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A black and white photograph of a person standing in water up to their chest. A ghostly, translucent double exposure of their head is layered over the original image.

Adeolu Osibodu puts us in a trance with his otherworldly photos inspired by nature

The photographer takes inspiration from films and his own dreams, crafting a truly unique oeuvre that is driven by his surroundings in nature.

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Date
18 July 2023

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An encounter with Adeolu Osibodu’s photography is akin to your first time finding escapism. Starting out at 18, the Lagos-born, London-based photo artist has gone from documenting plants, clouds and nature to surrealist imagery. Crafted both on the scene and in post-production, his work speaks to the heart of our emotions. “It’s about being able to speak about or witness my surroundings without the use of words,” he says. “Starting out I was watching a lot of movies, recalling my dreams and listening to my urge to create.”

With a penchant for capturing people being at one with nature, his lens dances with the elements – earth, wind, fire and water – with partly obscured figures, who are sometimes in the periphery and sometimes at the centre. “The images don’t necessarily rely on the subjects themselves but more so the situation or scenario they’re in,” he tells us. “They represent my thoughts, ideas or scenes that are in this ‘otherworld’.” And having initially tested out his ideas through self-portraiture, his understanding of the craft is a special one both behind and in front of the camera. It is safe to say that Adeolu has both worldly and otherworldly inspiration at the core of his practice and, by your second encounter, you will find it impossible to avoid dreaming too.

A black and white photo of two people standing in the sea. One person leans back with arms outstretched, while the other leans away from them in the water. Blurred birds fly across the foreground and sky.
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Adeolu Osibodu: Impermanence (Copyright © Adeolu Osibodu, 2022)

Three figures stand in shallow water on a beach, wearing wide-brimmed hats and voluminous, sculptural black cloaks. A flock of birds flies across a pale, overcast sky above them.
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Adeolu Osibodu: The Times You Don’t See Coming (Copyright © Adeolu Osibodu, 2022)

A person stands with their back to the camera in a vast, empty gravel lot. In place of a head, a plume of dark smoke swirls upwards into a pale, hazy sky.
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Adeolu Osibodu: Mind Orgasm (Copyright © Adeolu Osibodu, 2015)

Five figures stand in a line in shallow water, facing right. They wear black robes and veils that completely cover their heads and faces. A large, pale moon hangs in the grey sky behind them.
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Adeolu Osibodu: Flock Of Thoughts (Copyright © Adeolu Osibodu, 2022)

A black and white photograph of three people on a beach. Two figures stand in the shallow water while a third person lies face down in the sand and surf.
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Adeolu Osibodu: Dreams Of Yesterday (Copyright © Adeolu Osibodu, 2023)

A black and white photograph of a person standing in the surf on a beach, holding a long pole. They are surrounded by a flock of blurred birds in flight, with their reflection visible in the wet sand.
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Adeolu Osibodu: Petrol Passion (Copyright © Adeolu Osibodu, 2023)

A black and white photograph of a person wearing a dark coat and a wide-brimmed hat. They stand still among several blurred figures in the same attire, with Tower Bridge visible in the hazy background.
Above
Left

Adeolu Osibodu: Lie To Me Like This Cold City (Copyright © Adeolu Osibodu, 2022)

Right

Adeolu Osibodu: Too True To Be Good (Copyright © Adeolu Osibodu, 2022)

A black and white image of a person in a long coat and hat, seen from behind. They stand on a white, snowy surface facing a bright vertical beam of light, with birds flying in the grey sky.
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Adeolu Osibodu: Too True To Be Good (Copyright © Adeolu Osibodu, 2022)

A high-contrast black and white portrait of a person screaming. Their mouth is wide open, showing their teeth and tongue, against a solid black background.
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Adeolu Osibodu: Home-Made Scars (Copyright © Adeolu Osibodu, 2016)

A black and white portrait of two people wearing dark, oval sunglasses. Both hold lit cigarettes, with plumes of smoke curling across the frame.
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Adeolu Osibodu: No Time For Dilemma (Copyright © Adeolu Osibodu, 2020)

A person sits in a dark, moody space, partially obscured by swirling wisps of white smoke. A single light source illuminates their face and upper body against a deep, shadowy background.
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Left

Adeolu Osibodu: It Only Starts To Make Sense When It’s Too Late (Copyright © Adeolu Osibodu, 2019)

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Adeolu Osibodu: Home Is A Masterpiece (Copyright © Adeolu Osibodu, 2020)

A person wearing an orange bucket hat stands amidst dense palm fronds. A bright light from above illuminates their back and the surrounding leaves against a dark background.
Above

Adeolu Osibodu: Home Is A Masterpiece (Copyright © Adeolu Osibodu, 2020)

A person with blonde hair crouches, arms raised, as a flock of blurred birds flies around them. They wear a dark, floral-patterned dress with red blossoms.
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Adeolu Osibodu: Heavy For Tomorrow (Copyright © Adeolu Osibodu, 2022)

Two people hold lit candles, illuminating a narrow corridor. Between them, a vertical line of eight people peer out from behind a partially open door.
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Left

Adeolu Osibodu: Saggios By The Door (Copyright © Adeolu Osibodu, 2019)

Right

Adeolu Osibodu: Effervescent (Copyright © Adeolu Osibodu, 2019)

A close-up of a person’s hand resting against their chest. The scene is lit with a warm, orange glow that highlights the contours of the skin and muscles.
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Adeolu Osibodu: Effervescent (Copyright © Adeolu Osibodu, 2019)

Three people sit in a row playing violins in a dark, atmospheric space. They wear white shirts and dark trousers, their movements blurred under a single beam of light.
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Adeolu Osibodu: For All The Pain That Lies Ahead (Copyright © Adeolu Osibodu, 2021)

A low-angle shot looking up at four figures in dark suits who loom over the frame. In the bright, hazy centre, a smaller figure floats or falls through the air.
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Adeolu Osibodu: Hard To Believe (Copyright © Adeolu Osibodu, 2021)

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Adeolu Osibodu: Second Thoughts (Copyright © Adeolu Osibodu, 2021)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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