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A giant mirrored disco ball hangs from a concrete ceiling in a large gallery space. Below, several cars painted matte white are piled and scattered across a pale floor against a colourful, abstract backdrop.
A giant mirrored disco ball hangs from a concrete ceiling in a large gallery space. Below, several cars painted matte white are piled and scattered across a pale floor against a colourful, abstract backdrop.

Us by Night – the design festival that’s more like one big party – is back

After a four-year hiatus, the special nocturnal design event returns to Antwerp’s riverside.

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Date
5 August 2024

It’s official: the design-festival-cum-massive-night-out, is back. Us by Night is a nocturnal experience that sees exciting names in the creative industry take to the stage for a series of talks, offering insight and wisdom gained from their time in the industry, as well as a glimpse behind the scenes into their practice. But that’s not all. Over the three nights, you can expect a night market complete with arcade games, cocktails, food courts, a flea market, a tattoo studio, and even a massage saloon, that will (at midnight) slowly transition into a club experience – all enhanced by an array of mind-bending visuals.

Us by Night was founded by the 3D designer and illustrator Rizon Parein back in 2016. Rizon put on four instalments of the event before it met its untimely end in 2020, due to the Covid pandemic. Following its cancellation, Rizon began a fresh venture at Meta, working on future-facing hardware. But, the festival had amassed a large and loyal following, and since 2020 Rizon says he’s had multiple folk pressing him for its return. So, when Rizon returned to Belgium after leaving Meta (“25 years of working independently is something you can’t put aside”), he began “quietly exploring” the options. He continues: “Just three months later, we announced the comeback, which was received with immense love and made it absolutely clear how the next ten years will look.”

A large crowd of people gathers in a dimly lit industrial space, facing a bright screen. They are seated on sofas and chairs, watching a presentation under circular overhead lights.
Above

Copyright © Us by Night

Photographer: Daniil Lavrovski

This time round there will be a whopping 70 speakers from all corners of the creative industry, and Rizon has let us know about a few he’s particularly excited about. Like Louis Henry Mitchell, for example, the lead character designer at Sesame Street, who has “a beautiful view from a design perspective on life in general”, or the installation duo Isabel + Helen, who, despite making work for some very big clients, “still manage to infuse their design with a sense of honesty and playfulness that you rarely see,” says Rizon.

There’s also Julian Alexander, from Slang Inc., and his son Snake. “I saw them speaking together in New York at a Street Dreams Magazine event. Julian immediately took me down memory lane with the numerous hip hop album covers he designed, but what surprised and inspired me the most was the relationship between father and son,” continues Rizon. “The dynamic between both was a beautiful example of parenting, showing the trust the father gives his son and how this defines their relationship.” Other speakers include the 3D artist and animation director Joseph Melhuish, artist and set designer Ibby Njoya, creative director Hassan Rahim, New York’s unofficial talent scout, New York Nico, artist and designer Kelly Anna, as well as the multidisciplinary artist and visual designer Can Yang.

The event will take place in the venue it moved to in 2019 – Waagnatie – a large warehouse that sits on the Antwerp riverside. Though there’s a few changes. While the party aspect of the event was only trialled at the last event, this time round the music element has been “fully elevated”, says Rizon. In the centre of the night market there will be stadium seats, car wrecks that have been turned into art pieces and the 6m-wide disco ball the event is known for, as well as massive LED towers, and finally a full club setup. “At midnight, this area will undergo a total transformation; the club will be baptised as XYZ,” says Rizon. The SooGood stage is another new addition, replacing the tutorial stage. It’s an Us by Night satellite events operation in “guerrilla style” – Rizon explains: “It can be anything; let’s call it the designer’s version of a flash mob.”

Us by Night isn’t just any design conference, it’s one devised by an individual with a rich design background, who’s used this experience to forge something authentic. “Us by Night is not merely a practical room with a stage and a bar. It’s the result of a journey shaped in a naive and vulnerable way, allowing you to be a kid again and making people feel safe and valued,” says Rizon.

Us by Night is running from 26-28 September. You can buy tickets here.

GalleryCopyright © Us by Night Photographer: Daniil Lavrovski

A person stands at a podium in front of a large, bright orange screen. The screen features bold black text that reads “IT WAS GOOD BUT THIS IS BETTER”, with “US BY NIGHT — JONAS LINDSTROEM” written in smaller letters below.
A large crowd of people sit in a dimly lit industrial space, facing a stage. A sign on the back wall reads “DEFENSE DE FUMER” under a high, concrete ceiling.
Two people sit side by side on a dark shoreline, looking out over a body of water. In the distance, a city skyline glows with yellow lights under a deep blue and purple twilight sky.
Two people stand together on a stage, laughing. One wears a baseball cap, denim jacket and striped T-shirt, while the other wears a plain sweatshirt.
A person holds a small orange camera up to their eye, looking directly at the viewer. They wear a blue beanie and a black T-shirt featuring a pink globe and the word “STAY”.
A person is seen from behind wearing a blue jacket with a white floral border. Taped to their back is a cardboard sign that reads “LOOKING FOR A RIDE TO GHENT”.
A person wearing a bucket hat and oversized clothing sits on the boot of a white car. The car is covered in colourful graffiti and tags, including the words “Working Working” and “Touch”. Behind them, a massive disco ball reflects bright, hazy light.
A person stands at a podium on a dark stage, presenting to a large screen. The screen shows a still from a film featuring a group of dogs and a figure with a parachute on a rocky beach, with the text “Dogs” and “Directed by Wes Anderson”.
A group of people sit in a darkened theatre, smiling and looking towards a stage. They are seated in a row of chairs, surrounded by a blurred audience in the background.
People gather in a large industrial space built from blue shipping containers. In the background, two T-shirts are displayed against a bright white screen.
A group of people sit in a circle in a dimly lit industrial space, listening to a person with their back to the camera. They are dressed in casual streetwear and sit on low sofas and cushions over a red patterned rug.
A white model of a bus is covered in graffiti and scribbled text. People stand and sit around the installation in a crowded gallery space, while a white sculptural tree stands beside the vehicle.

In partnership with

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Us by Night reimagines conferences by merging a creativity festival with nightlife, which you could describe as the naughtier version. Over three nights, this carefully curated event features more than 60 artists from various disciplines on stage, transforming an industrial warehouse into a vibrant theme park with three stages, a night market, a 6-meter-wide disco ball, and a brand-new clubbing zone. It attracts creatives worldwide and is often praised as being unlike anything else.

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Copyright © Us by Night

Photographer: Daniil Lavrovski

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