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A collection of colourful, geometric stickers scattered across a white background. The shapes include stylised flowers, birds, and abstract figures in bright red, yellow, blue and pink.

Colourful cut-outs are the building blocks of Charry Kyung’s joyful, geometric designs

The South Korean designer uses Matisse-inspired techniques in her vibrant brand identities, posters, and publications.

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Date
11 March 2025

When designer Charry Kyung steps away from her desk, she likes to take a stroll around unfamiliar neighborhoods, taking in all of the “mysterious shops and signs” and observing things that often get overlooked — like the different species of flowers in people’s gardens. “Old stationery stores are also a favourite place of mine,” she says. “I'm inspired by all the wacky colours, typography, and strange graphic shapes I stumble upon in my observations.”

Nothing goes unnoticed; the designer keeps a mental scrapbook of all of the shades and forms she encounters. Later, these feed into her colourful geometric forms. Since moving into product and lifestyle design, Charry has also built a collection of mundane, obsolete, and odd objects. “To me, every object has a story and design value, and I like to collect beautiful and useless things to pull out when I need inspiration.” The designer likes to keep track of references on an ongoing inspiration board. Live on her website, it includes images of everything from food to chairs (which we’ve been loving at It’s Nice That) — a window into her inner creative world, aptly titled ‘What's in my head’.

Much like her melange of influences, where “creativity comes from curiosity and observation”, Charry is often flipping between digital and analogue, exploring new techniques for her colourful brand identities, posters, packaging and publications. Dancing across every format, whether in print or on screen, her wonderful world of cut-outs always start as the building blocks for her joyful, technicolour designs.

A green poster lies in a field of red poppies. It features a pink orchid and reads “Editorial Plants”, “Won Narue Solo Exhibition” and the dates “2024.11.08–23”.
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Charry Kyung: Editorial for plants (Copyright © Charry Kyung, 2024)

A bright pink book titled “natura” stands upright, acting as a vase for orange flowers and green foliage. It rests on a stack of two other books, one blue and one orange, the latter of which reads “dieter rams”.
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Charry Kyung: Natura (Copyright © Charry Kyung, 2023)

A collection of small, colourful artworks arranged in a grid against a white wall. The pieces feature bold, abstract shapes and stylised floral motifs in vibrant pink, yellow, blue and green.
Above

Charry Kyung: Natura (Copyright © Charry Kyung, 2023)

Two white coffee cups with orange lids sit in a blue and yellow cardboard holder. One cup features a blue floral pattern, while the other is covered in black musical symbols. The side of the holder displays the word “flafla” in a bold, white script.
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Charry Kyung: FlaFla (Copyright © Charry Kyung, 2022)

A graphic poster for an exhibition titled “Edge Effect”. The design features soft, overlapping gradients of yellow, pink, blue and green arranged in circular forms. Dates and times are listed at the bottom as “08.23–09.04” and “11:00–18:00”.
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Charry Kyung: Edge Effect Poster (Copyright © Charry Kyung, 2024)

A colourful poster for a solo exhibition by Lee Goeun titled “Wave Height”. The background is a gradient of blue, green and pink, overlaid with a white line drawing of a wave and a vertical measurement scale. Korean text and the dates “2024 11.22–12.3” are displayed across the composition.
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Charry Kyung: Wave Hight Poster (Copyright © Charry Kyung, 2024)

A bright green and blue striped gift box shaped like a small house. The words “SACRED GARDEN” are printed across the front in a thin, black typeface.
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Charry Kyung: Sacred Garden (Copyright © Charry Kyung, 2024)

An open booklet lies on a patch of dry grass. The left page is solid green with small illustrations of leaves, while the right page features blue and green stripes and the words “SACRED GARDEN”.
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Charry Kyung: Sacred Garden (Copyright © Charry Kyung, 2024)

A digital poster in a black outdoor display case against a concrete wall. The green and black design reads “SACRED GARDEN” and features abstract shapes and a QR code.
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Charry Kyung: Sacred Garden (Copyright © Charry Kyung, 2024)

A bold graphic poster featuring abstract shapes and patterns in red, blue and yellow. The top left reads “Medici Effffect”, with smaller text detailing “The 25th Graduation Exhibition” at Hansei University.
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Charry Kyung: Medici Effect (Copyright © Charry Kyung, 2023)

A desk setup featuring a computer monitor and a wall display of graphic design work. A poster and screen both show a bold, geometric illustration in red, yellow and blue with the text “Medici Effffect”. Surrounding the poster are various small prints, stickers and ID badges.
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Charry Kyung: Medici Effect (Copyright © Charry Kyung, 2023)

A green and yellow poster for an exhibition titled “RE:Materials”. The layout is split into four quadrants featuring abstract, textured shapes and Korean text. The bottom of the poster displays the dates “2024.07.13 sat – 08.04 sun” in large yellow numerals. Smaller text at the base includes the phrase “Art For Lab.” and a venue address.
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Charry Kyung: Re:Materials Poster (Copyright © Charry Kyung, 2024)

Three bottles of port wine stand against a plain grey background. Each bottle features a different coloured label and cap, with the words “Fine Ruby” and “Dom Luis Bridge” visible on the packaging.
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Charry Kyung: Sagrado Wine (Copyright © Charry Kyung, 2023)

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Charry Kyung: Natura (Copyright © Charry Kyung, 2023)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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