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The back cover of a CD case features a tracklist in colourful, handwritten lettering. The songs include “Frágiles”, “Me daría igual” and “Mimentekistán”, each with its corresponding duration. Beside it, a black and white image shows a dark surface covered in white, scribbled text. The words “Roneo Funk Club” and “La Plazuela” are repeated across the composition.

Whether it’s Tipp-Ex or crayons, David Heofs builds music identities from physical materials

This designer has built a practice that’s brimming with physicality, texture and contrast – from hand-painted lettering and collage to meticulously crafted typography.

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Date
25 June 2026

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The Madrid-based graphic designer David Heofs sits at an interesting creative crossroads, straddling both graphic design and production. In 2010, he founded Bandiz, a creative studio dedicated to contemporary music, producing films, music videos and commercial work alongside graphic design within the same space – be it album artwork, posters or artist identities. Mirroring the variety of character and voice among the music industry, Bandiz’s output is similarly eclectic. However, it also maintains a distinctive underlying approach, one that’s led by subtlety and visual instinct.

This specific tone comes from both David’s enjoyment of mixing his two disciplines and the purposefully physical processes that underpin his practice. Using anything from Tipp-Ex, ink and pencils to wax crayons, felt tips and collage, there is an inescapable tactility to the work Bandiz produces, resulting in proudly imperfect, textural work. It feels alive and energetic – authentic to the artist it’s representing – and often serves as an analogue contrast to the digital execution of David’s typography. Across his compositions, there is an understanding of hierarchy and discipline that David can expressively disrupt, creating striking arrangements that dance around analogue work or sit in stark juxtaposition.

Music occupies a space that David finds particularly rewarding, due to the expansive and complete world it can allow him to craft. With every project and artist, he gets the opportunity to find the language and voice of the musician and build out an extended visual narrative. Jorge Drexler’s Taracá, for example, directly references the candombe drum – the hand-painted drums used in Candombe music of Uruguay – through hand-painted lettering applied directly onto wood, following exploratory themes of territory and memory in the process. Beyond the artists themselves, David’s other influences revolve around collections such as rare books, fanzines, DVDs, CDs, toys and books. All of which culminate to form the sundry of popular culture that makes up David and Bandiz’s creative fibre.

Two album covers for Jorge Drexler. The first shows the word “Tora” written in thick, textured blue paint on a light wood background. The second is a white collage featuring the same blue lettering alongside abstract sketches and a small green square.
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Bandiz, David Heofs: Jorge Drexler – Taracá (Copyright © Sony Music, 2025)

A black vinyl record sits beside its cover art. The white sleeve features expressive, gestural scribbles in gold and a bold blue script that reads “Taracán”.
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Bandiz, David Heofs: Jorge Drexler – Taracá (Copyright © Sony Music, 2025)

A collage of four images showing a series of artistic works. The top row features a page of text, a portrait of a person sitting on a stool, and a dark abstract composition with radiating lines. The bottom row shows two pages of handwritten and typed text in Spanish.
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Bandiz, David Heofs: Jorge Drexler – Taracá (Copyright © Sony Music, 2025)

Two album covers side by side. The first shows a bright white sun over a rocky coastline and reads “Si Ayer Fuera Hoy” and “Morat”. The second is a close-up of a person’s face with the word “Cursi” in silver glitter and the name “Zoe Gotusso”.
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Bandiz, David Heofs: Morat – Si Ayer Fuera Hoy / Zoe Gotusso – Cursi (Copyright © Universal Music, 2022 / Sony Music, 2024)

The front and back covers of an album. The front shows a person standing in a field surrounded by dogs, with a large satellite dish in the background and the words “Depresiónu Sombra” written in bold, white, hand-drawn lettering. Below them, a caption reads “Los perros no entienden internet (...y yo no entiendo de sentimientos)”. The back cover is a grainy, black-and-white image of the satellite dish with a tracklist and a barcode.
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Bandiz, David Heofs: Depresión Sonora – Los Perros no Entienden Internet (Copyright © Sonido Muchacho, 2025)

A diptych featuring a photograph and an illustration. On the left, a person sits on a brick floor surrounded by a group of dogs of various breeds. On the right, three stylised white line drawings of dogs are layered over a blurred night scene.
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Bandiz, David Heofs: Depresión Sonora – Los Perros no Entienden Internet (Copyright © Sonido Muchacho, 2025)

Two event posters for the venue Planta Baja. The first is purple with a drawing of a crab and reads “Mecha”, “Aiko El Grupo Amigas!” and “Delaschuches”, dated 07.04.22. The second is lime green and blue with bubble lettering reading “Mecha”, listing “Mori”, “Chicha” and “Alexander Gross”, dated 13.05.22.
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Bandiz, David Heofs: Mecha Club Poster Series (Copyright © Bandiz, 2024)

A two-page spread of a record sleeve. The left page is a collage of abstract shapes, scribbled blue ink, and blurred photographic fragments. The right page lists the tracklist for Jorge Drexler’s album “Taracá”, featuring song titles and guest artists over a pale green wash.
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Bandiz, David Heofs: Jorge Drexler – Taracá (Copyright © Sony Music, 2025)

Two posters for the artist Rusowsky. The first is a black and white collage featuring a person reclining in sunglasses and the text “SAB. 14 MAYO” and “SAN ISIDRO 2022”. The second is a colourful 3D render of a shirtless person standing in front of a pink house on fire, with a list of tour dates for 2023–24.
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Bandiz, David Heofs, rata.deinternet: Rusowsky Poster Series (Copyright © rusia-idk, 2024)

Two colourful event posters for “Soundit 10 Years”. The left poster is yellow and green, listing artists including “2ManyDjs”, “Lakuti”, “Tama”, “Sumo”, “Eclair”, “Fifi” and “Verushka” for 9 March 2024. The right poster is pink and blue, listing “Apparat”, “Kettama”, “Yu Su”, “Tekka” and “You_el” for 23 March 2024. Both posters feature the San Miguel logo and the venue “Parc del Fòrum Barcelona”.
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Bandiz, David Heofs: Soundit Poster Series (Copyright © Bandiz, 2024)

Two album covers side by side. The first is a collage of a person in a blue jacket and a person in a red T-shirt, overlaid with the word “ZIZOU” and the names “DELLAFUENTE” and “MORAD”. The second shows a figure walking through a glowing blue archway under the title “MILAGRO”.
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Bandiz, David Heofs: Dellafuente & Morad – ZIZOU / Dellafuente – Milagro (Copyright © MAAS, 2023 / Sony Music, 2021)

A black and white image of two open pages from a spiral-bound notebook. The pages are filled with dense, cryptic diagrams, geometric shapes and illegible symbols that resemble a technical blueprint or a secret code.
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Bandiz, David Heofs, Gonzalo Hergueta: Vimana Book (Copyright © Bandiz, 2016)

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Bandiz, David Heofs: Besmaya EP / La Plazuela Lettering Artwork (Copyright © Sony Music, 2022 / Universal Music Spain, 2023)

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About the Author

Harry Bennett

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Hailing from the West Midlands, and having originally joined It’s Nice That as an editorial assistant in March 2020, Harry is a freelance writer and designer – running his own independent practice, as well as being one-half of the Studio Ground Floor.

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