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Crocs and walking alarm clocks: Alistair Nicholls embraces “pure silliness” in his self-funded claymation

Created between paid commissions, Running Late follows a surreal morning routine populated by stubby-legged alarm clocks and a crocodile that dispenses toothpaste.

Date
17 September 2026

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Alistair Nicholls has been busy since we last spoke to him in 2022. He’s created campaigns for Coachella and Renault, as well as giant claymation characters for a Charlie Puth music video. But between all the commercial success, finding the time and funding for personal projects has been tough.

“It’s strange as it’s almost like I was asking permission to make something,” he says. “You don’t get that if you paint or create music, you just make it.” That’s when the idea for his upcoming short film, Running Late, was born. “I wanted to make something that was entirely my own, not with a client or brand but my own ideas and vision,” he says.

Running Late follows one man’s “surreal morning routine”. The main character is a red alarm clock with stubby legs, inspired by the work of Czech surrealist and animator Jan Švankmajer. There’s also a Crocodile that dispenses toothpaste – a character that emerged out of a casual doodle.

An animation in which a person wearing a checked shirt reaches for a small crocodile toy in a bathroom. The scene shifts to a circular close-up of the toy being held before fading to a textured orange screen.

The film itself is playful and dreamy with a faded, nostalgic feel – an atmosphere that was very much born out constraints. Alistair made the film with zero budget and in between paid work, which meant he had to create scenes in the real world, to avoid building sets. “I’d set up a scene, animate it for a few days then take it down and work on a commission…. This was the only way I could work as I needed to pay the bills and keep the lights on.” These restraints, though, gave him a certain instinctive freedom, forcing him to follow through with ideas as they came to him. “This gave the film its dreamy, strange feeling. It was a really organic way of working as I didn’t really second guess any of the ideas,” he says. “It was very improvisational.”

Building the characters was equally as intuitive. “I know what happens in the scene but the performance of the characters really comes in the moment. As I’m animating, I’m thinking of how the character will behave, it’s really like acting through the character but one frame at a time,” he explains.

After a year of production, Running Late is finally due to be released this November. “I really want to show that you can just make something for yourself, you don’t need to ask permission,” he ends. “Just go out there and start it, it will take time but eventually you’ll get there.”

GalleryAlistair Nicholls: Running Late (Copyright © Alistair Nicholls, 2025)

An animation in which a red alarm clock with human legs stands on a table. The scene is rendered in a grainy, high-contrast style with saturated reds and greens.
A person lies in a dark wooden bed, reaching out to a red alarm clock on a bedside table. The scene is viewed through a circular vignette, like a peephole, against a plain wallpapered wall.
A pair of legs wearing dark trousers and brown lace-up shoes stick up from a small wooden table. An open brown suitcase rests beside them, casting a long shadow against floral wallpaper.
An animation in a grainy, high-contrast style featuring a red alarm clock and a tea set. The clock floats and moves across a textured background before appearing above a teapot and cups.
A person holds a green clay sculpture of a crocodile. The figure has a wide, toothy grin and small, colourful beads for eyes.
An animation in which a small, green crocodile figure pops up from a bathroom cup next to a blue toothbrush. The camera pulls back to reveal the cup sitting on a sink between two taps, below a framed mirror.
A person wearing dark trousers and brown leather shoes stands against floral wallpaper. Their head and torso are hidden behind a large, weathered brown suitcase.
A small green crocodile toy sits in a terracotta pot between two chrome taps. A blue toothbrush stands beside it, and a framed portrait of a person in a checked shirt hangs on the wall above.

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Alistair Nicholls: Running Late (Copyright © Alistair Nicholls, 2025)

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About the Author

Marigold Warner

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Marigold Warner is a British-Japanese writer and editor based in Tokyo. She covers art and culture, and is particularly interested in Japanese photography and design.

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