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A black and white illustration of an experimental alphabet and number set. Each character is rendered in a bold, distorted, and psychedelic style with fluid, organic shapes.

Group Font sees 37 very different creatives contribute a letter

Benedikt Luft, Sophy Hollington and Fisk are just some of the great names behind this global typographic project by Raissa Pardini raising money for WHO.

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Date
12 May 2020

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“Usually fonts are made of letters that follow a certain style,” begins Raissa Pardini of her mega typographic project, released today, but Group Font is different. This new rule-breaking typeface is purposely irregular, as each letter and number has been crafted by a different creative – such as Aaron Lowell Denton, Benedikt Luft, Sophy Hollington, Fisk Projects, Gabriel Alcala and Nam Huynh – in keeping with their own unique aesthetic, to “bring the diversity of each designer,” Pardini says. In fact there are two versions of every letter of the alphabet, adding even further room for eclectism.

Pardini, a designer who has contributed two letterforms to the set herself, and an activist, was looking for an outlet for her anxieties around the coronavirus emergency and, importantly, a way to help. “I wanted to find a way to use visuals in a positive way during these tricky times, and do something worthwhile.” With a plan to make “the craziest font ever seen!” Pardini started contacting lots of her favourite creatives from around the world to ask if they'd take part. “Design can be powerful, but even more powerful if it's done together as a group,” she adds.

The brief was open, asking everyone to “use their own style and do their own thing,” with one caveat that the design was not inspired by the virus in name or style, to keep things positive. “We did have to start from somewhere so I gave everyone some guidelines in size, colour and a mood board which was purely aesthetic and neutral. It could have ended up looking really bad! But each letter is so different yet totally together. We gambled by breaking font rules but the result, honestly, makes me so so proud.”

There are illustrators, graphic designers, typographers, product designers and artists involved (full list below), each bringing “their own world” to their character contribution. “Some letters are more beautifully illustrated while others are technically impeccable,” Pardini says. However, designs are remaining anonymous so for now you'll have to guess who designed which (until they start popping up on their Instagrams).

There were challenges along the way, of course, but everyone was happy to help, she says, and “quick to make adjustments to keep the whole font in line. It's been an amazing reality check on how strong the creative community can be on a global level and how much we can do together”.

Group Font is out today with 100% of profits donated to the World Health Organisation.

The full list of designers is: Aaron Lowell Denton, Alec Tear, Barbara Malagoli, Ben Tipton, Benedikt Luft, Bijan Berahimi, Brandon Nickerson, Combrisi, Connor Mikita, David Strother, Dnorsen Design, Dominic Kesterton, Ethan Fender, Félicité Landrivon, Gabriel Alcala, Gabinete Exquisito, Gregory Page, Jackie Rivera, Jake Farmer, Jess Ebsworth, Mathery, Nam Huynh, Parco Studio, Polytype, Raissa Pardini, Renato Flores, Robbie Simon, Ruan Van Vliet, Sam Sheridan, Simen Royseland, Sophy Hollington, Stephen Rossi, Studio Sofa, Wedge Studios, Tamara Arkatova, Tiernan Crilley and Tim Presley. Plus web design help from FORM Digital.

GalleryGroup Font

A black and white graphic featuring a large, abstract organic shape resembling a letter “B” inside a thin square frame. Above the frame, five smaller black circles contain various white abstract symbols and figures.
A black and white graphic featuring a large, abstract shape made of two semi-circles within a thin square border. Above the square, five black circles contain various white organic shapes and a small character.
A bold, black graphic of the letter “Z” with fluid, organic curves. Above it, five black circles contain abstract, stylised letterforms.
A black and white illustration of a large letter “V” made of thick, textured stripes. A small, smiling sun face sits at the top of the right stroke. Above the letter, five black circles contain abstract, organic shapes.
A graphic illustration of a large, fuzzy black circle with a simple white smiley face in the centre. Above the circle, five smaller black discs contain abstract white shapes that spell out “GROOD”.
An illustration of a character shaped like a bold, black letter “z” with eyes, arms and legs. The figure makes a peace sign with one hand and stands against a pale green background. Above it, five black circles contain stylised, abstract letterforms.
A black graphic of the number “4” is centred within a thin black square frame. Above the frame, five black circles contain abstract white shapes that spell out “GOOD”.
A black and white illustration of a fluid, melting shape resembling the letter “M”. Above it, five black circles contain various abstract, organic forms.
A graphic illustration of a large, bold black number “6” centered within a thin black square frame. Above the frame, five black circles contain abstract, white organic shapes.
A bold, black abstract logo composed of sharp, angular lines is centred within a thin square frame. Above the frame, five black circles contain various organic, white shapes and a small character.
A black and white graphic featuring a large, stylised letter “A” composed of parallel lines. Above the letter, five black circles contain abstract white shapes and a small character.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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