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A person in a green shirt and purple glasses laughs while talking to another person. They wear a colourful beaded necklace and have their hair in braids.

“Places need to offer something that pixels can’t replicate”: Acrylicize on designing spaces for real connection

The multidisciplinary studio believes culture, creativity and belonging is too often swapped out for basic function – instead it should be “felt, embodied, and experienced through physical space”.

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Date
10 August 2026

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Workplaces need to work a little harder these days. Hybrid working has cultivated a need for spaces that people want to travel to, and which foster collaboration. Enter: Acrylicize, a creative studio which has long been an advocate of the power of a well designed space to bring people together. For over 20 years, the New York and London-based creative studio has reimagined and reconfigured everything from workplaces to stadiums, branded environments and public installations. And it’s done so with the view that, through carefully nurtured art and culture, our everyday spaces and experiences could be capable of a lot more than what we might normally imagine.

Acrylicize’s James Burke lifts the lid on the studio’s approach, outlining its boundary-pushing framework, called Physical Culture. He says: “As humans, we’ve become experts at designing functional spaces. What we’ve forgotten is how to give them a soul. We live in a time when digital connection is frictionless and physical presence requires effort. In that context, the places we create need to earn people’s time and attention. Places need to offer something that pixels can’t replicate: the visceral experience of being somewhere that matters, surrounded by people who share a purpose.”

Three people sit together in a relaxed setting, two of whom hold microphones. A person in a grey hoodie and baseball cap laughs openly, while another person beside them smiles. Behind them, a bright neon sign glows with colourful lights.
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Acrylicize: Hayat Mag at The Art House (Copyright © Acrylicize, 2026)

“As humans, we’ve become experts at designing functional spaces. What we’ve forgotten is how to give them a soul.”

James Burke

Today the studio presents Physical Culture as an antidote to soulless shared spaces. With hugely impactful projects under its belt such as the global experiential design strategy for 19 Spotify offices, and artworks and installations at LinkedIn offices across six continents, the Acrylicize team is using each brief as a tool to connect places with its purpose through thoughtful design, art, community engagement, events, activations, and innovative strategy. All of this (and plenty more) converges to “create the conditions for belonging; the sense that you’re not just in a space, but part of it”, says James. Physical Culture being the framework, Acrylicize has honed its creative services “to translate what an organisation stands for into what people actually feel when they walk through the door”.

Acrylicize defines Physical Culture as: “the stories, customs, behaviours, collective energy, and creative attributes of a space and the people that inhabit it,” and it’s what’s steered everything from project management to design, production, and art consultancy since its inception. Now formally coining the term, the studio sees Physical Culture as an “essential strategic discipline – one that recognises the profound impact of the environment on human experience, creativity and connection. As hybrid working has sharpened scrutiny of office design, as public institutions face pressure to do more with what they have, and as brands compete to create experiences that feel genuine rather than curated, the question of what a space communicates has never been more important.”

A large, purple flower sculpture with a smiling face sits atop a green metal tower in a city square. Three people on bicycles gather around the base of the structure, with a white marquee and office buildings in the background.
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Acrylicize: Collective Bloom (Copyright © Acrylicize, 2026)

Two people sit on a curved grey sofa in a dark blue room, their figures blurred to suggest movement. Above them, a large, iridescent blue organic shape is mounted on a wall decorated with faint, dotted circular lines.
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Acrylicize: Inmarasat + Viasat (Copyright © Acrylicize, 2026)

A person in a peach-coloured outfit stands before a white lift, looking at their phone. To the left, a white column displays numbers from five to 10, with the top block reading “Parents Room Focus Space Campfire Room”.
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Acrylicize: Lego HQ Boston (Copyright © Acrylicize, 2026)

A person with orange hair sits at a light wood counter, working on a laptop. Behind them, a large blue and white LinkedIn logo is set into a wall beneath the words “CONNECT TO OPPORTUNITY”.
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Acrylicize: LinkedIn Nebraska (Copyright © Acrylicize, 2026)

A bright, open studio with concrete walls and a high, industrial ceiling. A person stands before a large wall installation of glowing, multicoloured vertical light bars, while others work at long wooden tables.
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Acrylicize: Spotify NYC (Copyright © Acrylicize, 2026)

Two people embrace in a brick-walled corridor lit with purple light. Above them, a large installation of curved neon tubes hangs from the ceiling. In the foreground, a tall sign reads “9A”.
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Acrylicize: Devonshire Square (Copyright © Acrylicize, 2026)

Two people sit on a stage during a Q&A session, each holding a microphone. Behind them, a large screen displays a portrait of a person and the text “Helmut Smits Q&A”.
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Acrylicize: JOY (Copyright © Acrylicize, 2026)

A crowd of people sit closely together in a brightly lit room, facing forward and listening. They are gathered in a space with soft pink lighting and white walls.
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Acrylicize: Softer Digital Futures At The Art House (Copyright © Acrylicize, 2026)

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Acrylicize

Acrylicize is a global creative studio based in London and New York. We believe culture is felt, embodied, and experienced through physical space. From workplaces to stadiums, public realm to branded environments, we make human connection inevitable through art, design, strategy, and experience, working as one. As a Certified B Corporation, we believe in using business as a force for good, celebrating and democratising creativity for all. By maintaining a thriving ecosystem that engages clients, peers, and underrepresented communities, we deliver work truly reflective of the world around us.

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Acrylicize: Softer Digital Futures At The Art House (Copyright © Acrylicize, 2026)

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