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The Guardian unveils redesign across print and online

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Date
15 January 2018
The front page of The Guardian newspaper. The main headline reads “Students drafted in to plug NHS gaps” above a photograph of a person in medical scrubs and a face mask.
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Alex Breuer, Chris Clarke and The Guardian design team

The Guardian has unveiled a redesign of its online and print editions.

The result of months of work from a team led by creative directors Alex Breuer and Chris Clarke with the input of senior designers and editors at the paper, the design overhaul will be rolled out across desktop, apps and mobile and a new tabloid print format.

The redesign centres around the replacement of the paper’s blue and white masthead with black lettering. The paper has collaborated with Commercial Type — the creators of the original Guardian Egyptian — to bring a new font called Guardian Headline to life. “[Guardian Headline] is simple, confident and impactful,” said editor-in-chief Katharine Viner in a statement. “We’re using a range of energetic colours, and the much-loved Guardian visual wit and style remain at the heart of the look."

The new typeface is markedly taller and more pointed than the lowercase wordmark it replaces. Noting that the font is “easier to read” than its predecessor while staying true to the papers “visual style and wit” and “zing”, Katharine noted that the updated black-on-white masthead reflected the turbulent political landscape. “The masthead has a renewed strength and confidence to represent the Guardian’s place and mission in these challenging times,” she said.

The new tabloid format of the paper will be available to buy in print from Monday, and the app is available to buy on iOS and Android now.

A newspaper page featuring a large photograph of a crowd waving Tunisian flags. A bold headline below the image reads “Thousands flood into Tunis to save the revolution seven years on”.
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Alex Breuer, Chris Clarke and The Guardian design team

An open newspaper spread featuring a lead story on economics. A large photograph shows a child looking through a hole in a corrugated metal wall.
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Alex Breuer, Chris Clarke and The Guardian design team

The cover of a Guardian G2 supplement features a portrait of Tarana Burke smiling against a blue background. A headline reads “Truth be told”, with a sub-headline identifying Burke as the “Me Too creator”.
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Alex Breuer, Chris Clarke and The Guardian design team

An open magazine spread featuring a profile of Carla Borte. A large portrait shows Borte in a pink top against a yellow background, beside a bold headline that reads “I wanted to flood the red carpet with badasses”. Smaller photos show Borte speaking at a podium and posing with a group of people.
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Alex Breuer, Chris Clarke and The Guardian design team

A newspaper front page titled “Journal” features a blue and red illustration of a city skyline. Below the image, a headline reads “Let’s wrench power back from the billionaires” above a small portrait of Bernie Sanders.
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Alex Breuer, Chris Clarke and The Guardian design team

A double-page magazine spread titled “The briefing” explains the science of gene editing. The layout features a large, pink stylised figure and a series of colourful diagrams illustrating the process of DNA modification.
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Alex Breuer, Chris Clarke and The Guardian design team

A specimen sheet for a typeface displays a full character set in various weights and styles. A bold header reads “6 Weights/12 Styles/462 Glyphs”.
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Alex Breuer, Chris Clarke and The Guardian design team

An illustration on a website screen shows a figure in a white coat entangled in purple ribbons. They are positioned between two large, organic blue and red shapes. A headline at the bottom reads “The long read” and “Why can’t we cure the”.
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Alex Breuer, Chris Clarke and The Guardian design team

A mockup of The Guardian website and mobile app showing food articles by Anna Jones. The pages feature photographs of vegan dishes, including a biryani and bowls of noodle soup.
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Alex Breuer, Chris Clarke and The Guardian design team

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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