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A painting of a family in a 19th-century domestic interior, with figures gathered around a table and a mirror. Below the image, bold text reads “Berliner Leben im Biedermeier” and “Berlin Museum”.

Berlin Museum’s makeover borrows typefaces from the U-Bahn and currywurst stands

The Stadtmuseum is an amazing body of museums all over Berlin, but people don’t know where it is or most importantly, what it is. Design studio Stan Hema reviewed the facts, stepped in and gave it a brand new name, wordmark and attitude.

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Date
6 August 2026

The Stiftung Stadtmuseum, a museum in Berlin, has realigned its master brand, pulling together its various locations such as the Märkisches Museum and the Nikolaikirche under a brand new name: Berlin Museum. It’s simple, straight to the point and accessible, moving away from the image of a dusty history museum to a place for everyone. No need to worry about mispronunciation now, Berlin Museum is as straightforward as it gets, accentuating the museum in Stadtmuseum and making its mark wider across languages.

Before now, Stan Hema’s press release claims “too few people knew of the museum, let alone what it has to offer.” After taking on honest feedback from Berlin residents, such as “Stadtmuseum Berlin? Where is that?” An open call was launched to invite Berliners to critically debate the brand’s current perception, resulting in a strategic repositioning of the museum which has been orchestrated by Berlin-based brand agency Stan Hema in order to create a new identity and logo that represents the variety of the brand’s 4.5 million objects on display.

A series of colourful promotional cards for the Berlin Museum. The cards feature bold typography and images, including one that reads “Fete am Park 21.07. 15 Uhr” and another with the phrase “Hier ist Berlin zu Hause.”
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Stan Hema: Berlin Museum (Copyright © Stan Hema, 2026)

“Berlin comes first for us, and our name reflects that now,” explains Sophie Plagemann, artistic director of the Berlin Museum, as the new identity now puts Berlin first – literally. Stan Hema knew it was impossible for Berlin Museum’s new wordmark to carry the tangibility and multiplicity of Berlin, therefore it manifested into a flexible wordmark that changes and combines. “For us, the wordmark is the identity-defining element of the museum. It is directly connected to the reality of our city,” explains André van Rueth, designer and typographer at Stan Hema. “To achieve this, we gathered typography from everyday Berlin: from U-Bahn stations and iconic buildings to the local currywurst stand. From this mix, we created a logotype system that brings different Berlin typefaces and perspectives into dialogue.”

Think of the new design like a city, with bridges from the physical mainland into the untouchable history – it’s both modern and classical, mix-matched and rebellious. Demonstrating the courage to change and presenting a manifesto for how institutions can reinvent itself through dialogue with the general public, it’s a rebrand that isn’t just for aesthetic’s sake, but a worthwhile message about giving back to the city that created and holds its millions of pieces of history.

“The new Berlin Museum brand is a warm invitation to everyone who lives in and visits Berlin. And if the new brand translates the warmth, intelligence, and passion of the people working in this ‘house’, then we have achieved a great deal,” says Mathias Illgen, managing director at Stan Hema. Launching city-wide in September, 2026, Berlin Museum will be seen on walls and screens from galleries to the Brandenburg gate – as Berliners and tourists alike walk into the new identity of the museum, they’ll feel as if they are personally a part of the history, an essential part of its visual make-up – because they are.

GalleryStan Hema: Berlin Museum (Copyright © Stan Hema, 2026)

A laptop screen displays the Berlin Museum website against a bright yellow background. A vintage photograph shows two people in a room with patterned wallpaper, above the text “Tapetenwechsel” and “Migration und Mobiliar seit 1960”.
A colourful grid of posters on a concrete wall reads “Berlin Museum” and “Come in” in several languages. A large purple pipe runs across the top of the frame, partially obscuring the posters.
An animation in which a grainy, black and white image of people in a courtyard is set against a bright yellow background. The text “Berlin Museum”, “Berliner Höfe” and “Ephraim-Palais” appears sequentially below the image.
An animation in which six variations of the “Berlin Museum” logo shift and morph on a pale yellow background. Each logo is paired with a different site name, including “Ephraim-Palais”, “Knoblauchhaus” and “Nikolaikirche”.
An animation in which the words “BERLIN MUSEUM” appear in black on a shifting, colourful background. The typography and background colours constantly morph and flicker through various styles and hues.
A series of exhibition posters for the Berlin Museum. Each features a painting of a domestic interior and the text “Berliner Leben im Biedermeier” or “Everyday Life in Biedermeier Berlin”.
A series of large posters for the Berlin Museum are pasted onto a concrete wall. The posters feature archival photographs and bold text, including the titles “Berliner Höfe” and “Gebaute Hoffnung”.

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Stan Hema: Berlin Museum (Copyright © Stan Hema, 2026)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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