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A framed collage of graphic elements leans against a white wall. It features a blue vertical bar with a red dot, a green circular dial, and a stylised bee illustration. A small card in the top right reads “PAGING CENTER”.

A wry sense of humour and a love of silliness runs throughout Dadoda studio’s portfolio

The Shanghai-based studio’s work is charming, bright and always a little bit funny.

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Date
8 June 2021

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A sense of joy radiates across the portfolio of Shanghai-based graphic design studio Dadoda. Formed of two members, Lim and Yuu, the studio’s work is as fun as it is distinctive, thanks to the pair’s penchant for typography and character design. As well as commissioned projects, the studio creates concept-driven “art products” and self-published zines, each as upbeat and as effortlessly stylish as the last. “We hope the works of Dadoda can bring a ‘ha-ha moment’ to everyone,” the duo tells It’s Nice That.

The practice as it stands today began back in 2016, when Lim quit her full-time job and got the idea to start her own studio. Over the next couple of years, she began to sell her creations and build a following until Yuu joined in 2019. The pair now works out of a rented space in Shanghai; the base from which they create their visual identities and illustrative designs.

In terms of the studio’s name, which in Chinese is written as 大多大, they explain that “Da” (“大”) means big and “Do” (“多”) means many. Both are adjectives that have “simple and straight meanings, even kind of tacky and old school” and that they “combined and arranged these two Chinese characters and wanted to have a contrast to the elegant” style that was popular among Chinese designers at the time. “Many people laughed when they heard the name for the first time,” they add – which is befitting of a studio whose ultimate goal is to give everyone a good chuckle.

Although having an incredibly consistent visual language, Dadoda works across myriad fields including art, music and fashion. No matter what the project, however, Lim and Yuu take inspiration from daily life, especially “moments when chatting topics with friends” and these often inform the themes or topics of their designs. This is particularly evident in their more traditional illustration practice, in which they depict disparate scenes – a dog having a shower, a person trudging through the snow or at a table full of grapes – and turn them into calendars or zines, full of bright colours and an underlying irony. This sense that there’s always a joke being cracked is very much on purpose, the pair explains. “There are some ridicules in our designs,” they explain. “Therefore, many people say that we are telling dry jokes in a serious way.”

A yellow and black Pentax camera is set against a black background. A red ball-tipped gear shifter is mounted to the top of the camera body.
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Dadoda: Dingball (Copyright © Dadoda, 2019)

A project which Lim and Yuu point to as the most representative of what Dadoda is all about is titled Dingball. As part of the project, the pair were asked to decorate a Pentax K-01’s hot shoe, a camera designed by Marc Newson and a model they describe as “full of fun”. Almost novelty, the hot shoe attachment features a red ball that mimics a gaming joystick or similar device, an amusing injection into a form most of us know all too well. Dadado states how this addition brought a certain energy to the camera and that many people said they were compelled to take more photos after purchasing the Dingball. “That, we think, is the value of Dingball,” they say.

They then move onto a project called Useless Flyswatter – their most complete series and favourite work to date. “One day, we saw a flyswatter in a grocery store, and we somehow had deja vu and a sense of curiosity about it. We thought it is fun to reconsider the shape of the flyswatter,” the studio explains. The result is a vibrant and somewhat frivolous project in which they reimagine the shape of flyswatters in a series of illustrations and actual products. It’s the perfect example of how Dadado’s wry sense of humour and propensity for silliness combine with their technical prowess to create charming and considered projects.

Finally, they mention a single poster created for a famous Chinese comedy theatre called Xiao Guo. The poster advertised an exhibition held shortly after the theatre left its previous site called The Show Must Go On and features a large smiling face, sitting in a car. They then created a giant “happiness balloon” together with the team at Xiao Guo and “asked comedians to move this ‘happiness’ from the former site to the new one”, a process which was live-streamed.

Excitingly, Lim and Yuu tell us that they hope to hold an exhibition in the near future. So you can expect a room (or several) full of happiness sometime soon.

Two large, white 3D letters, an uppercase “A” and a lowercase “a”, stand against a bright blue background. A single pink flower with a long green stem lies across the foreground.
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Dadoda: Archetype (Copyright © Dadoda, 2021)

A person holds a white poster featuring a stylised, geometric illustration of a plane in black and green. The text “Keep Drifting Off.” appears in the bottom left, with an “Alot” logo in the bottom right.
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Dadoda: Keep Drifting Off (Copyright © Dadoda, 2019)

An animation of a Komi “Fruit & Chocolate” product range, showing a series of minimalist covers. Each cover features a different abstract graphic and flavour combination, such as “Pineapple Kumquat Almond Black Chocolate”.
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Dadoda: Komi CD (Copyright © Dadoda, 2019)

An open brochure pinned to a white wall displays a grid of colourful, abstract flyswatter designs. The text on the right reads “USELESS FLYSWATTER”. To the right of the brochure, a physical green flyswatter with a decorative handle hangs from a pin.
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Dadoda: Useless Flyswatter (Copyright © Dadoda, 2020)

An open white notebook features a green graphic of a stylised key. A matching yellow acrylic key is laid across the page, mirroring the illustration.
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Dadoda: Useless Flyswatter (Copyright © Dadoda, 2020)

A lime green booklet with the text “USELESS FLYSWATTER” and credits for “Lim” and “dadoda studio”. A blue plastic flyswatter rests diagonally across the cover.
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Dadoda: Useless Flyswatter (Copyright © Dadoda, 2020)

An illustration of 15 colourful, conceptual flyswatters arranged in a grid on a white background. The designs vary in shape and pattern, with some featuring circular, square or abstract heads. Text in the bottom right reads “USELESS FLYSWATTER”, followed by credits for Lim and Dadoda studio.
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Dadoda: Useless Flyswatter (Copyright © Dadoda, 2020)

Three colourful acrylic objects in yellow, blue and green are laid across a white background. Each piece features a grid-like head and a long handle ending in a silver chain.
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Dadoda: Useless Flyswatter (Copyright © Dadoda, 2020)

Five colourful illustrations lean against white storage bins on a wooden floor. A studio light on a tripod stands in the foreground, pointed towards the artwork.
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Dadoda: Windfall (Copyright © Dadoda, 2020)

An animation of a graphic poster in which the background colour shifts subtly. A smiling yellow face sits in the back of a blue truck, with bold black text reading “THE SHOW MUST GO ON.” and “YOU ARE PART OF THE SHOW”.
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Dadoda: Xiao Guo (Copyright © Dadoda, 2020)

An animation in which people carry a giant, inflatable smiley face through various urban settings. They move the yellow sphere through a gallery, across a city street, and up a set of stairs.
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Dadoda: Xiao Guo (Copyright © Dadoda, 2020)

A graphic design study of the letter “a” in various styles. One large green letter is paired with the word “archetype”, while smaller variations appear alongside the words “(A)xis”, “(a)rc” and “(A)llure”.
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Dadoda: Archetype (Copyright © Dadoda, 2021)

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Dadoda: Paging Center (Copyright © Dadoda, 2021)

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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