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An abstract composition of interlocking geometric shapes in vibrant red and blue. The forms are covered in contrasting patterns of stripes, chevrons and grids, creating a distorted 3D effect.

“Like punk”; 30 disabled artists take over museums across the UK

Dash is disrupting spaces from Bristol to Belfast, reflecting on the links between disability and dadaism, and the movement’s relevancy after the pandemic.

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Date
30 June 2022

What would happen if the dada movement had started now, in a post-lockdown world? This is the question behind a new pop-up intervention, We are Invisible We are Visible (WAIWAV), taking over spaces across the UK this Saturday (2 July). Led by disabled-led visual arts organisation Dash, WAIWAV, will be the largest showcase of work by d/Deaf, disabled and neurodivergent artists ever to be presented in the UK, comprising 31 artists and 30 galleries. It will also dive into an art movement somewhat forgotten in today’s visual landscape – although Dash aims to prove that early 20th century Dadaism has never been more relevant.

“Dada grew out of a reaction to the horror of the first world war,” the collective tells It’s Nice That. The movement was based on the idea of absurdity, using satire to critique the nonsense of the governing rule at the time – Marcel Duchamp’s Fountain being one such infamous example. “It aimed to disturb, to offend and to challenge. So like punk,” adds Dash. After the pandemic, the collective is reviving this approach. “For many disabled people, covid had a massive impact on our lives, many died and we felt expendable,” it explains. Equally, “There has been a link between dada and disability art over the years as outsiders.”

A person sits in a colourful patterned armchair, their head completely obscured by a large, blue woven sphere. They wear a grey textured jacket over a yellow top and black trousers.
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Kristina Veasey: Complete Basketcase (Copyright © Kristina Veasey, 2022)

As for how dadaism has been resurrected in 2022, Dash explains artists’ responses to include: a dark humour, “as a response to the acceptance that some of us are expendable”, an anger; about how “the political response to covid has affected us all but particularly disabled people”; and crucially, an urge to “not go quietly”. Interventions at each exhibition range from spotting an artist in ‘dazzle’ design to fuzzy protests and using chewing gum and a Dadaist puppet to explore neurodivergent communication.

With each artist taking over a separate gallery for an entirely distinct intervention, WAIWAV is a mammoth event. “We were lucky to have time on our side,” says Dash – the team is “tiny”, it says, made up of only five part-time staff. The organisation was awarded the 2021 Ampersand Prize to carry out the intervention, a fact which Mike Layward, Dash’s artistic director states: “will not only have a massive impact on Disability arts but will show that the visual arts institutions are now open and willing to change.”

Readers can find out more about the range of interventions on display here. The museums and galleries taking part in WAIWAV include: Arnolfini, Baltic Centre for Contemporary Art, Centre for Contemporary Art Derry, Firstsite, Focal Point Gallery, Golden Thread Gallery, Grizedale Arts, Glynn Vivian Art Gallery, Harris Museum and Art Gallery, HOME, The Hepworth Wakefield, IKON, John Hansard Gallery, Leeds Art Gallery, Liverpool Biennial, Manchester Art Gallery, MIMA, MK Gallery, Modern Art Oxford, Newlyn Art Gallery, Nottingham Contemporary, The Pier Arts Centre, Site Gallery, Tate Britain, Tate Liverpool, Tate Modern, Tate St Ives, Towner Art Gallery, Turner Contemporary and VOID.

A colourful drawing of eight people standing together against a white background. One person wears a striped shirt and a red cape with the letters “SB” on it.
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Louise Morgan: Art in Motion group (Copyright © Louise Morgan, 2022)

A person wearing a yellow top and beanie knits a bright red garment. They stand before a backdrop of black and white instructional photos showing close-ups of knitting stitches. A large, multi-coloured crochet blanket and a pile of yarn are draped around them.
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Bel Pye: Cocoon (Copyright © Bel Pye, 2022)

A figure wrapped in bandages wears a black fedora, dark round glasses and a black overcoat. They wear white gloves, with their hands held up in front of them.
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Aaron Williamson: Invisible Man (Copyright © Aaron Williamson, 2022)

A surreal collage featuring a person in a dark dress sitting on a stool, surrounded by vibrant flowers and a colourful crane. Above them hang three industrial lamps and a lightbulb containing an eye. Text at the top reads “WE ARE INVISIBLE” and “WE are VISIBLE”. Text at the bottom announces that “deaf, disabled or neurodivergent artists converge on 30 galleries across Britain and Northern Ireland” for the “102nd anniversary of the 1st Dada International Exhibition in Berlin”.
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Dash: WAIWAV (Copyright © Dash, 2022)

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Aaron Williamson: Hiding in 3D (Copyright © Aaron Williamson, 2022)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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