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Gaia Alari communicates universal feelings in her bespoke stop motion animations and illustrations

The Milan-based creative is creating work for musicians and publications full of texture and abstract movements.

Date
19 August 2025

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There’s a wonderful sense of childhood joy in Gaia Alari’s bespoke illustrations and animations for musical artists Alessia Cara, Porridge Radio and even Coldplay. In a style that feels intertwined with mythology and fairy tales, Gaia’s textural, elegant illustrations weave between figurative and abstract with natural movements. Creating a dialogue between shapes, Gaia has a fantastic knack for capturing not just body movement, but how we would like our bodies to move. “I believe that art in general is a language that speaks (for those who listen) to a different level than words,” shares Gaia. “It communicates through a process more similar to digestion, by absorption. The more it raises questions and feelings, the easier it gets absorbed, and the more room the viewer has to project in what they see.”

Inspired by Kiki Smith, Wangechi Mutu, William Kentridge and Yoshitomo Nara, Gaia’s illustrations speak a type of language specific to childhood, especially in the imaginative, kinetic movements of story books or even children’s drawings – bodies become stretched like winding flower stems, elephants become birds which become people embracing in a kiss – it’s a wonderful stream of consciousness. “I like to go as deep as I can, where emotions are more transparent, less shielded,” says Gaia. “In that place, they become less clear to identify. They start merging one another, creating a very primal ambivalent connection.” Mythical and archetypal story telling is important to Gaia, as she takes inspiration from the “mysterious and sometimes dark feelings man could only communicate in folk tales” – for Gaia, her animations encapsulate the spectrum of feelings that we cannot verbalise, so we dance it out.

An animation of a pencil drawing in which several grey birds with red feet fly across a white background. The birds move and flutter through a tangle of thin, swirling lines.
A collection of hand-drawn illustrations scattered across a wooden surface. The drawings feature surreal, colourful figures with wide mouths and sharp teeth.
An animation of a black and white ink drawing showing figures entwined in a fluid, circular composition. Small red circles appear and disappear across the scene.
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“Three Movements” (Copyright © Gaia Alari, 2025)

An animation of a surreal, black creature with human hands and a red face. The figure morphs and shifts its limbs across a white background, with a small village appearing within its body.
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Home (Copyright © Gaia Alari, 2025)

An illustration for The New York Times Magazine of a golden-coloured dog with its eyes closed. A tiny person lies flat on the dog’s head. Text to the right reads “Walnut and Me” and “How my dog helped me accept that someday we will all die. By Sam Anderson”.
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New York Times Magazine (Copyright © Gaia Alari, 2025)

An animation in which several pale, sketchy figures hold hands in a circle against a black background. The figures shift and morph before transforming into a ring of small, white star-like shapes.
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What comes at night (Copyright © Gaia Alari, 2025)

A line drawing of two figures entwined in a circular composition, surrounded by red flowers and green vines. Two black birds are integrated into the scene, with one perched near the figures' heads.
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Hope (Copyright © Gaia Alari, 2025)

An animation in which a black ink drawing on white paper morphs from a tight spiral into a long, curved feather. The shape then curls back into a spiral.
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Home (Copyright © Gaia Alari, 2025)

An animation of a colourful, hand-drawn creature with a red fuzzy head and a green leaf-like body. It moves through a garden of swirling green vines and pink flowers.
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UNNA x HOKA (Copyright © Gaia Alari, 2025)

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MoMa (Copyright © Gaia Alari, 2025)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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