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A 3D render of a cartoon dog sitting at a desk in a dimly lit, green-hued office. The dog looks stressed while working at a computer, with a bright yellow tennis ball resting on the tiled floor in the foreground.
A 3D render of a cartoon dog sitting at a desk in a dimly lit, green-hued office. The dog looks stressed while working at a computer, with a bright yellow tennis ball resting on the tiled floor in the foreground.

Meet Louie Zong, Pixar storyboard artist and Blender illustrator who can tell a story about anything

Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making thought-provoking stories.

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Date
18 May 2026

He’s a 3D and 2D illustrator, a musician, a storyboard artist with a background in the television animation industry for many years – he’s even contributed to the storyboards of Pixar’s newest furry flick Hoppers and the Cartoon Network show We Bare Bears. What can Louie Zong not do? Even when faced with the pandemic, the illustrator found a way to reinvent his whimsical style, learning Blender and using the program to exercise ideas within tightly controlled compositions, lighting conditions and countless polygons. The result is some of the coolest illustrations around, prompting some to hope that Pixar’s next movies look more like Louie’s signature style.

Louie believes that having a diverse range of influences in art, books, music and general life is key to a fulfilling and interesting art practice – you must live with one foot in the present and the other in the past, always drawing references and creating visual cookie-crumb trails throughout his work. Inspired by surrealist painters such as Rene Magritte, 90s editorial illustrators such as Lane Smith, ancient folk art from Mesoamerica and video game art of all times, Louie impressively synthesises all of this into somewhere that sits between them all; both deeply textured yet early-digital art works that look like 90s edutainment visuals, clay models and illustrations all at the same time. The more you look, the more you find nuggets of inspiration – especially when you figure out that Louie loves The Muppets, and so gives a puppet-esque tactility to everything.

“Something I read about on Wikipedia or see on my street will often be the catalyst that starts an illustration in my mind, and I love it when a piece has a narrative pull, some kind of storytelling element,” says Louie. “I’m sure this comes from my storyboarding days, where every panel needs to convey some information to move the story forward.” It seems that all Louie needs is one shot to tell a whole story, whether it’s the dread of a dog losing his ball or pigs ominously standing at the door of someone about to dig into a meal, Louie’s gorgeously illustrated worlds show why he’s tapped by the biggest animation studio in the world.

An illustration of a brown dog sleeping soundly, resting its head on a lute. The dog has small white wings and is framed within a thick gold border. A dog bowl containing a single bone sits in the bottom right corner.
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Louie Zong: Angel Playing The Lute (Copyright © Louie Zong, 2026)

A 3D render of Kermit the Frog and Miss Piggy, both reimagined as green frogs, looking at a small real frog. They lean over a brick ledge against a warm, orange-toned background.
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Louie Zong: Family Reunion (Copyright © Louie Zong, 2025)

A large, realistic 3D render of a brown hare looms over a small, stylised white rabbit. The small figure wears a tiny orange T-shirt and looks up at the larger creature against a dark background.
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Louie Zong: Princes With a Thousand Enemies (Copyright © Louie Zong, 2026)

A 3D render of a small, spiky white creature standing between the feet of three people. A yellow tennis ball sits on the ground in front of the creature.
Above

Louie Zong: Creature (Copyright © Louie Zong, 2025)

An illustration of a person wearing a cowboy hat and blue shirt, sitting atop a giant, rounded white horse. A smaller, similarly plump brown horse stands beside them in a desert landscape with cacti.
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Louie Zong: Round (Copyright © Louie Zong, 2025)

A 3D render from a first-person perspective of a person sitting at a dinner table with a plate of pasta. In the background, two pigs peer through an open doorway from a dark, moonlit forest.
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Louie Zong: Truffle Hunters (Copyright © Louie Zong, 2024)

An illustration of a person wearing headphones, kneeling in a dark, forest-like setting. They hold a large, fluffy microphone towards a small yellow insect perched on a stone.
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Louie Zong: Now Recording...(Copyright © Louie Zong, 2025)

A 3D render of a person using a tablet to design a digital object. A hand reaches out from the screen to hold a grey 3D cube, while another hand types on a keyboard below.
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Louie Zong: Trompe l'oeil (Copyright © Louie Zong, 2026)

A small brown dog stands in the foreground, looking up at a much larger dog behind a chain-link fence. A single green tennis ball sits on the ground between them.
Above

Louie Zong: The Great Divide (Copyright © Louie Zong, 2026)

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Louie Zong: Late Night (Copyright © Louie Zong, 2026)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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