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An open book displays a yellow page with a red card laid over it. The card features the word “TRASH” in bold, black, distorted lettering.
An open book displays a yellow page with a red card laid over it. The card features the word “TRASH” in bold, black, distorted lettering.

Designer Gabrielle Adam is finding inspiration in everything cheesy, kitsch and fun

The more silly something is, the more likely it is the freelance designer is going to be a fan.

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Date
16 July 2025

The inspiration behind Gabrielle Adam’s bold branding work is usually anything “cheesy, kitsch or fun”, she says. “I’m drawn to big type, lots of colours, and a silly, catchy tone of voice.” Old Americana ads, the kinds of prints and posters you’ll find rummaging in stacks at flea markets, and the movement of illustrations in Disney cartoons are all on the list of things that “elicit a really strong feeling within me, one of amazement, excitement, curiosity, like an electric shock in my gut and chest”, the designer shares. Amongst all her influences a sense of playfulness comes to the fore – “It’s what continues to surprise and impress me,” Gabrielle says.

Part Belgian, French and American, the freelance designer grew up in Luxembourg and has been based in Copenhagen since 2023, following a stint in London. As a type enthusiast, beautiful lettersets are often a focal point for Gabrielle’s thoughtful branding work: whether that’s elegant de-bossed serifs for a new packaging system for print house Marceli or chunky block letters on brat green for Brussel’s burger joint Gars Gras. The creative is regularly keeping us updated with a range of her fun letterform experiments over on Instagram and completes this love for type through thoughtful, humorous copywriting that has a knack for nailing a brand’s tone of voice.

The graphic designer was led into the branding space by a love of storytelling through design. Working with a range of clients across sectors, Gabrielle is always drawn to those projects that strike a chord with her interests. “I often need to find the subject matter interesting in order to feel creative”, she says, “(thanks ADHD!).” So once she’s locked in on a brand’s purpose and story, her process relies on a heavy dose of research and strategy, with just enough room for something bold and different to creep its way into her designs. “I get random ideas when watching shows, going for walks, listening to podcasts – I find it fun to bring those visions to life through conceptual designs,” she ends.

Three minimalist posters for “Premolar Grains” are displayed in a sleek, metallic transit station. Each features a high-detail close-up of a dental product, including a swirl of toothpaste, a liquid drop, and a tablet dissolving in water.
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Gabrielle Adam: Premolar Grains (Copyright © Gabrielle Adam, 2024)

A round, white stone vase with irregular black speckles sits against a grey background. Bold white text at the top reads “Objekt”, while the bottom reads “The Archive of Beautiful Objects”.
Above

Gabrielle Adam: Objekt (Copyright © Gabrielle Adam, 2024)

A collage of botanical illustrations on a black background. The images of plants are arranged in two rows, framing the bold white text “Mother’s Medicine”.
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Gabrielle Adam: Mother’s Medicine (Copyright © Gabrielle Adam, 2025)

A 3D render of various rectangular product boxes scattered across a white surface. The boxes feature bold typography in different colours, including “Omni”, “Other”, “ReRite”, “6D” and “Jezebel”.
Above

Gabrielle Adam: OSSO (Copyright © Gabrielle Adam, 2023)

A sesame seed burger with dripping sauce sits on a bright red plastic plate. Beside it lies a lime green menu listing items such as the “Gras Burger” and “Veji Burger”.
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Gabrielle Adam: Gars Gras (Copyright © Gabrielle Adam, 2024)

A graphic in lime green and black featuring a large, oval shape at the top. Bold text below reads “GREASY FOOD. GOOD COMPANY.” and “GARS GRAS”, with “BRUSSELS, BELGIUM” and “EST. 2024” at the bottom.
Above

Gabrielle Adam: Gars Gras (Copyright © Gabrielle Adam, 2024)

A business card balances on its edge atop a thick stack of similar cards. The card features the word “MARCELI” in a bold serif font, with the word “Tradition” written in a flowing script below.
Above

Gabrielle Adam: Marceli idenitity for Hugmun Studio (Copyright © Hugmun, 2025)

A collection of white stationery and branding materials for “Marceli” set against a black background. The items feature a mix of bold sans-serif and elegant script typography, including the phrases “We Don’t Print. We Press.” and “Foldable Not Forgettable”.
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Gabrielle Adam: Marceli idenitity for Hugmun Studio (Copyright © Hugmun, 2025)

A graphic design in yellow, pink and blue featuring repeated text. The top reads “DON’T HALF-ASS IT.” while the bottom reads “Make it Matte®”.
Above

Gabrielle Adam: Make It Matte® for Benito Mockups (Copyright © Bendito, 2024)

A laptop sits on a dark desk against a pale purple background. The screen displays a yellow layout with a collage of images and the bold black text “VIF”.
Above
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Gabrielle Adam: VIF (Copyright © Gabrielle Adam, 2025)

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Gabrielle Adam: VIF (Copyright © Gabrielle Adam, 2025)

A dark, rounded vase holds a single thin stem topped with a butterfly. Large, bold white lettering across the centre reads “Vif”, with “NATURAL SKINCARE” written in smaller yellow text below.
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Gabrielle Adam: VIF (Copyright © Gabrielle Adam, 2025)

A grid of black abstract shapes and stylised hearts on a pink background. The shapes vary in texture, with some appearing as solid black and others as grainy gradients.
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Gabrielle Adam: We Love Founders identity for Substance Studio (Copyright © Substance, 2024)

A light blue T-shirt is draped over a wooden sideboard. It features a bold red graphic that reads “HOJI CLUB”, with the phrases “Roasty, Toasty” and “and a Little Bit Naughty.” printed around it.
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Gabrielle Adam: Hoji Club (Copyright © Gabrielle Adam, 2025)

Hero Header

Gabrielle Adam: Trash (Copyright © Gabrielle Adam, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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