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An animation of a cluttered, colourful illustration featuring various objects and onomatopoeic words. A black box reads “UNDENIABLY MUSICAL INSTRUMENTS”, while other text includes “LOOBALOOBA” and “HOOVES”. The movement across the frame is subtle.

Yolande Mutale’s vibrant illustrations are averse to perfection and attracted to chaos

Combining figurative imagery and hand-drawn type, the London-based illustrator depicts a “humorous, animated world”.

Using mini on-the-go drawings and the Notes app in her phone, illustrator Yolande Mutale takes influence from “absolutely everywhere”. She records what others may see as insignificant – a funny sign seen from the top deck of a bus, or a conversation with her mum. These moments alongside her broader interest in music, travel and politics all coalesce to produce her vibrant, charmingly chaotic illustrations. While Yolande’s work aims to “capture the energy and liveliness of the everyday”, she also uses her work to communicate more serious messages. For example, her final BA project at Central Saint Martins was focused on the end of Robert Mugabe’s 37 year reign over Zimbabwe.

In terms of style, Yolande can often be found hopping from medium to medium. While in commercial projects she uses digital illustration for ease of amends, she’s also interested in the hand-drawn quality of ink, pens and screen printing. But, “no matter the medium”, Yolande always endeavours to include vibrant colours and apply a “loose” illustration style “that isn’t too neat or perfect”. And recently – if you didn’t think Yolande’s work could get any more lively – the artist has started incorporating animation into her practice, a move she sees as “really bringing the scenes to life, capturing the chaotic nature of the work”.

A colourful grid illustration featuring a variety of abstract shapes, figures and city elements. The word “LONDON” appears twice in bold, hand-drawn lettering across different panels.
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Yolande Mutale: The Big Town 2 (Copyright © Yolande Mutale, 2022)

An illustration of a grid of black, white, red and blue squares. Each square contains a simple, stylised drawing of people, city buildings, cars and abstract shapes. One square features a red double-decker bus with the word “LONDON” on its side.
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Left

Yolande Mutale: The Big Town 1 (Copyright © Yolande Mutale, 2022)

Right

Yolande Mutale: The Big Town 3 (Copyright © Yolande Mutale, 2022)

A colourful grid illustration of London, featuring a series of abstract sketches in yellow, purple, black and white. The panels include stylised city landmarks, cars, people and the word “London” written in bold capitals.
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Yolande Mutale: The Big Town 3 (Copyright © Yolande Mutale, 2022)

An animation of a collection of colourful, abstract illustrations on a cream background. The figures include a large orange spiral, pink birds, and dark silhouettes, with subtle shifts in colour and shape.
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Yolande Mutale: Night Life (Copyright © Yolande Mutale, 2023)

A black and white grid of illustrations and typography supporting the Black Lives Matter movement. The panels feature the phrase “Black Lives Matter” alongside slogans such as “No Justice No Peace” and “Defund the Police”.
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Yolande Mutale: BLM (Copyright © Yolande Mutale, 2020)

A vibrant illustration of several figures playing tennis, rendered in bold primary colours and black silhouettes. The composition is energetic and fragmented, featuring tennis rackets, balls and abstract shapes like arrows and zigzags.
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Left

Yolande Mutale: Nike BHM (Copyright © Yolande Mutale, 2022)

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Yolande Mutale: Nike BHM (Copyright © Yolande Mutale, 2022)

An illustration of several black silhouettes with bright red, blue and green hair and clothing. The figures are scattered across a pale blue background among abstract shapes, zig-zags and dots.
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Yolande Mutale: Nike BHM (Copyright © Yolande Mutale, 2022)

A bold, multi-panel illustration in red, yellow, and black. The panels depict scenes of protest and state control, including a police car, a megaphone, and a lion. Text throughout the image reads “The world can not hear us”, “No Zanu Pf!”, “No service”, “Error” and “Stop the suffering in Zimbabwe”.
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Yolande Mutale: No Service (Copyright © Yolande Mutale, 2019)

A red and black illustration featuring a dense collage of figures, symbols and protest slogans. Bold text includes “Stop the violence”, “Enough is enough” and “Bob is not my uncle”.
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Left

Yolande Mutale: Bob is not my Uncle (Copyright © Yolande Mutale, 2019)

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Yolande Mutale: No Bond Notes(Copyright © Yolande Mutale, 2019)

A black and yellow illustration featuring a chaotic collage of figures, symbols and text. Phrases include “Evil people are in charge”, “Terror is in charge of this country” and “Free fair genuine peaceful elections Zimbabwe”.
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Yolande Mutale: No Bond Notes(Copyright © Yolande Mutale, 2019)

A colourful illustration featuring several pregnant figures and babies surrounded by abstract shapes and patterns. Large black text in the centre reads “PUSH”, with smaller phrases including “I AM BLACK”, “I AM PRECIOUS” and “MY BABY IS BORN”.
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Yolande Mutale: Push By Saphire (Copyright © Yolande Mutale, 2021)

An animation of a chaotic, colourful illustration of Los Angeles. The scene is filled with figures, cars and signs including “HOLLYWOOD”, “DRIVE-THRU LAWYER” and “WALMART”, with subtle movement throughout.
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Yolande Mutale: 1-800 Hollywood (Copyright © Yolande Mutale, 2023)

Hero Header

Yolande Mutale: Foley (Copyright © Yolande Mutale, 2022)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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