Launch Recite Me assistive technology

An animation of a grid containing bold, black typography that reads “THE GRADUATES 2019”. The surrounding squares flicker with a variety of colourful, abstract shapes and symbols.

The Graduates 2019

A graphic layout featuring bold, black typographic elements across three panels. The top left reads “FAN” on a white background, while the top right reads “ELIE” on a purple background. Below, the words “MUSE L lER” are layered over a colourful, abstract watercolour painting.

Fanélie Muselier's animation made with marker pens presents the spirit of New Orleans

A split-screen image featuring a portrait and bold typography. On the right, a person with braided hair and a traditional neck ring looks directly at the camera. On the left, an orange and white background displays the name “Pablo Do Prima” in a heavy, stylised black typeface.

Pablo Di Prima’s searing portraits tell the intimate backstories of his subjects

A split image featuring bold black typography and a ceramic figure. The left side is bright green with the name “Naomi Anderson Sullivan” rendered in a chunky, distorted font. The right side shows a glossy ceramic figure with red hair and a blue dress, partially obscured by the same black lettering.

Kitsch, cult classics and 45 ceramic objects: Naomi Anderson-Subryan knows how to make us smile

A split image featuring a yellow graphic and a photograph. The left side shows bold black typography reading “HUGO” and “VU”, with the “O” rendered as a grid of dots. On the right, a person in an orange T-shirt hides their face behind a stack of colourful cloths.

Primary colours and meticulous compositions define Hugo Yu’s photography

A split-screen composition featuring a close-up of a person with closed eyes on the right. On the left, bold black typographic shapes form the words “rydel cerefo” against a white background, with a solid blue block below.

Religion, race and queerness collide in Vancouver-based photographer Rydel Cerezo's portfolio

A graphic design piece featuring bold, black typography on a split background of white and bright green. The text reads “Joe” and “Jack” over a textured 3D render of jagged, grey rock, with “Chapman” set against the green strip.

Somewhere between adorable and disgusting: Joe Jack Chapman’s digital worlds

An illustration split into three panels. The top panel features bold, black abstract lettering on a purple background. The bottom left panel shows the words “FULLER” and “ER” in a heavy, distorted black typeface. The bottom right panel depicts a person in a red jacket and white trousers riding a bicycle.

Hollie Fuller creates bizarrely lovable characters to populate her illustrated world

A graphic design layout split into red, white and black sections. Bold, stylised black typography reads “DAVID MASSARA”, with a smiley face replacing the second “I”. A white card on the right contains text about the history of fish hooks.

ÉCAL graduate David Massara honours the rich history of graphic design in his research-led portfolio

A graphic design portfolio page for “Stefano Tam” featuring bold, black typography on a yellow and white background. Beside the name are three spiral-bound booklets in green, blue, and orange, titled “Fi.D.” and “To.D.”.

Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals

A split-screen image featuring a graphic layout and a distorted portrait. The left side shows a purple, white and blue background with bold, stylised typography that reads “Jack Wedge”. Below the text, a small dark object leaves a long, trailing black plume across a light blue field. The right side shows a close-up of a person’s face with a glowing yellow eye.

Join us on the confusing, surreal acid trip that is Jack Wedge's animation Goodbye Mommy

A graphic layout split between a bold typographic design and a black and white photograph. The left side features the name “Justin Carter” in large, stylised black lettering across a white and orange background. On the right, a person in a military uniform and helmet stands beside a fallen log.

Photographer Justin Carter is constantly questioning the world around him

A collage featuring a red banner with black abstract shapes and the words “UK” and “Photography”. Below, a person sits in an armchair with their eyes closed, partially obscured by the bold word “LEACH”. To the right, a person in athletic wear stands in a kitchen.

Photographer Izzy Leach challenges the male archetypes put forward by Shakespeare

A graphic layout featuring bold, black typographic elements. The top half is set against a bright green background and reads “ROMAN”, while the bottom half reads “RIDICULES” over a white background and a photograph of a landscape on fire.

Romain Roucoules artistically comments on the environment, social media and politics – with food

A graphic design layout split into three sections. The top half is bright pink with the name “Laura” in bold, black, stylised lettering. Below, a white section reads “Csocsan” in a similar bold style, while a black section contains a white box with the text “Joost 1923 Bauhaus (WMR)”.

Laura Csocsán's typefaces are the product of rational thinking, executed with personality

A split image showing a typographic study and an illustration. On the left, bold black lettering on a white and red background reads “crunch laughed seed”. On the right, an illustration shows a figure in a patterned green outfit facing a golden lion.

Eryn Lougheed’s fantastical, illustrative paintings are windows onto dreamlike worlds

A bold typographic layout reads “esther cheung” in a heavy, rounded black typeface. The text is split across two lines, with the second half set against a bright yellow background. Below the name, an illustration shows a pink figure with large purple hair looking at a screen.

Animation graduate Esther Cheung on her stunning short film In Passing

A split-screen image featuring bold typography and an illustration. The left side shows black lettering on a bright blue and white background, while the right side is an illustration of a person lying on a blue plinth surrounded by potted plants.

Tanya Teibtner is adding a new tone of voice to the visual communicativeness of illustration

A graphic design layout split into two sections. On the left, bold black typography reads “SUEY CHAN” against a white and purple background, accompanied by a pink scalloped circular motif. The right side features a vibrant, distorted abstract pattern in orange, yellow and pink.

Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more

Advice

The Graduates 2019

An animation in which bold, black typographic text reads “HANDLONG YOUR MONEY” against a bright yellow background. Small red and white circular icons float and move across the screen.

The essentials of handling your finances as a graduate, junior or freelance creative

An animation of bold black typography on a bright blue background that reads “FIRST YEAR OUT”. Yellow lightning bolts flicker and move around the text.

"Life is not about speed, but direction": Comforting tales from top creatives' first year out of art school

An animation in which bold black typography reads “PORTFOLIO TOPS” against a bright red background. Small yellow figures with white hands flicker and move across the screen.

Does the perfect portfolio exist? Top creatives and studios offer their advice

An animation in which bold, black typography reads “INTERVIEW ADVICE” against a mint green background. Small, orange abstract shapes flicker and move across the letters.

Job interviews: Pentagram, Wieden+Kennedy and Bureau Borsche on how to get them and what to say

The Graduates Archive

An illustration of the year “2018” in bold, blue 3D lettering against a pink background. The numbers are interrupted by colourful geometric shapes in yellow, red and green.

The Graduates 2018

The numbers “20” and “17” appear in black serif typography on a light grey background. A red, jagged explosion shape is positioned between them, partially overlapping the digits.

The Graduates 2017

A graphic on a black background shows the year “2016” in bold white type. The zero is replaced by a green silhouette of a staircase.

The Graduates 2016

An illustration of the year “2015” in bold white type against a turquoise background. A black ladder leans diagonally across the zero, as if replacing it.

The Graduates 2015

An illustration of the year “2019” written in bold, red hand-drawn numerals. The text is set against a plain, off-white background.

The Graduates 2014