Launch Recite Me assistive technology
An animation in which the date “January” is shown against a pink background with subtle textured blocks. The day changes from “4” to “11–16” and then to “25”.

Start 2020 off right with these events and exhibitions

A new year is always exciting as the major galleries announce their upcoming blockbuster shows, so to wet your whistle, we've pulled together some of the most exciting events and exhibitions happening around the world this January.

—
Date
8 January 2020

Share

Welcome to 2020! And a happy new year from all of us here at It’s Nice That. Having stuffed ourselves to the brim with mince pies and lamented with estranged uncles over one too many sherries, we’re officially back in the studio and ready to see what the creative world has in store for us.

A new year is always exciting as the major galleries announce their upcoming blockbuster shows, so to wet your whistle, we’ve pulled together some of the most exciting events and exhibitions happening around the world this January. Particular highlights include a show looking at the impact of technology on fashion, and an exploration into the future of mushrooms. Enjoy!

A person with long, curly hair sits on a wooden bench, wearing a dark oversized coat and white heels. Behind them, a wall is covered in graffiti, including the words “Belfast” and “I am a cool”.
Above

Grayson Perry by Andrew Gibson

Grayson Perry: The Pre-Therapy Years
The Holburne Museum, Bath
24 January – 25 May 2020

Featuring 70 items crowd-sourced from around the UK after an appeal to the public, this show reveals much about the inimitable Perry’s formative years in the art world. It includes pots, plates and sculptures made between 1982 – 1994, works which first made his name, and expose his early dabblings in this media to address radical issues and depict human stories.

A person in black clothing stands in profile, looking up at a tall, yellow sign. The sign reads “WAZ UP!” in large red letters, with “SPORTSWEAR”, “SCHOOL NURSE” and “UNIFORM” written below.
Above

Lauren Halsey, WAZ UP! (2019). Courtesy David Kordansky Gallery

Lauren Halsey
David Kordansky Gallery, Los Angeles
25 January – 14 March 2020

Feted up-and-coming artist Lauren Halsey is holding a solo show with her gallery David Kordansky in LA, featuring sculptural painting installations penned as a “vivid, mythopoetic hauntscape of South Central LA” – her home, and subject of much of her works. The series continues her creative exploration of monuments, memorials, and public space, particularly her reckonings with gentrification and the threatening economic displacement of black and Latino shops.

A diptych featuring a handwritten letter on lined paper and a photograph. The letter is written by a 16-year-old named Anna, who describes life on the island of South Uist. The photograph shows a person standing inside a glowing, glass bus shelter on a dark road. A single street lamp stands beside them under a heavy, overcast sky.
Above

Craig Easton

Sixteen
17 January – 27 February 2020
Trongate 103, Glasgow

The 2014 Scottish Independence Referendum was the first (and as yet only) time that sixteen-year-olds have voted in the United Kingdom. This inspired a project that has seen artists collaborate with over 170 young people across the country, hoping to give them a chance to voice their seldom heard opinions.

A surreal collage featuring a landscape of giant mushrooms that tower over a coastal town and a waterfall. A large hand reaches from the left, while a stone tower and a carved totem figure stand on the right.
Above

Image via Somerset House

Mushrooms: The art, design and future of fungi
31 January – 26 April 2020
Somerset House, London

Bringing together the work of over 40 leading artists, designers and musicians, Mushrooms: The art, design and future of fungi looks at fungi’s colourful cultural legacy, as well as the promise it offers to reimagine our relationship with the planet.

A white cow with long horns stands on a circular concrete platform on a beach. Several people stand around the animal as waves crash against a rocky shoreline under a grey, misty sky.
Above

Denis Dailleux: Ghana

Denis Dailleux: Ghana
18 January – 22 February 2020
Galerie Peter Sillem, Frankfurt

Denis Dailleux is a French-born photographer now based in Cairo. Having extensively photographed the city he calls home, Ghana is his first project in sub-Saharan Africa. Taken over multiple visits, this selection of beautiful portraits captures a variety of people across the country, from urban fishermen in Accra to those in a remote village at the foot of Lake Volta.

Four people walk a runway in a series of colourful, oversized garments. The outfits feature blurred, painterly effects in shades of blue, red, yellow and pink.
Above

Robbie Barrat, Neural Network Generation, 2018

Making Fashion Sense
16 January – 8 March 2020
House of Electronic Arts, Basel

The exhibition Making Fashion Sense highlights the impact of technology on fashion, and the resulting transformation. In recent years, robot arms and mixed reality, holograms and drones have all paraded down international catwalks. This exhibition, therefore, looks at the impact of technology upon outcomes and the creative processes in the fashion industry, as well as on artistic paths leading towards increasing sustainability: “Fashion which makes sense.”

An abstract image of soft, blurred gradients of colour. Vibrant pinks, yellows and cyans blend together across a pale grey background.
Above

Ann Veronica Janssens

Ann Veronica Janssens: Hot Pink Turquoise
23 January – 17 May 2020
Louisiana Museum of Modern Art, Humlebæk

If you still hold fond memories of when everyone’s Tinder picture was them enshrouded in a pink, blue or yellow cloud courtesy of The Wellcome Collection’s exhibition yellowbluepink, then you’re in for a treat. The artist responsible for that incredibly popular London exhibition will be taking over Louisiana Gallery in Denmark from the end of January – the first time her work is being shown in the country. As an artist, Ann Veronica Janssens works almost scientifically to push the boundaries of the known. Whether solid, liquid or gaseous Veronica Janssens uses light in all its forms “to show the manifestations of reality in a different way.”

A triptych of photographs set in a residential complex with blue buildings. The first shows a person standing alone on a path, the second is a close-up portrait of a person, and the third shows two people standing by a hose.
Above

Dana Lixenberg: Imperial Courts, 2015

Dana Lixenberg: Imperial Courts
18 January – 10 May 2020
Stedelijk, Amsterdam

Imperial Courts is a 69-minute three-channel video installation by the Dutch photographer Dana Lixenberg. The work is the last link in the larger project of the same name in which Lixenberg recorded life in Imperial Courts, a South Central Los Angeles neighbourhood, between 1993 and 2015, through photography, a web documentary and audio recordings. The video invites the viewer into the residents’ everyday lives through interconnected scenes that gradually unfold on the three screens.

A black and white photograph of a billboard for “Rest Assured Beds”. A person lies on a bed under the text “We can improve your nightlife.” Hand-drawn graffiti over the image reads “JOIN LESBIANS UNITED”.
Above

Jill Posener, Dalston, London, 1981

Hot Moment
12 January – 14 March 2020
Auto Italia, London

During the 1980s and 90s, Tessa Boffin, Ingrid Pollard, Jill Posener photographed the lives of lesbians living in London. Hot Moment presents their work as three photographers for whom lesbian identity was never a straightforward concept, easily captured on camera. Instead, it signals “a style, a politics, and an attitude of production.” This group show demonstrates how wide-spanning each photographer’s practice was, including responses to mainstream homophobia and heterosexism, and the public spaces occupied by queer women, particularly at night.

A person is seen from behind, looking towards three blurred figures sitting in the distance. Several blue balls are scattered across the floor between them.
Above

Imran Perretta, the destructors (2019). Film still

Imran Perretta
17 January – 15 March 2020
Chisenhale Gallery, London

Later this month, Chisenhale Gallery will play host to the destructors by Imran Perretta, a film shot on location in Tower Hamlets, east London. It reflects on Perretta’s experience as a young man of Bangladeshi heritage, and reconsiders the figure of alienated male youth to explore the complexities of “coming of age” for young Muslim men living in the UK.

Share Article

Further Info

About the Author

It's Nice That

—

This article was written by the It’s Nice That team. To find our editors and writers, please head over to our Contact page.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.