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Lizzy Stewart’s The Wreck tells a messy love story like only an illustrator could

A new leaf: an exclusive look inside The New York Times Magazine redesign

Elizabeth Goodspeed on why design writing needs designers writing

“What if everyone started making out?” Andrea Marti’s horny photo series tackles Gen Z’s lack of intimacy head on

Good magazines copy, great magazines steal: The Fence on mining the archives to create one of the UK’s best periodicals

Break out of the simulation with Isle of Any and Oscar Hudson’s new video game-inspired advert for Coinbase

Lan Truong’s pen plotter paintings are making us way less wary of art made by machines

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Wedge Studio, Mindy Seu, Da’Shaunae Marisa and Ben Sanders: Get tickets for April’s Nicer Tuesdays in LA!

How Ffern is making branding feel less like advertising and more like cinema

Annie Atkins on how designing film props is like specialising in forgery

Laika’s 20 years of stop-motion carry lessons aplenty in craft and storytelling

Jas Bell on crafting a visual solar system for SZA

Punks to front pages: How Derek Ridgers has captured London’s music scene for over 50 years

Google Sheets as performance art: Liang-Jung Chen on painstakingly documenting the UK citizenship process

Anton Repponen found an award-winning photo project during a camera roll deep dive

Marina Willer, Lizzy Stewart, intranetgirl, Ollie Babajide Tikare: Tickets now available for April’s Nicer Tuesdays!

Marvel at the animated alchemy behind Mackenzie Crook’s Small Prophets

Daniel Savage on the irony of using a robot to make something that feels more human

How artist and photographer Lindsay Perryman turned visual storytelling into a form of survival

Sarah Elawad on breaking graphic design rules to make space for joy, hope and activism