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An illustration of two reddish-brown, rounded figures facing each other against a plain grey background. The figures have soft, blurred edges and white highlights, giving them a glossy, liquid appearance.

Samuel Almansa lends his airbrush style to ceramic-like portraits of animals

The Palma-based artist has found a middle ground between surreal depictions and sharp representations of his surroundings.

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Date
16 May 2024

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The work of Samuel Almansa has always had a quieting and surreal effect. Using airbrush as the tool to manifest his deeply observational oeuvre, the artist’s work stands as both an imaginative exploration and reflection on his surroundings. In the three years and a half since becoming a professional artist, he’s twisted and experimented with painting to translate a myriad of themes, from the culture of sport, to nature, religion, and pop culture.

Currently living in Palma de Mallorca, and working from his studio in S’Arenal, Samuel’s work has recently given way to dream-like animal portraits. The viewer can get lost in the flat and blended airbrush style but pulled back in by his thick application of white paint that acts as highlights on top. The artist explains these details as trying to “make this ceramic and blurry style”, stemming from a plethora of influences; all the things that are close to him, that he doesn’t have to go too far to reach. “My mother, and the figurines she has in her house; my father, a truck driver; and my brothers,” he shares. “My friends and all my relationships are my pictorial references right now, and I can’t stop painting them.”

An illustration of a seated dog rendered in soft, blurred gradients of brown, grey and green. White, liquid-like drips and splatters are layered over the figure against a plain light grey background.
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Samuel Almansa: Lacito (Copyright © Samuel Almansa, 2024)

An illustration of a small, brown, glossy figure resembling a bear or dog. The character has a soft, rounded shape with white highlights that give it a shiny, liquid appearance.
Above

Samuel Almansa: Chocolate Friend (Copyright © Samuel Almansa, 2024)

An illustration of a small, rounded creature with a soft, airbrushed texture. It has large dark eyes and a speckled, stone-like appearance with white highlights and a patch of green moss on its head.
Above

Samuel Almansa: Cuéntame (Copyright © Samuel Almansa, 2024)

An illustration of a small, brown cherub figure against a plain grey background. The figure is rendered with soft gradients and highlighted with thin, white glowing lines.
Above

Samuel Almansa: Shh (Copyright © Samuel Almansa, 2024)

A 3D render of a small, beige dog sitting against a plain grey background. The figure has a smooth, glossy surface that catches the light like polished plastic or glass.
Above

Samuel Almansa: ¿Vamos al parque? (Copyright © Samuel Almansa, 2024)

A digital illustration of a small, blue bear with large, glossy eyes and pink cheeks. The figure has a soft, airbrushed texture and wears a yellow bow tied around its neck.
Above

Samuel Almansa: Osito (Copyright © Samuel Almansa, 2024)

A 3D render of a translucent, glass-like dog sitting against a plain grey background. A soft glow of red and yellow light is trapped inside its neck.
Above

Samuel Almansa: Untitled (Copyright © Samuel Almansa, 2023)

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Copyright © Samuel Almansa, 2024

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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