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Pentagram’s London Design Biennale identity envisages Darwin’s seven universal emotions as paper masks

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Date
25 May 2018
A person stands against a black background, their head replaced by a large, orange 3D sculpture of concentric curved layers. Bold white and orange text on either side reads “London Design Biennale 2018”.

For its second edition, London Design Biennale has turned once again to Pentagram partner Domenic Lippa for its graphic identity. The 2018 festival taking over Somerset House will centre around the theme of Emotional States, exploring how design affects all aspects of our lives and influences “our very being, emotions and experiences”. Therefore the identity looked to convey human feelings, taking inspiration from Charles Darwin’s “seven universal emotions”: anger, fear, surprise, disgust, joy, sadness and contempt.

Lippa’s team commissioned paper artist Andy Singleton to create a series of expressive and intricate paper masks channelling these emotions, worn by cloaked figures and photographed by John Ross. Sticking to the colour palette of the inaugural London Design Biennale – orange, black and white – the vivid masks stand out starkly from posters and other comms promoting the festival, with a haunting and darkly comic aesthetic.

Darwin’s theory The Expression of the Emotions in Man and Animals, published in 1872, stated that all humans, and other animals, show a shared universal range of emotions through remarkably similar behaviours, regardless of culture. The masks abstract these behaviours by replacing human faces with more avant-garde paper interpretations, which also allow the emotions to be conveyed devoid of race, gender and age.

Pentagram came up with the designs by first compiling an audit of words, symbols, actions and facial expressions associated with each of the emotions, and then creating mood boards identifying recurring shapes and forms, to inform the “visual signature” of each emotion. Each mask was then sculpted in paper by Singleton.

“A universal phenomenon that spans centuries, masks have been used to interpret and illustrate the beautiful, the grotesque, the sublime – and everything else in between,” Pentagram says. “[The aim] was to create a series of masks that could subtly, yet coherently, communicate this diverse range of emotional states.”

It’s Nice That is excited to be supporting this year’s London Design Biennale as digital media partner. The festival at Somerset House takes place from 4-23 September 2018, with 35 countries and cities taking part with an expansive show of installations exploring the theme of Emotional States.

A person wears a large, circular headpiece made of layered orange paper petals. The structure resembles a blooming flower and completely obscures their face against a dark background.
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Pentagram: London Design Biennale 2018 identity

Two people wear sculptural orange paper masks against a black background. The first mask consists of swirling, ribbon-like layers, while the second features a smooth face with long, jagged strips hanging from the eyes.
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Pentagram: London Design Biennale 2018 identity

Two figures stand against a black background, their heads obscured by large, orange paper sculptures. The sculpture on the left is folded into sharp, irregular creases, while the one on the right forms a symmetrical, radiating starburst.
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Pentagram: London Design Biennale 2018 identity

A person wears a mask made of layered, jagged orange paper that resembles flickering flames. The sharp, zig-zagging edges create two dark voids for the eyes against a black background.
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Pentagram: London Design Biennale 2018 identity

A 3D render of a large, orange, flower-like structure made of overlapping curved petals. Bold white and orange text laid over the centre reads “London Design Biennale 2018”.
A person in a white jacket and blue trousers walks past a series of large posters on a grey concrete wall. Each poster features a person wearing a different, sculptural orange mask against a black background.
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Pentagram: London Design Biennale 2018 identity

A series of prints featuring figures with elaborate, orange paper sculptures replacing their heads. Each figure is set against a black background, with one print showing the “London Design Biennale 2018” logo.
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Pentagram: London Design Biennale 2018 identity

A poster for the London Design Biennale 2018 features a stylised orange mask on a black background. The mask has two long, dripping shapes extending from the eyes like tears. Text at the bottom reads “Emotional States” and lists the dates “4–23 Sept” and the website “londondesignbiennale.com”.
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Pentagram: London Design Biennale 2018 identity

An animation in which the white and orange text “London Design Biennale 2018” splits to reveal a person wearing a series of morphing orange masks. The sequence ends with the text “Somerset House” appearing before the title reforms.
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Pentagram: London Design Biennale 2018 identity

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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