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A yellow spiral-bound notebook rests on a light wood surface. Bold red text on the cover reads “Dugdale Arts Centre”.

At Stephen Barrett Studio, every project begins with typography

Still channelling the magic of mid-2000s Central Saint Martins, the studio’s founder champions the responsibility designers have in the act of making.

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Date
20 March 2025

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“Typography is always the starting point, a way into a project and a tool for expressing meaning,” Stephen Barrett says of his studio’s guiding principles. “Research and asking questions is important both in an immediate sense, in terms of finding out information, but also in a more philosophical way,” he adds. “Designers look to question the world around them, in order to make it better.” This creative philosophy is something that Stephen champions at every stage, resulting in a style that is emotive and satisfying and often leads to thoughtful, concept-led objects that manifest in books and brands.

Craft, print and process are at the heart of Stephen Barrett Studio, a combination that Stephen describes as “the common thread”. He continues: “Specifying physical materials and production processes develops a typographic identity that tells a story about people, place and activity.” This intentional approach is something that is important to Stephen in both his creative practice and his academic one – he is currently a typographic practice teacher on Central Saint Martins’ Graphic Communication Design programme. “I’ve worked on several projects that we have co-designed with communities, and at CSM there is lots of positive work being done to decolonise the curriculum,” he explains. It’s here that he encourages students to think about their empathetic role as designers and the responsibility one has to their audience to make the world more inclusive.

Stephen’s role at CSM marks a return to his roots, having studied there in the mid-2000s. “It was an exciting and somewhat magical place and a transformational experience for me,” he recalls. “I was in London and surrounded by students and tutors from all over the world,” each bringing their own unique passions, stories and ideas. “We were encouraged to be fearless and explore the subject in our own way,” Stephen ends, “which I believe gave us confidence and independence to sustain a practice beyond the course.”

A stack of four Ambit magazines rests on a bright green fabric surface. The top cover is a gradient of pink and yellow, featuring a portrait of a person and the bold text “AMBIT 244”.
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Stephen Barrett Studio: Ambit (Copyright © Stephen Barrett Studio, 2023)

Two copies of Ambit magazine lie on a green fabric surface. One is a bright yellow issue 247 with a detailed line illustration, while issue 248 features bold red text reading “THE WAR ISSUE” over images of roses.
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Stephen Barrett Studio: Ambit (Copyright © Stephen Barrett Studio, 2023)

A grid of six Instagram posts from the account “ambitmagazine”. The images feature a mix of bold typography, distorted portraits, and vibrant illustrations in red, yellow, and pink.
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Stephen Barrett Studio: Ambit (Copyright © Stephen Barrett Studio, 2023)

A bright red poster features the word “OBSERVATORY” repeated in a bold, black outline font. Smaller text at the bottom lists the dates “12 September – 31 October 2024” and the location “Lethaby Gallery, Central Saint Martins”.
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Stephen Barrett Studio: Observatory (Copyright © Stephen Barrett Studio & Eve Bull, 2024)

The glass storefront of a gallery features the word “OBSERVATORY” in bold, red neon lettering. Inside, a minimalist white installation stands in a bright, industrial space with exposed ceiling lights.
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Stephen Barrett Studio: Observatory (Copyright © Stephen Barrett Studio & Eve Bull, 2024)

An animation of a textured yellow background with a pale horizontal band across the centre. Small dark dots are scattered across the band, with subtle movement.
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Stephen Barrett Studio: Climate Cartographics (Copyright © Stephen Barrett Studio, 2024)

A bespoke typeface created from olive green dots on a light blue background. The characters form the word “CLIMATICA”, various numbers, symbols and the names “BEN & JOHN”.
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Stephen Barrett Studio: Climate Cartographics (Copyright © Stephen Barrett Studio, 2024)

An open book shows a black and white collage of people working with large wooden blocks. Vertical text on the left page reads “PLAYGROUND”, with the word “WORK” placed horizontally below it.
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Stephen Barrett Studio: Grounds to Play (Copyright © Stephen Barrett Studio, 2025)

Two book covers side by side. The front cover features a black and white photo of a playground with orange shapes layered over it and the title “Grounds To PLAY”. The back cover shows a similar playground photo above a block of red text.
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Stephen Barrett Studio: Grounds to Play (Copyright © Stephen Barrett Studio, 2025)

A person rests their hand on a long, slanted information plinth in a garden. The display features a series of panels with text, a QR code and images, including one titled “Barbers Piles”.
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Stephen Barrett Studio: West Quay (Copyright © Dallas–Pierce–Quintero, 2021)

A series of tall, angled wooden posts stand against a clear blue sky. Some posts feature black letters, spelling out “W Q”, “E U”, “S A” and “T Y”.
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Stephen Barrett Studio: West Quay (Copyright © Dallas–Pierce–Quintero, 2021)

The glass facade of the Dugdale Arts Centre, with the letters “DAC” stacked vertically in white. A sign above the entrance reads “Dugdale Arts Centre”.
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Stephen Barrett Studio: Dugdale Arts Centre (Copyright © Stephen Barrett Studio, 2023)

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Stephen Barrett Studio: Dugdale Arts Centre (Copyright © Stephen Barrett Studio, 2023)

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About the Author

Harry Bennett

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Hailing from the West Midlands, and having originally joined It’s Nice That as an editorial assistant in March 2020, Harry is a freelance writer and designer – running his own independent practice, as well as being one-half of the Studio Ground Floor.

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