Launch Recite Me assistive technology

Snøhetta's Norwegian State Railways rebrand is an ode to whizzing past fjords on the train

—
Date
14 March 2019
A wide landscape of dark, rolling mountains and still lakes under a pale yellow sunset sky. A white linear logo consisting of two “V” shapes is laid over the left side of the scene.
Above

Snøhetta: Vy identity

Design and architecture studio Snøhetta has created a new name and visual identity for the Norwegian State Railways, now called Vy.

The ribbon-like logo traces the letters ‘v’ and ‘y’ in a “continuous line that brings associations of railway tracks, the motorway, tyre tracks or an open road, or even to the staves that govern movement and pitch in musical notation,” writes Snøhetta on its website.

The new name riffs on an old Scandinavian word meaning ‘to see’ that is not widely used in modern language. “The name brings associations to the fundamentals of travelling – to see new things, to get new perspectives and to broaden one’s horizon,” Snøhetta continues. “It’s reminiscent of childhood memories, of looking out of a train window and seeing the landscape pass by at terrific speed.” Its plural ‘vyer’ means to have visions, or vistas, which the studio thought was particularly appropriate given the environmental ambitions of the company. Crucially it has a similar meaning in both Swedish and Norwegian, Vy’s two main markets.

The new identity features a pine green and anthracite grey palette, inspired by the natural and urban landscapes. “They’re the colours you see and experience when you move through cities, fjords and mountains,” the studio adds.

Snøhetta collaborated with type designer Göran Söderström from Letters from Sweden to create a new type family for Vy. The family is based on letters from Sweden’s Lab Grotesque but includes extra features inspired by grotesque and gothic typefaces from 1883 when Norwegian State Railways was first founded. The family includes “crisp and modern” Vy Sans as well as three weights of Vy Display, which share the same skeleton of Vy Sans but echoes the logo’s pen strokes.

The new identity will be applied to the exterior of new trains, buses and electric cars, on uniforms, signage, business cards, website and on Vy’s app.

A graphic of a stylised “V” and “Y” formed from parallel lines. The lines are black and teal, curving and overlapping to create a 3D ribbon effect.
Above

Snøhetta: Vy identity

A collection of brand identity materials for Vw, including a brochure, business cards and a folder. The imagery features candid portraits of people and a bold, green and white graphic pattern.
Above

Snøhetta: Vy identity

A sleek green and white Vy train sits at a station platform. The side of the carriage features a large white “Vy” logo against a dark green background.
Above

Snøhetta: Vy identity

A typeface specimen on a green background reads “Vy Display”. Below the title, the “Medium” weight is shown through a full alphabet, numerals and a set of symbols.
Above

Snøhetta and Göran Söderström: Vy Display

A typography specimen for the font Vy Sans, shown in white text against a dark grey background. The layout displays the alphabet, numbers and symbols in various weights and styles, including “Regular”, “Light”, “Bold” and “Italic”.
Above

Snøhetta and Göran Söderström: Vy Sans

Share Article

Further Info

About the Author

Laura Snoad

—

Laura is a London-based arts journalist who has been working for It’s Nice That on a freelance basis since 2016.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.