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An illustration of two figures with cigarettes in their mouths, looking tired and pensive. Large white text in the centre reads “Jamie Edler”, with “The Graduates 2017” above and “Supported by A/D/O” below.

Illustrator Jamie Edler approaches complex topics with lightness and humour

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Born in Bristol, illustrator Jamie Edler wasn’t set on going to university but a tutor at A level eventually persuaded him to apply. “I applied to five different universities and decided not to do an art foundation,” says Jamie. “I made the choice to study at Falmouth, deferred a year and moved to China for a bit to teach English.” For Jamie that break gave him time to be ready to get back into education and became an experience that “inspired and motivated” him. “I always knew if I were to study at uni, I would study illustration. It was something I’d always pursued – apart from a few weeks where I thought I might study music!”

The supportive network of Jamie’s tutors at Falmouth became integral to his experience, especially with his initial trepidation of going into further education. “The most valuable thing that I’ve been taught by my tutors is to have faith and confidence in your work. Be proud of the work you’re creating. I think it’s very easy on any creative course (or even just in life) to compare yourself to other people’s work,” he says.

“What my tutors made me realise is that there isn’t any reason to. Everyone’s work is different and that’s what makes it great! I took on the idea that until I liked my work, it didn’t matter because other people liked it. I think as a creative, it’s very difficult to love your work because you can see the process you did to create it, whereas others, the audience, merely see the finished image/outcome.”

A person with red hair and glasses stands against a pink background, one hand resting on their head. They wear a colourful floral shirt with red and yellow patterns, paired with patterned suspenders and dark trousers.

In the third year at Falmouth all of the students’ projects are self-initiated and Jamie’s favourite is a book he’s still working on. Based on a man’s relationship and obsession with the sea, it’s a project that felt personal to Jamie. “I also really like a book I created in my Erasmus term in Germany on mental illness for much the same reason,” he says.

These self-initiated projects provided Jamie with the freedom he felt was beyond the editorial briefs where he had to interpret a prescribed theme or topic. “I’m dyslexic and find the articles difficult to read. However in third year, I found a way to tackle them and really started enjoying them,” he explains. “Now Ironically I’ve been doing a lot of editorial work and really enjoy the challenge of taking an article and representing it as an image.”

A project that caught our eye were Jamie’s film posters, created as final project before a deadline. “I’d created some film posters previously in the year and enjoyed them, but wanted to make some that had more of my current style and personality in,” says the illustrator. “I had three days before my final deadline and had pretty much finished everything so I thought I’d challenge myself to do a poster a day. I chose to do Asian cinema because I think a lot of it is beautiful and slow moving, and I wanted to give it more of representation in the UK.”

An illustration of a crowded indoor swimming pool. People swim, dive from a pink platform, and lounge by the water under a sign that reads “DEEP END 4 M” and “NO RUNNING”.
An illustration for the film “Chungking Express”, featuring two people sitting side by side against a pale yellow background. Large grey Chinese characters are laid over the centre of the image, with the film title in white at the top.

This approach is indicative of Jamie’s process as a whole where he works quickly but keeps a cool head. “I love working under pressure but I figure if you’re stressed, then how are you going to enjoy the process? If you don’t enjoy it, you probably won’t get a good outcome from it,” he says. “I tend to work pretty intuitively unless it’s for a client who needs to see roughs and prep.”

Style-wise the illustrator sees himself as fairly consistent and tries to take topical issues that are close to him and make them approachable through lightness and humour, without taking away form the seriousness of what he’s illustrating. “I do think university gave me the opportunity and drive to develop [my style] further. I’ve become less nervous to try different things in my work, whether it be composition or colour, both of which play a key part in my illustration work,” explains Jamie. “It’s really interesting for me to look at old work and then new work to see how far I’ve developed and improved.”

A graphic poster for the film In the Mood for Love, featuring an illustration of two people in red clothing reclining on a bed. The background is a red and gold pattern of traditional Chinese motifs, overlaid with large white text that reads “IN THE MOOD FOR LOVE”.
An illustration of a shirtless person in blue shorts standing in a shallow pool of water. A small black bird perches on their shoulder against a textured, beige background. Japanese text appears at the top right and bottom, with the title “Kafka on the Shore” and author “Haruki Murakami” written vertically on the left.
An illustration for the film The Wayward Cloud, directed by Tsai Ming-liang. A person lies on their back while another person leans over them, a slice of watermelon placed between their faces. Large Chinese characters run vertically down the centre against a backdrop of blue skies and stylised white clouds. At the top, a red banner reads “THE WAYWARD CLOUD”.
An illustration for the film “Happy Together”, directed by Wong Kar Wai. Two people sit opposite each other at a blue table in a red booth, while a third figure looks on from behind a window.
An illustration of a cafe interior with a person wearing a red apron standing behind a counter. Large white Japanese characters and the word “cafe” are laid over the scene. A red table in the foreground holds coffee cups and a slice of cake, with the text “Issue 3” and “$2 only” at the bottom.
An illustration for the book A Wild Sheep Chase by Haruki Murakami. Two figures sit side by side against a pink and green landscape, with a large yellow star and a grey cloud floating above them. The title “A WILD SHEEP CHASE” and the author’s name appear in bold, blocky type.

Supported by A/D/O

Founded by MINI, A/D/O is a creative space in Greenpoint, Brooklyn dedicated to exploring new boundaries in design. At its heart is the Design Academy, which offers a range of programming to professional designers, intended to provoke and invigorate their creative practice.

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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