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A close-up of an early Macintosh computer screen. The display shows a simple word processor with the word “hello.” written in a rounded typeface.

New film explores the difficulties designers faced before computers

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Date
9 March 2015

Ever stopped to think as you adjust text, step backwards and copy and paste at the speed of light on InDesign that once upon a time you would be doing all of that with GLUE and PAPER? It’s obvious, but when you really think about it, your respect for the graphic designers of yore increases tenfold. Briar Levit, an assistant professor of Graphic Design at Portland State University, decided to bring this to light via a film in which designers who never used computers are interviewed about the difficulties they had. It wasn’t all doom and gloom of course – you could easily argue that the hand-designed work they produced back then was much more considered than it tends to be now.

“I had some vague knowledge about production before the Mac, but it was only based on brief references my teachers made, or the little-used tools that remained in various studios I worked in,” Briar says. “It occurred to me that if I knew so little, my graphic design students know even less! So with this, I set out to document the tools, processes and people of this brief moment in the design world.”

“I wanted to make Graphic Means in order to share the sense of pride that comes along with understanding your discipline’s history and development. It’s not a prerequisite to being a designer, but it certainly enriches your sense of belonging and respect for what you’re doing, and who came before you. I also wanted to try and understand what has changed and what has stayed the same in the culture of the studio workplace as a result of technological changes in methods. Many more hands used to touch a project in the production process, from designer, to typesetter, to photographer, to production designer. What were those relationships like? What did we lose when we gained the ability to pull all these elements together with just one person? What did we gain?”

This film interviews Pat Castaldo, Cece Cutsforth and Joe Ecerg and is cut with some very lovely old design clips. A fascinating and eye-opening watch that I can’t recommend enough. No wonder it’s a Kickstarter Staff Pick! You can visit the Kickstarter page here

A person’s hands arrange small strips of printed text on a large layout board. They use a small tool to precisely position the columns of type.
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Briar Levit: Graphic Means

A close-up of a vintage printed sales flyer with various clothing items listed at discounted prices. Bold headlines include “Mens ‘Wet Look’ Hose Reduced!” and “Girls Summer Dresses Reduced!”.
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Briar Levit: Graphic Means

A screenshot of a vintage computer interface showing a page layout in progress. A “Character Format” dialogue box is open over a document titled “Role In Education” and a digital image of a person.
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Briar Levit: Graphic Means

A person sits in a studio, looking towards the camera. Behind them, a drafting board holds several graphic design sketches and layouts.
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Briar Levit: Graphic Means

An original Macintosh computer with a small, built-in screen. The display shows a simple white window with the word “hello.” written in a lowercase, rounded typeface.
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Briar Levit: Graphic Means

A person with short blonde hair smiles while looking slightly off-camera. They wear a burgundy knit top and a chunky gold necklace, sitting in front of a wall covered in sketches and prints.
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Briar Levit: Graphic Means

A close-up of a page from a book or directory. A white strip of paper is laid over the text, which includes the bold heading “Speedy delivery”.
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Briar Levit: Graphic Means

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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