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“Photography allows me to remain available to life”: Arielle Bobb Willis on the power of image making

“Photography allows me to remain available to life”: Arielle Bobb Willis on the power of image making

100 tracks, 100 science projects: jazz-punk band Robocobra Quartet create a new band identity out of mould

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Exactly how Apple Music used sound to build its new brand identity

Mistakes, chaos and meditation: inside the mind of Bráulio Amado

Mistakes, chaos and meditation: inside the mind of Bráulio Amado

A painting of a multi-lane road at dusk, viewed from inside a car. To the right, a Racetrack petrol station sign stands against a pale orange and blue sky.

Madeline Rupard finds the sublime in the mundane landscapes of western America

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A close-up portrait of a person looking upwards and to the side. Bold yellow text reads “Milkshake” across the top and bottom of the image, with a copyright notice for “Sony Music Entertainment Sweden” on the left.

Studio Herrström gives disruptor music label a lightning logomark and palette made of milkshake flavours

20 October 2026

Nik Arthur’s ultimate creative partner is the natural world in his organic animations for A24 and J. Cole

19 October 2026

A colourful grid of ten blocks, each featuring a different artist or band name in a stylised font. The names include “Gorillaz”, “The Prodigy”, “Kae Tempest”, “Hiroko Yamamura”, “Iglooghost”, “Lykke Li”, “Boko yout”, “Luisa Almaguer”, “Just Mustard” and “Idles”.

Andrej & Andrej gives Pohoda Festival an identity refresh, complete with 3D babies and a futuristic typeface

14 October 2026

An animation of a pixelated white typeface reading “abcdefg” against a dark, textured background. A cursor moves across the letters, adjusting red measurement markers and grid lines.

How Love And Money designed the identity and tiny typeface for Tame Impala’s synthesiser brand, Orchid

An illustration of several red, glossy fruits and dark, curved shapes floating against a light blue, grainy background. The shapes are rendered with soft, blurred edges and bright white highlights.

Sandy Christ crafts fuzzy, out-of-focus illustrations that make you embrace ambiguity

Three versions of a black and white graphic poster. The design features the word “ESCAPE” in a bold, dotted typeface above the word “ISM”, flanked by two dotted heart shapes. Small text reads “ART-ROCK, USA” and “TROKSON, 10.07”.

Designer Alexis Cros champions his local community through grungy, distorted graphics

28 September 2026

A colourful graphic poster designed like a crossword puzzle. The top reads “Heim” and “Residents” alongside the dates “7.18” and “7.19”. The grid contains names including “Kekexili”, “Floating”, “Call a Taxi” and “He Shang”. Various playful illustrations, such as a bear and a crown, surround the puzzle.

Menslies makes experimental posters for China’s club scene that shed grids and look purposely worn in

22 September 2026

A two-panel meme. The top image is a colourful, surreal collage of dolphins, rainbows and fish with the text “I am mentally unstable”. Below, two figures with blonde hair pose in white T-shirts featuring bright, airbrushed graphics.

Gary Grimes examines the niche memes and noughties tech-optimism behind Zara Larsson’s visual world

21 September 2026

Studio Thonik’s typographic orchestra identity mimics the movement of a conductor’s baton

A shirtless DJ performs behind a Pioneer Dj deck, lit from above against a dark background. Behind them, a crowd is silhouetted against a glowing orange screen, with one person raising their arms.

20 years, a bunch of photographers, one very sweaty archive: how to shoot The Warehouse Project

A colourful poster for the band Bikini Kill. The top section features the band name in white stars over a rainbow gradient, while the centre shows a collage figure in a landscape. The bottom section contains a stylized illustration of figures and the text “Snooper” and “29-30-2pm Mill Mine”.

Ian Teeple’s punk flyers look like they’ve been dragged through a photocopier and a mosh pit

An album cover featuring a black and white portrait of a person wearing a headscarf. They are framed by a yellow sunburst and architectural shapes against a dark background. Text at the top reads “EMAHOY TSEGE MARIAM GEBRU” in English and Amharic.

Sam Wenc’s handmade album covers for independent music prove the importance of doing it yourself

A graphic poster split into two sections. The top half features a black and white distorted checkerboard pattern with a small orange rectangle containing abstract black shapes. The bottom half is bright yellow with black text reading “SAT 5.2”, “SOUND ROOM”, “THE ATRIUM” and “UPSTAIRS PUBLIC RECORDS”. A line-up of names includes “Matisa”, “Lovefingers”, “Gee Dee” and “Zotos”.

Can you visually capture how dancing feels? Inside Los Caballos’ expressive social identity for Public Records

A person dressed as an elf with long silver hair and pointed ears smiles at the camera. They wear a delicate floral crown and a flowing blue gown, standing in front of a shop sign that reads “WE SELL ZERO NICOTINE VAPES”.

Pablo Rochat on turning suburban Atlanta into a medieval fantasy for Phoebe Bridgers’ new music video

A person speaks into a microphone, gesturing with their hand. Beside them, a stack of books is topped with a black cover featuring the text “alpha bet in motion”.

Kelli Anderson’s paper gadgets and pop-up books approach graphic design as a fine art