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A hardcover book with a pale grey cover stands against a white background. A series of orange, diagonal slash marks are cut through the front cover, revealing a bright orange interior.

Graphic design studio Works creates scratchable cover for artist Min ha Park

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Date
26 July 2019

Founded five years ago, Seoul-based graphic design studio Works is the creation of ongoing collaborators Harim and Yeonjeong. The two friends met during university more than ten years ago and continue to work together to this day under the creative studio’s name. “Creating the most direct and bold way to communicate the contents is our ultimate mission,” explain the founders.

Working across various fields of graphic design, the studio’s most recent project, Sun Gone, sees Harim and Yeonjeong tackle the exhibition graphics and book design for the artist Min ha Park’s latest show at Seoul’s One and J Gallery. With a print run of 500 bespoke publications, Sun Gone boasts a unique scratchable cover, encouraging an interactive element to the art of book design. The idea was conceived by Min ha Park and the cover, leading the designers to silkscreen each cover with lottery ink so when the book’s owner scratches away at the grey cover, a digital photo collage of the artist’s work is revealed underneath. Though each owner can personalise the book’s cover art as they wish, the main purpose of the scratchable surface is to “preserve the roughness of Min ha Park’s work within the catalogue.”

When asked what the designers enjoy most about their discipline, Harim and Yeonjeong comment that, “Compared with other mediums, graphic design allows us to envision an outcome quickly with ease. For the design duo, there is also a joy to making and trying out different printing methods and materials.

Ever since she was a child, Yeonjeong has wanted to pursue a career in graphic design. Obsessed with the lively graphics that adorned her clothing and various accessories, her interest in design was sparked at a young age. Alternatively, when Harim was young, she spent much of her time tracing Chinese letters onto transparent paper “enjoying the crafty feeling of drawing text by hand," continuing to feed back to her practice today.

After studying product design at university, the two realised the flexibility of graphic design in comparison to the rigid structure of product. They moved into their chosen design field as a result and haven’t looked back since, going onto design a graphic identity for the likes of Fuji Film and Magnum Photos’ global exhibition, as well as many other dynamic print-based projects which have seen them express a myriad of skills and styles.

An open book shows a black and white photograph of a heart-shaped crater on a rocky surface. A grey page and a bright red page are tucked beneath the main image.
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Works: Sun Gone

A digital collage featuring a person standing atop a rocky outcrop under a bright blue sky. Large, black ink-like strokes cut across the composition, partially obscuring a landscape of bonsai-style trees and cliffs. Small text in the top left reads “Jeonju Intl. Film Festival”, while the bottom edge features a row of small illustrations and Chinese characters.
Above

Works: Breathless Animals

A collection of blue and white branded items, including a tote bag and two small cameras, scattered across a surface. A black and white printed page reads “HOME” in bold, vertical lettering.
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Works: Fuji Film, Home

A folded black and white publication with a red circle, set against a black background. Bold text reads “PERFORM 2018” and “DATAPACK 2018” across the curved pages.
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Works: Perform

A curly-haired dog stands on a wooden ledge overlooking a bright blue lake and a steep cliff face. Above the scene, four small photos show tulips, a landscape, a duckling and a sunrise. Below the main image, a blue calendar for the month of March is displayed.
Above

Works

A black and white illustration of a dense garden filled with manicured hedges and tall trees. White, cloud-like shapes float between the foliage, alongside a few circular signs. Text at the top reads “Fantastic Garden” and “Lee Songhee”. The side reads “Freckles - Works in Process - 1” and the bottom lists the dates “2017. 11. 10 – 11. 19”.
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Works

An illustration of 15 iridescent, blue and gold gemstones in various cuts, each labelled “Fig.” followed by a number. Below the gems, the words “gem kit” appear in a cursive script next to a list of gem names and Korean instructions.
Above

Works

A colourful illustration of a heart-shaped cookie character with large eyes and a red bow. They hold a heart-topped wand and are surrounded by a glowing blue heart and sparkling stars. Bold pink text at the bottom reads “LOVE & THANKS”.
Above

Works

A series of blue and black fabric calendars featuring high-contrast, monochromatic photography of a person in motion. Each calendar is printed with a grid of dates and the year “2017” at the bottom.
Above

Works

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About the Author

Jynann Ong

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Jynann joined It’s Nice That as an editorial assistant in August 2018 after graduating from The Glasgow School of Art’s Communication Design degree. In March 2019 she became a staff writer and in June 2021, she was made associate editor. She went freelance in 2022.

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