Launch Recite Me assistive technology
A black and white portrait of a person with dark, tousled hair looking directly at the camera. They wear a light-coloured, short-sleeved button-down shirt and lean forward with their arms crossed.
A black and white portrait of a person with dark, tousled hair looking directly at the camera. They wear a light-coloured, short-sleeved button-down shirt and lean forward with their arms crossed.

Adobe’s Creative Collective assembles multidisciplinary experts to analyse and advise on the industry’s big changes

Packed with names new and  familiar alike, Adobe’s ensemble turns to address the pressing questions of the creative community, notably, the industry’s technological advancements and the resulting change in terrain.

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Date
12 February 2026

The rate at which the creative industry – and indeed, the wider world around it – is changing is unlike ever before, with new tech, tools and considerations being thrown into the mix at a pace that’s difficult to keep up with. In response, Adobe has unveiled the Adobe Creative Collective, a group of creatives that reflect the industry as we see it today, with both its seniors and fresh faces alike. The aim of the collective, especially with such a broad roster of experience and expertise, is to epitomise imagination, invention and the diversity of creativity. At the service of industry itself, this collective’s role is to assess the contemporary creative climate, taking into account what works, what questions to ask and concerns should be raised, whilst equally looking ahead and negotiating the territory that new technologies and tools are forging. 

The roster itself is foundationally interdisciplinary, with representatives from photography, filmmaking, illustration, emerging technology, education, and design. The collective includes renowned designer Stefan Sagmeister; Tina Roth Eisenberg, founder of CreativeMornings; creative technologist Don Allen Stevenson III; fashion and beauty photographer Lindsay Adler; Tim Tadder, commercial photographer, VFX artist Brandon Baum; Behance founder Scott Belsky; and director Karen X Cheng. That’s as of its launch, however, as Adobe’s Creative Collective looks to continue to expand its membership, staying perpetually in the loop and on top of the industry’s ever-changing terrain. What’s important to the collective is not only its members’ expertise but also that it has a clear, original, decisive perspective – one that’ll serve the community best.

A grid of eight black and white portraits of people against a gradient yellow and pink background. Each person is pictured in a separate white frame with their name written below.
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Adobe Creative Collective (Copyright © Adobe, 2026)

Right now, as one would expect, the conversation focuses on AI, a space that, for some members of the community, serves as their discipline. For others, it’s a point of contention and concern. These conversations will make for essential discourse on the topic and will be foundational in finding the common ground for respectful and responsible creativity that’s emboldened by the new technologies on offer. After all, the collective is built on real-world experience, rather than speculation, due to the natural breadth of its lineup. 

The Creative Collective is, ultimately, at the service of the wider creative community. In real terms, that will mean practical assistance, tips and tricks, as well as talks and inspirational stories. These will take the form of live event sessions, reports and roundtable chats, all at the behest of actionable advice. This is one part of Adobe’s practical outreach to the creative community, alongside programmes such as Adobe Digital Academy, Adobe Creative Apprenticeship, Create Now events, and its Creative Mornings partnerships. For the Creative Collective itself, its first stop is the maiden Creative Collective Summit – a quarterly event that will produce published digests of the conversation – and then we’ll see it together again at the Adobe 99U Conference in June 2026, a one-day festival in NYC. 

Whilst the technology landscape is rapidly evolving, the Creative Collective is a refreshing break in conversation, whereby time and space are explicitly granted to acknowledge and assess the changes we’re facing, and (vitally) to report back to the wider industry. Within this space, the discourse could be defining in how we responsibly and most expressively approach what comes next.

GalleryAdobe Creative Collective (Copyright © Adobe, 2026)

A black and white portrait of a person with dark, tousled hair looking directly at the camera. They wear a light-coloured, short-sleeved button-down shirt and lean forward with their arms crossed.
A black and white portrait of Stefan Sagmeister appears beside a quote on a white card. The text reads, “Brand new technologies always offer a slew of opportunities and a plethora of pitfalls. We have to create more of the former and mitigate much of the latter.”
A person with curly dark hair and red lipstick smiles at the camera. They wear a deep red velvet blazer against a matching red backdrop.
A portrait of photographer Lindsay Adler sits beside a long quote about the impact of AI on the creative world. The text is presented on a white card laid over a background of overlapping, colourful geometric shapes.
A person with long dark hair sits on a grey sofa, wearing a black top and orange trousers. Beside them, a red cushion reads “I’m from the internet”.
A portrait of Tina Roth Eisenberg alongside a quote on a green background. The text reads, “In a world full of uncertainty, I always return to the grounding force of community. Being invited to the Adobe Creative Collective gives me the opportunity to contribute to an important dialogue about how AI will shape the creative world. It’s an honor and a responsibility I take seriously.”
A person with dreadlocks and a beard smiles widely, holding a pair of clear-rimmed glasses to their eyes. They wear a brown blazer over a white shirt, accessorised with rings and a beaded bracelet.
A quote from Don Allen Stevenson III, Creative and AI Research Lead at Asteria, is presented on a white card. The text discusses the role of AI in creativity and the goal of building a “hybrid future”.
A person with straight black hair smiles broadly, looking upwards and away from the camera. They wear a white collared jacket against a background of abstract, painterly brushstrokes in teal and ochre.
A quote from Karen X Cheng, creative director at karenxcheng inc, is set against a white rounded square. The text reads, “I’m glad Adobe is putting this together. Creativity is shifting a lot right now because of AI, and it helps to have a space where we can talk honestly about what’s coming next.” A small black and white portrait of Cheng sits below the text. The background consists of overlapping colourful rectangles in green, blue, red and yellow.
A person sits in a textured orange armchair, hands clasped in front of them. They wear a dark blue blazer over a light-coloured shirt.
A person wearing a white T-shirt and a black baseball cap looks at the camera and smiles. They are posed against a solid blue background.
A quote from Brandon Baum, CEO and founder of StudioB, is presented on a white card. He discusses the honour of joining the Adobe Creative Collective and the excitement of shaping the future of AI.
A black and white portrait of Liam Neeson looking directly at the camera. He has wavy hair and a groomed beard and moustache.
A black and white portrait of Tim Tadder, CEO of Tim Tadder Still + Motion, sits beside a long quote. The text discusses the evolution of image-making from film to AI and the role of the Adobe Creative Collective. The quote is set within a white rounded box, layered over a background of overlapping colourful squares.
A graphic announcing the “Adobe Creative Collective” features eight black and white portraits of its members. The people are arranged in three rows with their names printed below each circular image.

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Adobe Creative Collective (Copyright © Adobe, 2026)

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