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A pixelated digital illustration of a hooded figure in orange and black. The figure holds a long sword and appears to be dissolving into fragments against a grey, textured background.
A pixelated digital illustration of a hooded figure in orange and black. The figure holds a long sword and appears to be dissolving into fragments against a grey, textured background.

How pixel art of the early web inspires John Provencher’s design work

John harnesses the nascent potential of HTML and JavaScript to craft digital marvels within the confines of the web browser.

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Date
5 September 2023

Graphic designer, artist, and educator John Provencher is making waves in the New York design scene. His work is, simply put: incredibly unique. It’s exciting, tantalising, different and pulsating with life. It’s no wonder he’s inspired by the likes of John Cage, a chance operations maestro, and the pioneers of early net-art who tinkered with HTML and JavaScript within web browsers. John’s work is embedded deep into the rich physicality of the internet, taking pixel art and code to a new artistic level. Presently, his “current practice explores the generative nature of software as a tool to output works both on/offline through the form of art collections, exhibitions and select commissions,” he tells It's Nice That, not too far off from what inspired the early visuals of PC Music. “I draw from my past as a graphic designer to create systems for variation,” he adds.

Recently, John has also dived deep into algorithms and pixel manipulation. He's fixated on the history of pixel art – think early web vibes, video games, and printing – when pixel play was a necessity due to screen limits. But for John, these vintage techniques aren’t stumbling blocks; instead, they launch daring experiments that pay homage to the past while shaping the future.

A pixelated digital image of a cloaked figure riding a horse. The scene is rendered in a dithered style with a pink and purple striped background.
Above

John Provencher: lore series (Copyright © John Provencher, 2023)

A high-contrast red and black illustration of four figures standing on a rocky outcrop. The largest figure in the foreground holds a shield and stands over two large, circular objects.
Above

John Provencher: lore series (Copyright © John Provencher, 2023)

Two thermal printer receipts side by side. The text on each is composed of repeated “ha” and “hahaha” sounds, arranged into different abstract shapes. Each receipt includes a date and time at the top and a QR code at the bottom.
Above

John Provencher: 80mm ∞ thermal receipt print, new inc exhibition, dunkunstkhall (Copyright © John Provencher, 2023)

A series of three black and white digital images, each featuring a large oval containing different abstract patterns. The top image shows a jagged, organic texture, the middle is mostly black with diagonal streaks, and the bottom contains fine, parallel diagonal lines.
Above

John Provencher: HELL WELCOMES ALL (Copyright © John Provencher, 2023)

An abstract digital illustration featuring six circular clusters of pink and white dots arranged in a grid. The shapes are set against a light grey background with olive green striped bands and pixelated patterns. A string of alphanumeric code is printed in a small black font at the bottom.
Above
Left

John Provencher: circle(s) collection (Copyright © John Provencher, 2023)

Right

John Provencher: Maps collection, ArtBlocks (Copyright © John Provencher, 2021)

A geometric print in green, yellow and white. A large green semi-circle is set against a background of vertical stripes and pixelated patterns.
Above

John Provencher: Maps collection, ArtBlocks (Copyright © John Provencher, 2021)

A grid of 39 green and white abstract patterns on a grey background. Each square contains a different geometric arrangement of dots and lines, numbered from “01” to “39”.
Above

John Provencher: Apple's Zipped Lips on Chips (Copyright © John Provencher, 2022)

A digital collage of a large, colourful butterfly with pixelated wings. The butterfly is layered over a grey and yellow abstract background with fragmented shapes.
Above

John Provencher: Message Incoming . . ., The Baffler artist feature (Copyright © John Provencher, 2022)

Hero Header

John Provencher: lore series (Copyright © John Provencher, 2023)

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About the Author

Joey Levenson

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Joey is a freelance design, arts and culture writer based in London. They were part of the It’s Nice That team as editorial assistant in 2021, after graduating from King’s College, London. Previously, Joey worked as a writer for numerous fashion and art publications, such as HERO Magazine, Dazed, and Candy Transversal.

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