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The Rspca logo in cream on a bright blue background. The text is accompanied by a small icon of a rabbit in silhouette.

RSPCA entirely transformed in first brand facelift in 50 years

Previously seen as “cold and authoritarian”, the new look bets big on bright, bold blues and portrayals of “happy, healthy animals”.

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Date
11 April 2024

The octagonal shape that features in the RSPCA logo is well known. Yet, this recognisable element of the 200-year-old charity had come to represent a problem. “When it comes to animal welfare, RSPCA are the originals, leading society forward for 200 years. But their outdated brand didn’t reflect that status,” says Ellen Moriarty, design director at Jones Knowles Ritchie; “they [are] seen as cold and authoritarian”. So, JKR has discarded the old octagon, “literally opening it up to all”.

It’s the first major rebrand in 50 years for the RSPCA, the largest welfare animal charity in the world, and its been transformed from head-to-toe. Jones Knowles Ritchie is the design agency responsible for the work, and is also the name behind some of the most complete brand transformations in recent years, like the Burger King rebrand. The hope is that the design overhaul will help the company as it readies itself to tackle some of its most urgent struggles yet.

“Between intensive farming, climate change and urbanisation, farmed animals and wild animals are now facing some of the biggest challenges ever,” says Chris Sherwood, RSPCA chief executive. “In the face of these challenges, the organisation realised the need to evolve the brand to broaden its appeal and reconnect with society,” Ellen adds.

To help with this next step, JKR is hoping to appeal to audiences’ humanity. The tone of the rebrand is unmistakably positive – bold, but non-intimidating. The major design changes are a custom brandmark and new octagon shape, that frames the breadth of animals the RSPCA protects. Apparently branches across the country can customise the RSPCA logo using this shape and a suite of illustrations portraying “happy, healthy animals”, by picking an animal that “best reflects them” in their brand communications.

An illustration of 18 stylised animal silhouettes arranged in a grid of colourful octagons. The figures are rendered in flat, bold colours including blue, yellow, red and white.
Above

Jones Knowles Ritchie (JKR): RSPCA (Copyright © RSPCA, 2024)

RSPCA’s previous, more sombre, blue has been traded for a colour palette better fit for digital use. JKR says the bespoke font developed for RSPCA with Studio Drama is inspired by protest placards found in the brand’s archive and mirrors small details within the illustrations.

The research process was extensive. JKR travelled to animal centres, hospitals, branches and its national call centre, meeting RSPCA volunteers, inspectors, vets, wildlife experts and branch managers. It sought to gain a “comprehensive” understanding of the charity’s broad work to ensure the brand would support, not restrict this work.

Beyond the rebrand, this is a significant, wide-reaching public awareness moment for the charity. A wider campaign has been developed with creative agency AMV BBDO, to “nudge each and everyone to up the scale of animal welfare, one kind action at a time”, says the press release. It includes a film directed by Raine Allen-Miller through Somesuch and media strategy extending across TV, cinema, OOH and digital.

GalleryJones Knowles Ritchie (JKR): RSPCA (Copyright © RSPCA, 2024)

An animation of the Rspca logo in cream against a bright blue background. The word “RSPCA” remains still while the animal silhouette in the adjacent box cycles through a pig, a dog and a cat.
An animation in which photographs of animals are paired with minimalist graphic versions of themselves on a blue background. A fox, a chicken, a black cat and a pig appear in sequence, each mirrored by a simplified, colourful silhouette.
A graphic presentation of a typeface featuring bold blue and orange text that reads “THE QUICK BROWN FOX WAS PROTECTED BY THE RSPCA”. A small line of text below adds, “AND THE LAZY DOG FOUND A SAFE HOME TOO.” The layout includes a black and white photo of a person holding a sign that reads “HELP R.S.P.C.A PREVENT CRUELTY” next to a dog. Three coloured panels below highlight design features: “CONNECTED LIGATURES” with the letters “TY”, “OCTOPUNCT DETAILS” with a dog icon, and “HUMANIST CHARACTERISTICS” with the letters “Kk”.
An animation on a blue background that begins with the text “TAP TO DONATE £2” and a contactless payment symbol. It then changes to read “Thank you for helping”, followed by a list of animals and locations including “HOUNDS IN HOUNSLOW” and “SWANS IN SWANSEA”.
A pile of colourful membership cards in blue, yellow, red and light blue. The cards feature bold text including “HELLO”, “SOCIETY MEMBER”, “WOOF”, “MEOW”, “OINK” and “RIBBIT”, alongside the “RSPCA” logo.
An animation in which a blue silhouette of a dog and the letters “Rr” appear against a split light blue and dark blue background. Circular close-ups show vector anchor points and paths being adjusted to refine the shapes.
A bold typographic pattern in blue, cream and light blue. The text repeats the word “RSPCA” alongside city names including “London”, “Leicester”, “Cambridge” and “Leeds”, interspersed with small animal icons.
An animation in which the storefronts of various Rspca charity shops appear. Each shop features a large sign reading “RSPCA” followed by a different city name, including “Cornwall”, “Croydon”, “Leicester”, “Leeds” and “Norwich”.

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Jones Knowles Ritchie (JKR): RSPCA (Copyright © RSPCA, 2024)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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