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A painting of a person leaning over, their head tilted towards the ground. They wear a pink top, dark blue socks, and chunky black shoes against a deep red background.

Layla Andrews and six artists, including Charlotte Mei, visualise a funny saying about a fish and a bicycle for IWD

In a new exhibition taking place in London’s Brixton Village, seven artists respond to the phrase: “A woman needs a man like a fish needs a bicycle.”

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Date
8 March 2022

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To celebrate International Women’s Day, Layla Andrews’ A Fish Without A Bicycle will open at Brixton Village tomorrow (9 March). Based around the saying “a woman needs a man like a fish needs a bicycle”, the exhibit sees Layla and seven other artists visualise female independence in an inclusive space; the pop-up show aims to make visitors typically excluded from art spaces feel “welcome and excited” Layla tells It’s Nice That.

She says the phrase “humorously expresses the view that a woman can live a complete, happy and successful life without the need of a man. Having been brought up by only women, this has always rung true for me.” Diving into this concept, Layla has bought together 20 original works ranging from sculpture and collage to photography, drawings and paintings. Creatives featured in the exhibition include: artist Jo Kitchen; photographer Louisa Tratalos; painter Gayle Ebose; mixed-media artists Imogen Allen and Charlotte Mei; illustrator Melissa Kitty Jarram; and visual artist Sheila Maurice-Grey.

A highlight for Layla includes the contribution of Louisa Tratalos, who will be launching a zine titled Women That Live Alone. “Her photography captures women around the world in the intimate settings of their homes – they are really beautiful, personal images,” says Layla. The exhibition will also see Layla unveil a series of large-scale sea-life sculptures set against the backdrop of Brixton Village’s Market Row. Each sculpture has been named after key female family members, who the artist credits as being imperative to her success. In continuation of the community spirit surrounding the Brixton Village event, the sculptures have been made from rubbish and second-hand materials tenants have helped Layla collect and source.

“I absolutely love that we are creating a pop-up show within the Village in a space that is currently unoccupied. It is really important to me that art is accessible and reaches people,” says Layla, “I hope that by celebrating brilliant artists in the setting of Brixton Village makes people (from both art backgrounds and not), feel welcomed and excited.” The artist concludes: “This International Women’s Day, I wanted to celebrate brilliant female artists and the women who have shaped me to be who I am today, in a space that felt inclusive and brings people together. Some of the artists I have admired for years, some I have been lucky to work and collaborate with previously, and one of the artists I met in Brixton Village one day when we complimented one another’s outfits and then discovered each other’s art!”

A person sits on a stool beside a giant, red papier-mâché lobster sculpture. The figure looks up at the creature with a surprised expression.
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Layla Andrews: A Fish Without A Bicycle (Copyright © Layla Andrews, 2022)

A painting of a person sitting at a table, looking off to the side. They wear a light blue button-down shirt and a dark watch on their wrist.
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Gayle Ebose: Still, I Will Wait For You, Fatima (Copyright © Gayle Ebose, 2020)

An illustration of a person with long black hair and glowing white eyes. A small pink circle marks their lips, and they are set against a pale purple background.
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Charlotte Mei: Stargaze (Copyright © Charlotte Mei, 2022)

An acrylic painting of a person with brown hair and an orange face. They lean over a large, orange heart-shaped form that drips with green paint.
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(Copyright © Melissa Kitty Jarram, 2022)

An abstract painting featuring fragmented, colourful figures in shades of pink, orange and blue. The composition is a collage of sharp geometric shapes and bold brushstrokes against a black background. In the bottom right corner, the word “KITCHEN” is written in white capital letters.
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Jo Kitchen: Dancing With My Shadow (Copyright © Jo Kitchen, 2021)

A person wearing glasses and a red textured shirt sits in a kitchen. Bright sunlight catches their hair and face, with wooden cabinets and a tiled wall behind them.
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Louisa Tratalos: Angela, Women Who Live Alone (Copyright © Louisa Tratalos, 2022)

A person wearing a red beret and a plaid shirt sits on a bar stool in a cluttered kitchen. They smile and lean their chin on their hand, looking towards someone off-camera.
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Louisa Tratalos: Jane, Women Who Live Alone (Copyright © Louisa Tratalos, 2022)

A circular painting of a person looking slightly to the side with a soft expression. They are set against a textured, golden yellow background.
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Gayle Ebose: They Call Her Virtual Karette, We Call Her Cindy (Copyright © Gayle Ebose, 2021)

A person reclines on a yellow sofa, holding a cigarette. They wear a dark blue shirt open over a black lace bralette and gold jewellery.
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Louisa Tratalos: Sai, Women Who Live Alone (Copyright © Louisa Tratalos, 2022)

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Charlotte Mei: Selfie (Copyright © Charlotte Mei, 2022)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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