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An animation of a purple and beige abstract calendar. The dates and days of the week shift as a dark circular shape moves across the screen, occasionally morphing into a ringed planet.
An animation of a purple and beige abstract calendar. The dates and days of the week shift as a dark circular shape moves across the screen, occasionally morphing into a ringed planet.

Stanley Plowman’s animated graphics take inspiration from electronic music and imperfections

“I love the interaction between sound and image and how different pairings create different emotional responses,” says the London-based graphic designer and animator.

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Date
14 August 2025

Stanley Plowman is a graphic designer and animator who is merging the print-based with his computer to create work that bursts with sound, particularly electronic music. When Stanley finds himself attracted to a particular sound – and wonders how on Earth it was achieved – he often follows this thought up by exploring how he can translate it visually, a process that pairs well with the world of animation.

Obsessed with excitement that sparks up when creating, Stanley’s relationship with his computer is like a collaboration between musical artists, creating space for randomness and generative processes that are natural and born from riffing on ideas. “Music videos have got me very interested in using sound with video. In particular I am always blown away by the music videos from Max Cooper,” says Stanley. “I think the videos elevate the music and can create another layer of creativity and evoke more feelings.”

In his excellent collaboration with Paul Plowman and Ewoudt Boonstra, Stanley laid down the sound and music for a Hermes project, Typewriter Horse. The piece takes on the brilliant graphics of typewriter based “concrete poetry”, but Stanley’s samples from a real typewriter complete the experience: “I sliced the samples into a sampler and I used Ableton to randomly swap between the different sounds and then loop some of the rhythms which felt like the repetitive sound of a horse gallop,” says Stanley.

Meanwhile, in Bubble Sort, Stanley creates a 30 second animation containing images of scanned monoprints, using a “bubble sorting algorithm” which compares two adjacent elements and swaps them until they are in the intended order. Visually representing the opposite of bubbles, Bubble Sort plays with the grainy textures of print and automation, algorithms that satisfyingly create erratic movements. In all of his work, an open-minded and adventurous work ethic stops Stanley’s varied work from feeling purely digital. You can see the human hand at play in every animation and you can hear the human ear in every click, tap and beep-boop.

Typewriter horse (Copyright © Stanley Plowman, Paul Plowman, Ewoudt Boonstra, 2025)

GalleryBubble Sort (Copyright © Stanley Plowman, Will Aggett, 2025)

An open notebook with a red spiral binding lies on a light wood surface. The pages are filled with rows of black, abstract geometric symbols.
A white spiral-bound notebook with a red coil lies open on a light wood surface. Bold, black abstract glyphs are printed across the pages.
An open notebook with a red spiral binding lies on a light wood surface. Bold, black geometric letters are printed across the white pages.

XYZ (Copyright © Stanley Plowman, Anthony Burrill, 2025)

An animation in high-contrast black and white featuring a rapid sequence of graphic elements. It flashes through a large number “1”, geometric patterns, a grid of numbers, a high-voltage warning sign, a “KEEP DRY” umbrella icon, and the words “NOW REDUCED” before ending on an ampersand.
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XYZ (Copyright © Stanley Plowman, Anthony Burrill, 2025)

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XYZ (Copyright © Stanley Plowman, Anthony Burrill, 2025)

An animation in high-contrast black and white, flashing through a series of graphic symbols and letters. It shows a bold “E”, “S”, “8”, “P”, and “D”, alongside a distorted collage of telephone icons and a grid of upward-pointing arrows.
Above

XYZ (Copyright © Stanley Plowman, Anthony Burrill, 2025)

An animation in which a textured, dark grey shape shifts and morphs into different stepped configurations against a white background. Text at the bottom tracks the “no. rectangles” and “no. swaps”, while the top right indicates the playback speed.
Above
Left

Bubble Sort (Copyright © Stanley Plowman, 2025)

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Bubble Sort (Copyright © Stanley Plowman, 2025)

A black and white graphic of several vertical rectangles of varying heights, resembling a bar chart. The shapes are filled with a grainy, organic texture. Text at the top reads “0.5x speed”, while the bottom reads “no. rectangles: 12” and “no. swaps: 9”.
Above

Bubble Sort (Copyright © Stanley Plowman, 2025)

An open book displays a detailed inventory of museum objects. The left page contains a table of data, while the right page shows a grid of 40 small photographs of carved wooden vessels. Several entries and images are marked with translucent pink highlights.
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Left

DDHL (Copyright © Stanley Plowman, 2025)

Right

DDHL (Copyright © Stanley Plowman, 2025)

A white book cover features bold black typography that reads “dots dashes highs and lows”. Abstract, watercolour-style shapes in red, blue and green are layered behind the text.
Above

DDHL (Copyright © Stanley Plowman, 2025)

Five vintage television screens sit in a row against a black background. Each screen displays a different abstract composition of colourful circles and lines.
Above

Polyrhythm (Copyright © Stanley Plowman, 2025)

Hero Header

Wallplanner (Copyright © Stanley Plowman, UTILE Studio, 2025)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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