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How can photography capture change? Creatives explore for inaugural V&A prize

Winning submissions to the V&A Parasol Foundation Prize for Women in Photography reflect on the war in Ukraine and places “left behind” in Iran.

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Date
3 May 2023

‘Agents of Change’ is the theme of V&A’s inaugural Parasol Foundation Prize for Women in Photography, which seeks to identify, support and champion women in the field in partnership with Peckham 24. The projects submitted capture political and societal instability, but also interrogate photography’s capacity to capture these shifts and create further evolution. Staged imagery, archival exploration and autobiographical documentation are among the routes taken by the winning photographers. A total of five winners were chosen by the prize selection committee, which included the likes of Ronan Mckenzie and Vivienne Gamble, co-founder of Peckham 24.

Berlin-based Ukrainian photographer Anya Tsaruk features in the winning selection for her series Mother Land; the images offer an autobiographical example of how families have been affected by the war in Ukraine. Equally tender but more stark in composition is As You Grow Older by the Hà Nội-based photographer Vân-Nhi Nguyễn, which uses the typical family photo album as a jump off point to explore individuals’ behaviour in intimate, personal spaces.

Meanwhile, Iranian American photographer Gohar Dashti shows those displaced in Iran by capturing overgrown places. Other winners include Cynthia MaiWa Sitei, whose 2019 project Spear of a Nation responds critically to the colonial archive of British social anthropologist Edward Evan Evans-Pritchard, investigating the legacy of colonialism. Priyadarshini Ravichandran’s Surge was also chosen by the panel for its exploration of the complexity of familial connections.

Audiences can see the winning works at the not-for-profit three-day festival Peckham 24, opening 12 May 2023.

Two people pose together on a grassy riverbank at night. One person reclines in orange shorts, while the other sits behind them, shirtless and wearing a necklace.
Above

Vân-Nhi Nguyễn: As You Grow Older (Copyright © Vân-Nhi Nguyễn, 2021)

A person sits cross-legged on a bed covered in a floral blue sheet, which appears to be filled with water. Behind them, a large tropical beach poster is taped to a wall painted pink and white.
Above

Vân-Nhi Nguyễn: As You Grow Older (Copyright © Vân-Nhi Nguyễn, 2021)

A room with peeling pale green walls has a floor completely covered in dark soil and colourful wildflowers. Through a large central window, a single yellow tree is visible against a grey sky.
Above

Gohar Dashti: Untitled, Home Series (Copyright © Gohar Dashti, 2018)

A blue and yellow ribbon is tied around a metal door handle. The handle is fixed to a plain, off-white door.
Above

Anya Tsaruk: Mother Land (Copyright © Anya Tsaruk, 2022)

A black and white photo of a child sitting on a lap, seen from behind. They are surrounded by other people in a crowded, dimly lit space.
Above

Priyadarshini Ravichandran: Surge (Copyright © Priyadarshini Ravichandran, 2020)

A person stands in a field of long grass, looking at the camera. They wear a tailored suit with a traditional draped cloth over one shoulder, set against a backdrop of a lake and distant mountains.
Above

Cynthia MaiWa Sitei: Spear of a Nation (Copyright © Cynthia MaiWa Sitei, 2022)

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Anya Tsaruk: Mother Land (Copyright © Anya Tsaruk, 2022)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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