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A person in a white garment sits in a field of tall, golden wheat. They lean forward, resting their hands on a long wooden staff.
A person in a white garment sits in a field of tall, golden wheat. They lean forward, resting their hands on a long wooden staff.

Kennedy Mirema’s creative direction shines a light on Kenya’s cultural richness

The Nairobi-based creative director and stylist is quickly becoming a singular voice in the creative scene, with commissions from the likes of Daily Paper, The New Originals and Moshions.

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Date
6 June 2024

For Kennedy Mirema, style and photography is an extension of heritage, being first immersed in the act of expression while being styled by his parents during his time growing up in Kenya. “My parents would take me for photo studio sessions, especially during holidays like Christmas”, catalysing his regard for fashion photography, he tells us.

While at university in Nairobi, Kennedy connected with like-minded students sharing similar interests in the field, and became one of the founders of the creative collective, 199xOrg. “Together we brainstormed ideas, styled ourselves and photographed each other, honing our skills and exploring our creative potentials.” This petri-dish period allowed him to catapult into the fashion scene in the city, “gaining insights and inspiration from its rich cultural tapestry”.

Throughout Kennedy’s creative direction there is an immediate bonding of people and landscape, greatly owed to his focus on curation at every turn; creating looks that are both innovative and reflective of the individual personalities. His process typically starts with a research period where he immerses himself in the client’s backdrop, and current trends taking over the industry, before a period of cohesion where he hones in on visual narrative. This technique allows us to see beyond the adornments of fashion and heed the cultural contexts beneath them; why does this clothing meld with that convenience store? Why does the flowy linen assortment belong on those sandy shores?

Kennedy’s commitment to working on projects that challenge conventional fashion norms is immediately apparent. “From avant-garde editorials to conceptual campaigns and collaborations with local artists,” he tells us. And his creative influences are born of that same creed, often from Kenya’s culture and traditions, “which I don’t believe have been explored enough as the focus is often on West and Southern Africa”. It’s the vibrant colours, intricate patterns found in Kenyan culture that keeps him steadfast on his creative journey with boldness and authenticity. “I aim to shine a light on Kenya’s cultural heritage and richness by bringing it to the global stage.”

A person stands beside a large pile of chopped firewood in a rural landscape. They wear a long, white draped garment with a grey gradient at the hem and a beaded necklace.
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Kennedy Mirema: Moshions, photographed by Odede Odede (Copyright © 199xOrg, 2023)

Two people stand in a golden wheat field under a cloudy sky. They both hold long wooden staffs and wear flowing, off-white garments.
Above

Kennedy Mirema: Moshions, photographed by Odede Odede (Copyright © 199xOrg, 2023)

Three people stand together on a rocky shoreline under a clear blue sky. The central figure wears a cream suit and a captain’s hat, holding a small book and smoking a cigarette.
Above

Kennedy Mirema: Carnault, photographed by Odede Odede (Copyright © 199xOrg, 2021)

A person stands before a mud-walled building, wearing a coordinated cream outfit with a light blue neck scarf. They hold a long wooden staff and look directly at the camera.
Above

Kennedy Mirema: Moshions, photographed by Odede Odede (Copyright © 199xOrg, 2023)

A person stands on a white sandy beach with their arms outstretched. Beside them, a large, weathered tree with bare, twisting branches reaches across the frame.
Above

Kennedy Mirema: Lamu, (Copyright © 199xOrg, 2021)

A person stands beside a donkey in front of a white building. They wear an open yellow shirt, white trousers and sandals, while holding a rolled-up mat.
Above

Kennedy Mirema: Ikeno (Copyright © 199xOrg, 2021)

A person wearing a long black coat and white socks stands in front of a bus. The back of the bus features a large graphic of a man in sunglasses with the text “The Final Hurdle”.
Above

Kennedy Mirema: Nairobi (Copyright © 199xOrg, 2023)

Two people stand in the doorway of a small shop under a sign that reads “The Mondo’s Gas Point & Gen. Shop”. They both wear loafers with white socks and hold helmets.
Above

Kennedy Mirema: The New Originals (Copyright © Rogers Ouma, 2022)

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Kennedy Mirema: Moshions, photographed by Odede Odede (Copyright © 199xOrg, 2023)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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