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A bright blue bench against a white wall. White text on the backrest reads “IT WAS HARD TO GET HERE.” and the seat reads “REST HERE IF YOU AGREE.”

Finnegan Shannon’s provocative work champions art world access for disabled people

For the past decade, they have worked to make galleries, museums and exhibitions more inclusive and imaginative spaces.

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Date
19 August 2024

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Based in New York, American multidisciplinary artist Finnegan Shannon has made a name for themselves through their subversive, access-focused artworks. Their practice has always spoken to the disabled community, and they say their art is defined by a constant questioning of “how we, as [a society], can move towards more nuanced and more transformative approaches to access.”

Working across design, installation and studio art, Finnegan’s focus has culminated in a range of innovative projects and exhibitions, including Anti-Stairs Club Lounge, a purpose-designed space within the Wassaic Project in New York. Here, seven floors and no elevator make much of the work housed within inaccessible to those who cannot use the stairs, but Finnegan’s space counters this with an artwork-cum-seating area that offers reading materials, refreshments, a charging station and a mural that says ‘The higher you climb, the farther you fall.’

Another notable project from Finnegan’s oeuvre is their series of benches that have been placed in museums around the country. Titled Do you want us here or not, the series challenges these institutions on their lack of seating options by providing custom-made blue benches with white text painted on top. Lines from the benches include: ‘It was hard to get here. Rest if you agree’ and ‘This exhibition has asked me to stand for too long. Sit if you agree’. Simple in execution yet inherently provocative, Finnegan’s unique brand of art mixes the mundane with the political.

Speaking on the questions that drive their work, Finnegan says “How can practices of access nourish cross-disability solidarity and connection? How do we make spaces and experiences that disabled people not only can access but want to access?” They conclude: “By centering fellow disabled people as the primary audience for my work, my hope is that my experiments point to and manifest settings where disabled people are not just tolerated but where we can be together and thrive.”

A blue wooden bench sits against a bright yellow wall. The backrest reads “I’D LIKE MORE TIME WITH THIS ARTWORK BUT ALL THIS STANDING IS PAINFUL.” and the seat reads “SIT IF YOU AGREE.”
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Finnegan Shannon: Do you want us here or not, Bench 3 (Copyright © Axel Schneider, 2021)

A low, rectangular white plinth with a blue cushioned top sits in a minimalist gallery. On the pale stone wall behind it, a transparent plaque lists donors and partners under the heading “Muséum souhaite remercier ses mécènes”.
Above

Finnegan Shannon: Bench-to-daybed conversion research (Copyright © Mareike Tocha, 2023)

A screenshot of the website “alttextselfies.net” on a pale yellow background. The header reads “ALT TEXT SELFIES” above a circular arrangement of stars surrounding the word “Welcome”.
Above

Finnegan Shannon, Bojana Coklyat & Olivia Dresinger: Alt Text Selfies (Copyright © Finnegan Shannon, 2024)

A screenshot of a website with a deep purple background and the title “Alt-Text as Poetry” in white serif type. A row of colourful rectangular buttons lists sections including “About”, “Book”, “Workshop” and “Blog”. Below, a white-bordered box contains the greeting “Hi!! We’re glad you’re here!!”.
Above

Finnegan Shannon & Bojana Coklyat: Alt Text as Poetry (Copyright © Finnegan Shannon, 2020)

An orange plastic chain blocks a set of light wood stairs. A blue sign hanging from the chain reads “IF YOU WOULD LIKE TO USE THE STAIRS, REQUEST ACCESS FROM GALLERY STAFF. ELEVATORS ARE AVAILABLE FOR USE.”
Above

Finnegan Shannon: Inside joke between me and everyone who has had to make an access request (Copyright © Steven Probert, 2023)

Two people wear orange beanies and hold large white signs with pixelated black text that reads “ANTI-STAIRS CLUB LOUNGE”. They are positioned outdoors in a city square with other people and buildings in the background.
Above

Finnegan Shannon: Anti-Stairs Club Lounge at The Vessel (Copyright © Maria Baranova, 2019)

A silver lift is set into a white wall. A blue circular sign above the doors shows a crossed-out set of stairs, while yellow text is visible inside the lift.
Above

Finnegan Shannon: Naturally Occurring Anti-Stairs Club Lounge (Copyright © Zoe Tempest, 2022)

A large white banner hangs over the scaffolding of a building under renovation. It shows a hand holding a small, house-shaped tissue box with a tissue emerging from the chimney, above the text “CAREGIVER/CARETAKER”.
Above

Finnegan Shannon: Hello from my bedside table (Copyright © Angela von Brill, 2022)

A tissue box cover shaped like a miniature sofa, featuring blue and white stripes. A white tissue pokes out from the seat, and the piece sits on a plain white plinth.
Above

Finnegan Shannon: A little softness for you (Copyright © Simao Bessa, 2022)

An installation featuring a long white table with a blue recessed channel containing colourful textured objects. On the wall behind, brown text reads “WE SIT & ENJOY DON’T MIND IF WE DO WE LINKS IN A CHAIN WE FLOWING WE LOOPING”. Various chairs and sofas are scattered around the room.
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Finnegan Shannon: Don't mind if I do (Copyright © The Dark Room Co, 2023)

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Finnegan Shannon: Do you want us here or not, Bench 1 (Copyright © Axel Schneider, 2021)

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About the Author

Daniel Milroy Maher

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Daniel joined It’s Nice That as an editorial assistant in February 2019 and continues to work with us on a freelance basis. He graduated from Kingston University with a degree in Journalism in 2015. He is also co-founder and editor of SWIM, an annual art and photography publication.

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