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The cover of the magazine “Girl Frenzy”, issue 2, featuring a red and black colour palette. An illustration shows a person in a black mask and outfit hanging upside down from a rope. A speech bubble reads “Let others dangle carrots!”. Other text on the cover includes “Trina Robbins – Then & Now”, “Mira Hancock Interview” and “Unshaven Ravings – Body Hair”.
The cover of the magazine “Girl Frenzy”, issue 2, featuring a red and black colour palette. An illustration shows a person in a black mask and outfit hanging upside down from a rope. A speech bubble reads “Let others dangle carrots!”. Other text on the cover includes “Trina Robbins – Then & Now”, “Mira Hancock Interview” and “Unshaven Ravings – Body Hair”.

90s feminist zine GirlFrenzy graphic designers reunite for new project

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Date
13 July 2016

Feminist zine GirlFrenzy was founded in 1991 by graphic designer Erica Smith, forming in parallel with the Riot Grrrl movement and publishing articles, comic strips and other women-led content.

The zine has not been published since 1999, but Erica and artist Rachael House are set to reunite at this year’s Supernormal festival in Oxfordshire, where they will be collaborating with visitors to create a new issue of the magazine. The publication will be created in tandem with a collaborative, interactive art piece by Liz Wakefield and “subversive craft” from Deborah Ewing, with photographer Georgie House documenting the process.

Supernormal’s other art commissions include How We Communicate, a pink shed-based installation by artist Simon Blackmore. The piece was developed at Eastville Project Space in collaboration with local singers, and uses human voice to transmit digital information across the shed’s interiors using directional speakers, parabolic microphones and displays to mimic how computers send and receive information.

Another piece, The Neighbours are Bats, uses recordings made using a bat detector to imagine a “bat band” in which five common British bat species become five band members. Visitors are then encouraged to join the bat band in a bat costume and make their own synth sounds, imitating bat noises.

An illustration for the cover of the magazine “Girl Frenzy” issue 4. A person plays a drum kit, with the bass drum featuring a logo that reads “Fat Lib”. Curved text above them mentions interviews with Shonen Knife and Lee Kennedy.
Above
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Erica Smith: GirlFrenzy

Right

Erica Smith: GirlFrenzy

An illustration for a magazine cover titled “The Girl Frenzy Millennial”. A muscular figure in a black dress stands inside a large heart, holding a remote control and scissors. Text around the figure reads “The Really Big Girl’s Annual” and “The End of 2,000 Years of Patriarchy – Run For It!”. A black circle in the corner contains the number “18”.
Above

Erica Smith: GirlFrenzy

A bright pink wooden shed stands alone in a grassy field. Its door is slightly ajar, revealing a dark interior.
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Simon Blackmore: How We Communicate

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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