system sustainable? For Stoëmp, it’s rooting it in something deeper than style

4Creative’s new identity uses cut-out visuals from iconic TV shows

“Find poetry in the simple things”: The acclaimed Marina Willer on her stacked design career

Hotel Retro revives graphic luggage labels from the golden age of travel

Discover the unconventional design details hidden between the pages of Neat Rodanant’s publications

“I love love”: Charlotte Winkler’s comics are all about care, connection and belonging

Yee Hawr: horsegiirL is the new long face of Dinamo’s half sans half serif experiment in type design