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An animation in which a series of zines and art books are flipped through. The works feature a mix of colourful comic panels, abstract ink scribbles, and surreal illustrations, including a cover that reads “Dreamy Cait Sith” by Nichole Shinn.

A zine library opens in Hamburg to give visitors access to global DIY publications

The newly-launched Hamburg gallery Raum für Illustration has collected more than 500 zines from 25 countries, showing the breadth of talent in self-publishing.

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Date
6 December 2019

Newly launched Hamburg gallery Raum für Illustration has opened a zine library as part of city-wide publication fair, which runs until 8 December. Amassing work via an open call through Instagram, the new library includes more than 500 self-published zines from 25 countries. Visitors will be able to browse the zines at a special reading room during the book fair, while after the festival, the publications will form the basis of a publicly accessible library in the gallery which will continue to grow through contributions and acquisitions.

Raum für Illustration has been established by Beate Pietrek, the art director of Zeit Campus, the student magazine of German newspaper Die Zeit, and Philipp Schultz, art director of Zeit Leo, Die Zeit’s kids magazine, who are currently on a sabbatical from their day jobs. Speaking to It’s Nice That about the decision to focus on DIY publications for the library, Pietrek says, “Zines are a wonderfully unfiltered form of print. If you have something to say, make a zine! They can be imperfect and rough, but also fancy and clean – just like the makers. Everybody can do what they want.”

“A zine is a way of giving shape to an idea,” adds Schultz, “whether it’s spontaneous and fast or well thought out. The motivation to make a zine is not the money but the passion, the fun and the idea behind it. In addition, the zine as an object is a work of art. The paper, the print, the smell. It is something very special and therefore the work makes a deep impression.”

Rows of thin white shelves line a wall, displaying a vast collection of books and zines. The publications vary in size and colour, with some featuring bold typography such as “How to start a revolution”.
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Raum für Illustration

A wide range of styles have been included in the collection, from Laur Pontak’s photocopied collection of raw black and white sketches to more polished publications, like Boys: A Zine with Corners by Kris Andrew Small. Textile designer and illustrator Steffi Bauer contributed a sewn zine made from printed fabric, while Connor Willumsen’s unbound zine is a 24-page comic printed in black on rose paper in an envelope. “The appearance is very loose, but the comic itself is very interlaced,” says Schultz.

“We are especially happy about the submission of Merieme Mesfioui’s Halal, which gathers the work of 28 artists from the AMEMSA world (African Middle Eastern Muslim and South Asian),” adds Pietrek. “In our Library, most entries come from America, Asia and Europe, so this makes our zine-world more completed. Unfortunately, Oceania is still missing.” The gallery will continue to accept submissions following the festival.

A black and white illustration of two people sitting in a car, facing each other. Text above and below them reads “I love you” can mean a lot of things, including “you’ll do until someone better comes on” and “shut up, I’m watching TV”.
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Léa Djeziri: Teenage Apocalypse Trilogy, printed by Collectif Tardigrade

The cover of a comic book featuring an illustration of the earth wearing a pair of black-rimmed glasses. The left lens shows a smiling face, while the right lens shows a sad face. Bold, yellow and orange text reads “Q.JAY 163” at the top and “COMIX BOOK” at the bottom.
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Q. Jay 163: Comix Book, printed by Esh Print

A yellow zine spread filled with black ink illustrations and typography. The pages feature a collage of rave culture imagery, including smiley faces, psychedelic patterns and text such as “eco-industrial shamanism” and “techno rave”.
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Christopher Cascio: Still raving after all these years, self-published 

A bright pink poster with bold black typography reads “STILL RAVING AFTER ALL THESE YEARS.” The text is centred and spread across six lines against a plain white background.
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Christopher Cascio: Still raving after all these years, self-published 

An open comic book featuring colourful, stylised illustrations of figures in a surreal landscape. The pages are divided into panels showing people interacting amidst large white flowers and a solar eclipse.
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Maria Medem: Tregua, printed by Ultimo Mono

An illustration across two open book pages. On the left, a person in a red dress tends to a tall, yellow horned figure. On the right, the yellow figure and a person with purple hair sit at a dinner table with a small white dog.
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Amina Boujila: Angel's Deli

An open notebook shows two pages filled with rows of black ink sketches. Each row explores variations of a jagged, abstract symbol that resembles a stylized letter or glyph.
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Bettina Henni: Gargarism, published by Nieves

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About the Author

Laura Snoad

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Laura is a London-based arts journalist who has been working for It’s Nice That on a freelance basis since 2016.

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