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A graphic poster for a wine event featuring bold, layered blocks of red, green and blue. The text reads “VICINO VINE CLUB AT BALAY”. A white card laid over the design lists the date “WEDNESDAY, NOVEMBER 12, 19:00” and a blind tasting by Alessandro Perricone.
A graphic poster for a wine event featuring bold, layered blocks of red, green and blue. The text reads “VICINO VINE CLUB AT BALAY”. A white card laid over the design lists the date “WEDNESDAY, NOVEMBER 12, 19:00” and a blind tasting by Alessandro Perricone.

Why design studio OnePlus treats branding like cultural excavation, not invention

Vintage references are reconfigured into inventive visual identities for bars and books alike at this Milan-based practice.

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Date
2 June 2026

Italian branding and design studio Oneplus was built off the back of several years of design work spread out across studios in Europe – experiences that all fed into the start of the joint practice of Pietro Avolio, Matteo Bonato, Aaron Capobianco, Giovanni De Felice, Francesco D’Agrippino, Elio De Michele back in 2023. Fresh on the design scene and steadily growing its list of projects and collaborators, for the past three years Oneplus has predominantly worked across publishing and visual identity systems, but research is what really sits at the centre of the studios practice.

“We see each project as a process of excavation rather than invention, aiming to reach the cultural and visual core of a subject, where references, behaviours and codes begin to overlap,” shares Pietro. From cultural and historical digs to studies of the contemporary visual landscape, the team dives head first into all collaborations. Whether its a design system for a tapas spot that wants to bring the warmth and comfort of Filipino food to the Milanese, or a sensitive identity for a book that seeks to explore grief memory and loss, the studio are firm believers that “in-depth insights” into the subject at hand develops “distinctive aesthetics” that don’t look like anything trend led, shares Aaron. The studio’s portfolio is reflective of this approach. While choices of typography, colour palettes or formats might have a vintage flair, it’s clear that references have been reconfigured into design systems that feel more sleek, adaptable and modern.

But it’s not all work and no play at Oneplus studio. The designers regularly travel together, collaborate on creative side projects and have even taken up a few team sports. “Among these, we run Oneplus Ensemble,” says Matteo, “a music project where we perform live, exploring sounds between R&B, jazz and hip-hop. These experiences always feed back into our practice, keeping it open and in motion.”

A diptych of two images. The first shows a small table with a beer and snacks, set beside green plastic crates and a white curtain. The word “balay” is written across the scene in large, pink, painterly letters. The second is a close-up of a menu resting on a green plastic crate. The menu is titled “balay” and lists drinks, appetisers and tapas.
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Oneplus: Balay wine bar, art direction and design. Creative direction by Oneplus and Emanuele Abbondanza, Interior Design by Studio Mille (Copyright © Oneplus, 2025)

An animation in which various logos, illustrations and scraps of paper layer over one another on a cream background. The collage features the word “balay” in multiple typographic styles, alongside a rooster, a cartoon character and the phrase “FOLDED WITH MOTHERLY LOVE”.
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Oneplus: Balay wine bar, art direction and design. Creative direction by Oneplus and Emanuele Abbondanza, Interior Design by Studio Mille (Copyright © Oneplus, 2025)

A split image showing two objects. On the left, an embroidered patch of a colourful truck on a green landscape. On the right, a red wrapped sweet resting on a small white plate.
Above

Oneplus: Balay wine bar, art direction and design. Creative direction by Oneplus and Emanuele Abbondanza, Interior Design by Studio Mille (Copyright © Oneplus, 2025)

A collage of gold-coloured cut-outs and typographic shapes set against a bright pink background. The elements include a star, hearts and various labels with phrases such as “Paparazzi”, “Glam Admission” and “Exposed!”.
Above

Oneplus: PaparazzAI, art direction and design. Creative direction by Bravò Studio (Copyright © Oneplus, 2025)

A graphic design study showing the word “Zammy” repeated in various sizes and colours. The text is set in a serif typeface and layered over rectangular blocks of muted teal, slate blue, burnt sienna, olive drab and deep forest green.
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Oneplus: Zammy, barbershop logo and monogram design (Copyright © Oneplus, 2025)

Two green cassette tapes are shown alongside a matching green cover. The text reads “Boldy James & V Don” and “Alphabet Highway”.
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Oneplus: Boldy James, art direction and design for Alphabet Highways album (Copyright © Oneplus, 2025)

A blurred close-up of a red glass bottle with a black cap. White text on the bottle reads “NEIT”, “SINCE 2023”, “IRISH WHISKEY” and “IN GOOD COMPANY CLUB”. Beside it, a brown pattern repeats the cursive phrase “In Good Company”, the word “NEIT” and a Lisbon address.
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Oneplus: Neit, art direction and rebranding. Creative direction by Bravò Studio (Copyright © Oneplus, 2025)

A graphic layout featuring a black and white photograph of a classical painting, partially obscured by two large circular frames. Inside the circles, the letters “a”, “d”, “i” and “o” are stacked vertically in a bold serif typeface.
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Oneplus: Addio, independent art criticism magazine (Copyright © Oneplus, 2026)

A brushed metal plaque rests against a jagged, reddish-brown rock. It is engraved with the Italian text “DOVE NON SI MUORE MAI”.
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Oneplus: Dove Non Si Muore Mai, art direction and editorial design. Creative direction by Axel Lagerborg (Copyright © Oneplus, 2026)

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Oneplus: Balay wine bar, art direction and design. Creative direction by Oneplus and Emanuele Abbondanza, Interior Design by Studio Mille (Copyright © Oneplus, 2025)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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