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A graphic poster on a yellow background reads “THE WEEKEND With James Junk”. A photo of a person in sunglasses and a striped shirt is pinned to the left. To the right, a list includes “Rockii Studios”, “Sikodiwa by Carl Lorenz Cervantes” and “Did I do that? By Sean Schumacher”.
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Date
21 August 2026
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The Weekend With James Junk

The week’s over! Log off and touch grass with the LA-based designer, art director and creator.

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Date
21 August 2026

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“Most of my week is spent clicking, dragging and staring into a laptop,” James Junk (AKA the only graphic designer in LA) tells us. “My job, social life and creative practice all have a way of collapsing into the same few screens, so I’ve been deliberately making and consuming more things that never need to become content.” This is a sentiment that we can safely say is relatable to us all at the moment, and one that the designer has been exploring in Paperless Publishing, his monthly series of essays over on Substack and Instagram about all-things creativity and internet culture.

If you know James’ visual world you’ll be familiar with the residual charm and impact of vintage design that it holds, or as he calls it, an “air of advertising from bygone American eras” – precious undertones of a more tactile time. Finding a similarly tactile theme to his weekends of late, the designer unveils some inspiration for leaving the house, making something with your hands and, most importantly, getting off screens in this wonderfully unplugged weekend with him in LA.

Six people gather around a large wooden table in a bright, wood-panelled room. They are focused on small objects and trays, with a large, spherical paper lamp hanging low over the centre of the table.

You’ll find me at...

“Saturday starts with a handmade jewellery beading workshop at Rockii Studios in Silver Lake. Most of my week is spent clicking, dragging and staring into a laptop, so I’ve become increasingly committed to making things my computer can’t help me with.

Afterwards, I’m walking over to Gustaf Westman’s pop-up on Sunset Boulevard. It’s down the street from my flat, which is dangerous information for me to have. I’m very susceptible to a brightly coloured object with rounded corners.”

Rockii Studios
A book cover in shades of lime green and yellow. The title “Sikodiwa” is written in large, hand-drawn yellow letters running vertically, alongside the subtitle “Revisiting Filipino Indigenous Wisdom for Personal and Shared Well-Being”. The author’s name, “Carl Lorenz Cervantes”, appears at the bottom over a soft-focus landscape of trees and water.

I’ll be reading…

“I normally have one fiction and one nonfiction book going at the same time. It keeps my ADHD brain interested, and means I can choose between learning something and disappearing into something.

The nonfiction book is Sikodiwa by Carl Lorenz Cervantes. I’ve been looking for more ways to understand my Filipino side beyond the things I grew up around, and the book explores indigenous Filipino psychology, culture and ideas of the self in a way I’ve been craving.

My fiction book is Transcription by Ben Lerner, which I bought from a charming little bookshop in Shoreditch when I was in London last month. I barely knew anything about it when I picked it up. Sometimes a nice cover and the memory of where you bought something are enough to get started!”

Sikodiwa By Carl Lorenz Cervantes
A plate of pasta with tomato sauce is heavily covered in grated cheese. A blurred hand reaches in from the left, and the word “Donna’s” is written across the centre in a pink script.

I’ll be eating...

“Dinner is Donna’s in Echo Park. I’m very serious about Donna’s. Believe the hype!

A friend and I have been going since they opened, and I don’t think we’ve ever successfully made a reservation. Our system is to add ourselves to the waitlist, go to a neighbouring wine bar for a glass and a catch-up, then wander back when the text arrives.

Sit at the bar and start with the garlic bread. Those are my only instructions.”

Donna’s
A person in a blue suit stands atop a giant, tilted black office chair. Above them, bold orange text reads “The Chair Company”. Below the figure, a block of text describes a world under the surface. The bottom of the poster features the “Hbo Original” logo.

I’ll be watching...

“Once I’m home, I’m putting on The Chair Company on HBO, followed by the newest episode of The Real Housewives of Atlanta. This feels like a balanced double feature to me.

Design takes up enough space in my head throughout the week, so I rarely want to watch anything that feels remotely educational or relevant to my career. I want an odd little workplace spiral followed by beautiful women arguing over something I only half understand. It’s magic to me.”

The Chair Company
A glossy yellow table with a circular top and three thick, cylindrical legs. It is set against a plain white background with a yellow dotted border.

Something I’ve got my eye on…

“Sunday has mostly been reserved for staring at my living room and deciding which object is ruining it. I recently moved and now want to replace my dark marble coffee table with something round, colourful and slightly cartoonish. I’ve had my eye on a glossy yellow-ochre one that looks like it was inflated rather than built.

My apartment doubles as my studio, so I need the furniture to carry some of the creative atmosphere when I’m out of ideas. A joyful table seems like a reasonable business expense, spiritually speaking!”

Isthia Single Coffee Table
Two people in dark clothing are captured in mid-air against a bright white background. One figure is inverted, while the other reaches out with a clawed hand. A small pink vertical label in the bottom right corner reads “SPORTS”.

This is on repeat in my headphones…

“Sports’ self-titled album has been following me around all weekend. I only discovered them recently, and I’ve already played it enough times for it to feel like something I’ve known for years. It works while I’m getting ready, walking around the neighbourhood, driving, designing or sitting in the sun pretending I have nowhere else to be and nothing else to do.

I’ve also been listening to Did I Do That?, hosted by designer and professor Sean Schumacher. I was a guest on the podcast a few months ago, and I’ve kept listening to his conversations with other creatives. I miss hearing people finish a thought, so an hour-long design conversation feels luxurious now.”

Sports, Self-Titled

A memento from your weekend with me...

This is the space where creatives leave us with something to look at from the weekend we’ve spent with them. It could be anything really – a drawing, a picture or just something cool they think you should have a little look at.

“Here is a previously unreleased poster of mine titled: How to decentre the algorithm as a creative. The poster has become a bit of a theme for my weekends lately. My job, social life and creative practice all have a way of collapsing into the same few screens, so I’ve been deliberately making and consuming more things that never need to become content.

I’m trying to leave the house, make something badly with my hands, read a book I can underline and let a nice day stay undocumented. Getting off my screens and onto my feet has become non-negotiable!”

A graphic poster on a yellow background reads “how to de–center the [algorithm] as a creative”. A central, grainy abstract shape in purple and brown is surrounded by five text boxes containing creative advice. A banner at the bottom reads “a surefire guide to retaining your creative autonomy online”.
Above

James Junk: How to decentre the algorithm as a creative (copyright © James Junk, 2026)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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