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A gnarled brown twig lies on a white plastic sheet, casting a sharp shadow to the left. An orange sticky note in the top right corner reads “inside the old year dying”.

AI and a single twig: Here are Art Vinyl’s best album covers of 2023

The votes are counted and the winner of Best Art Vinyl Award goes to PJ Harvey’s designer, artist Michelle Henning.

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Date
11 January 2024

The winners of the “definitive” prize for best album artwork of the year have been announced. Coming in at first place is the designer behind PJ Harvey’s 2023 studio album I Inside the Old Year Dying, Michelle Henning. The judging panel selected Melodie McDaniel as runner-up for her work with Gabriels on Angels & Queens, plus Mat Maitland’s for the cover of Sub Focus’ album, which heroed a type of colourful, soft-bodied sea mollusc.

The PJ Harvey artwork was a curveball amongst cover designs last year; it featured just one lone stick against a white backdrop. Henning originally experimented with showing a full forest, but quickly realised that one stick “would give it the feel of the classic album covers I admire”.

Best Art Vinyl founder Andrew Heeps said “simplicity” and “thoughtfulness” were two attributes which united winners this year. “While the winning album artwork for PJ Harvey and runner up Gabriels focus on the single iconic image with multiple conceptual layers, third place Sub Focus uses an evolving single image via a lenticular design.”

A group of people in formal suits and blazers sit around a table, all laughing with wide, exaggerated expressions. The image is a collage with distorted facial features, creating a surreal and manic mood. A “Parental Advisory Explicit Content” label sits in the bottom right corner.
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Lil Yachty: Let’s Start Here, AI generated (Copyright © Mowtown/ Quality Control Records)

There are themes that unite each of the 50 shortlisted artworks too. AI crops up repeatedly, in Lil Yachty’s album Let’s Start Here, in the Subfocus album from Mat Maitland and Geese’s album 3D Country, which was made using Dall-E. Another theme was the presence of artworks made by the musicians themselves, with Bar Italia and Yaeji both working on their own cover art, alone and with collaborators.

The shortlisted designs were selected by a panel of artists, designers and music industry experts including Andrew Heeps, founder of Art Vinyl and last year’s winner, the designer behind Black Country New Road’s Ants From Up Here, Simon Monk.

While simplicity was important for Michelle Henning’s winning artwork, the designer explains that the final work took months, from experiments with compositions and different photographs to waiting on the perfect weather conditions. Read our interview with the designer and artist here.

A person with long black hair and glasses carries a large hammer over their shoulder. They wear an oversized, distressed denim jacket against a plain white background.
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Yaeji: With a Hammer, cover art by Yaeji (Copyright © XL Recordings)

An album cover for Blur titled “The Ballad of Darren”. A person swims in a bright blue outdoor pool under a heavy, grey sky, with a dark coastline and mountains in the distance.
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Blur: The Ballad of Darren, creative Direction & design by Undercard Studio – Matt de Jong and Jamie-James Medina (Cover photography copyright © Martin Parr/Magnum Photos)

A close-up, black and white portrait of a person with their eyes closed. A hand with long, pointed, claw-like nails grips their face.
Above

Gabriels: Angels and Queens Part2, cover photography by Melodie McDaniel (Copyright © Parlophone)

A beige electronic device is bound tightly with orange and blue nylon straps. The straps are secured with metal buckles, and several thin wires trail away from the object.
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Oneohtrix Point Never: Again, design by @eccopn & @onlineceramics, sculpture by @ringlund_instat (Copyright © Warp)

A 3D render of a fluid, iridescent organic form floating against a black background. The shape features sharp, finger-like protrusions in shades of purple, blue and orange.
Above

Sub Focus: Evolve, art direction by Mat Maitland – Big Active Design & Nicolaas Douwma, AI by Claudia Rafael, design by Mat Maitland – Big Active Design (Copyright © EMI Records)

A 3D render of a toy set in orange packaging titled “Sugar, Daddy”. It includes a white figure of a person in a gilet and trousers, alongside miniature accessories and five small pots of paint.
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Scrounge: Sugar, Daddy, artwork by Amanda Tooke (Copyright © Fierce Panda Records)

A graphic image of the words “THE TWITS” in a bold, condensed typeface. “THE” is black on a white background, while “TWITS” is yellow on a grey background.
Above

Bar Italia: The Twits, design by Bar Italia and Alison Fielding (Copyright © Matador)

An abstract drawing of dense, scribbled lines in red, green and blue on a white background. The name “Ryuichi Sakamoto” and the number “12” appear in the top right corner.
Above

Ryuichi Sakamoto: 12, artwork by Lee Ufan (Copyright © Milan Records/Sony Music)

A person lies on their back in a dry, hilly landscape with their legs raised in the air. In the distance, a large mushroom cloud rises into a bright blue sky filled with white clouds.
Above

Geese: 3D Country, artwork DALL·E 2 by Cameron Winter. Retouching by Roope Rainisto (Copyright © Partisan)

An album cover for Depeche Mode featuring two white floral arrangements shaped like angel wings against a dark, textured background. Red and white text at the top reads “Depeche Mode” and “Memento Mori”.
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Depeche Mode: Memento Mori, artwork by Anton Corbijn (Copyright © Columbia)

Hero Header

PJ Harvey: I Inside The Old Year Dying, cover art by Michelle Henning (Copyright © Partisan)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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