Launch Recite Me assistive technology
A digital collage with a grainy, lo-fi aesthetic featuring a colourful, abstract map. Four small, numbered photographs are scattered across the landscape, alongside a smiling sun and a cursor. Text in the image includes a “Display Properties” window with system warnings, the word “Memories” written vertically, and a caption at the bottom that reads “Sometimes Memories Flashback.”
A digital collage with a grainy, lo-fi aesthetic featuring a colourful, abstract map. Four small, numbered photographs are scattered across the landscape, alongside a smiling sun and a cursor. Text in the image includes a “Display Properties” window with system warnings, the word “Memories” written vertically, and a caption at the bottom that reads “Sometimes Memories Flashback.”

Nao Lee’s posters are digital terrains that hide small and unruly treasures for you to find

To craft her noisy compositions, the designer is drawn to everything that is at odds with playing by the rules.

—
Date
16 April 2026

Often in graphic design, whether consciously or not, we learn to make things match, to keep things uniform enough to look like they all come from a cohesive whole. But Nao Lee (a.k.a undefinedtomato) is an expert in overriding this inherited instinct – she’s the kind of designer that just loves juxtaposition. That might be why she’s so drawn to posters. The format has the magic ability to combine all kinds of “complicated narratives into one scene”, the designer tells us. These densely packed compositions that she constructs with layers upon layers of digital noise “enable readers to interpret their meaning from their own perspectives”, Nao explains. “This sparks open debate and inspiration.”

For a designer whose compositions are full of adventure and chaos you would think Nao’s design inspiration comes from things that are quite extraordinary, but her influences are actually quite domestic. “I love vernacular,” she says. “Medical toothpaste packaging, document forms, or snack logos are everyday items that hold a hidden impact.” The designer especially loves when the more experimental visual elements of these vernacular design objects are mixed in with more refined typography or illustrations. This balance of pragmatism and play “narrows the hierarchy between designers and readers”, she says and is something that she likes to take on in her creative approach.

If you’ve caught yourself thinking that you can see the outline of maps, or the textures of real terrains in the Seoul-based designers’ work, you’re not far off. Nao’s distinct visual language aims to conjure up “a nostalgic feeling for the past, when people were curious and held a sense of amazement about the land they lived on”, she says. Enchanted by ancient symbols and archaeological sites, the designer‘s posters and publications feel as if they are laden with small treasures she’s hidden to unearth: a series of tiny drawings skirting the margin, text in amongst several skins of pattern and texture; the more you look, the more you dig up.

A complex digital collage featuring a mix of abstract shapes, distorted textures and fragmented text. Elements include a landscape with the word “Earthland”, a blue circular swirl and the word “Heavenpark” repeated across the centre.
Above

Nao Lee: Earthland (Copyright © Nao Lee, 2026)

A digital collage poster for a Jiun Koo solo exhibition. The composition features abstract, swirling textures in orange, blue and purple, framed by a decorative border and ornate patterns. Text at the bottom reads “Jiun Koo Solo Exhibition”, “29 May – 19 June, 2026” and “29, Sowol-ro 44-gil, Youngsan, Seoul | NGAHEE”.
Above

Nao Lee: Becoming Ashes, Jiun Koo solo exhibition poster (Copyright © Nao Lee, 2026)

A two-page spread from a publication. The left page is bright yellow with a numbered list of titles including “Hands”, “Three People Meet Gether” and “Faces”. The right page features a large, pink “Faces” masthead over a textured, circular collage. Small text at the top reads “Everything is connected, and all the things are circular.”
Above

Nao Lee: Love is Our Way (Copyright © Nao Lee, 2023)

A digital collage with a glitchy, distorted aesthetic featuring a central illustration of a globe. The image is layered with fragmented text and the words “WIND BLOWS” appear in bold orange letters at the top and bottom.
Above

Nao Lee: Wind Blows (Copyright © Nao Lee, 2025)

A digital collage divided into four quadrants, featuring layered textures, distorted typography and abstract shapes. The text “Everything mimics precision – mapping your curves as if it were truth” is repeated across the panels in various styles.
Above

Nao Lee: Personal Statement (Copyright © Nao Lee and Robert Suetan, 2023)

A digital collage of fragmented textures, glitchy colours and overlapping layers. Korean text and a small, detailed grid of images are scattered across the distorted, grainy composition.
Above

Nao Lee: Miri Patch, ongoing series (Copyright © Nao Lee, 2026)

A complex digital collage featuring a mix of architectural photography, abstract shapes and blocks of text. The central image shows a grey building with a bold, colourful overlay that reads “LOVE IS OUR WAY”.
Above

Nao Lee: Love is Our Way (Copyright © Nao Lee, 2023)

An open book showing two pages of abstract art. The left page features a large red circle against a blurred orange and blue background, while the right page contains a yellow emblem and a grey scribbled line.
Above

Nao Lee: Sometimes Walls Talk (Copyright © Nao Lee, 2023)

An open book shows two pages of abstract graphic design. The left page features bold black diagonal lines and primary coloured circles over a dotted grid. The right page is split into three horizontal sections containing distorted typography, a line drawing on a dark blue background, and a blurred green image next to a pink square with a thumbs-up icon.
Above

Nao Lee: Sometimes Walls Talk (Copyright © Nao Lee, 2023)

The cover of a book titled “SOMETIMES WALLS TALK”. The design features a collage of textures, a barcode, and a large dark grey rectangle centered on a green and orange background.
Above

Nao Lee: Sometimes Walls Talk (Copyright © Nao Lee, 2023)

Hero Header

Nao Lee: Digitalweb (Copyright © Nao Lee, 2026)

Share Article

About the Author

Ellis Tree

—

Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

To submit your work to be featured on the site, see our Submissions Guide.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.