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A light purple logotype reads “Bocci” against a dark burgundy background. The letters are composed of bold, geometric shapes.

Studio Frith’s brand identity for Bocci plays with its signature spherical lighting

The new look is rooted in the manufacturing company’s approach to crafting objects, using materials from glass and copper to concrete.

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Date
4 April 2023

Canadian design and manufacturing company Bocci – perhaps best known for its distinct and sculptural lighting – has received a fresh identity from the London design team Studio Frith.

A curved new logo is designed to resemble the spherical forms that Bocci often works with, a design signature that has come to inform many of the objects the company produces today. The logo is also built to draw on the “allure of abstraction”, Studio Frith explains, another central element of Bocci’s work.

Going into the project, Studio Frith wanted to draw attention to Bocci’s experimental approach to production. For example, new photography from Fahim Kassam invites users into the glassblowing practices that the brand has honed for almost two decades. Going a step further, the typeface, made in collaboration with Dalton Maag, is built on ideas and practices Frith observed within a Bocci glass workshop.

While the layered, geometric nature of the logo and considered photography provides a sophisticated edge to the work, the identity also doesn’t stray far from the collaborative, hands-on nature ethos behind Bocci. Pops of colour appear throughout, alongside a wordmark which is at points playfully deconstructed.

A black and white photo of a person in a workshop wearing protective goggles, a mask and ear defenders while working on a piece of glassware. Bold, colourful geometric shapes in blue, purple and brown are laid over the image.
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Studio Frith: Bocci (Copyright © Studio Frith, 2023)

A pale green card rests on a brown and ochre terrazzo surface. The word “BOCCI” is embossed into the paper in a bold, geometric typeface.
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Joe Pickard: Bocci, identity by Studio Frith (Copyright © Joe Pickard, 2023)

A black and white photograph of a person in profile, blurred and out of focus. White geometric shapes and circular forms are laid over the image.
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Studio Frith: Bocci (Copyright © Studio Frith, 2023)

A split image. On the left, a black and white photo of a person wearing a mask, overlaid with several large, semi-transparent coloured circles. On the right, four glossy black earbuds hang from thin wires against a plain white background.
A small red card with the word “Bocci” in white lettering rests on a mosaic floor. The tiles form a pattern of thick, entwined white ropes against a blue and beige background.
Above

Joe Pickard: Bocci, identity by Studio Frith (Copyright © Joe Pickard, 2023)

A person carries a dark brown tote bag over their shoulder. The bag features the word “Bocci” in bold red lettering.
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Joe Pickard: Bocci, identity by Studio Frith (Copyright © Joe Pickard, 2023)

A piece of white paper curls into a tube, casting a soft shadow. The number “21” is printed in a clean, black sans-serif typeface across the centre.
Above

Studio Frith: Bocci (Copyright © Studio Frith, 2023)

An illustration of a blue smartphone screen showing a list of countries. At the top is a logo that reads “Bocci”, followed by a list including “Iceland”, “India”, “Iran”, “Ireland”, “Israel”, “Italy”, “Japan”, “Kazakhstan”, “Korea” and “Latvia”.
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Studio Frith: Bocci (Copyright © Studio Frith, 2023)

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Studio Frith: Bocci (Copyright © Studio Frith, 2023)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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