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Two black and white photographs are set against a black background. On the left, a person is wrapped in a heavy, textured knit shawl that covers their head and body. To the right, a page from a book shows a small photo of two people with the caption “MOM AND DAD-1977” and the number “24” at the bottom. Vertical text along the edge reads “PAM WITH SWITCHBLADE-1977”.

“Design always needs a contrarian”: Yutong Hu opts for contradiction over consensus

“I’ve never worn matching earrings. I can’t stand the idea that if someone sees what’s on my left ear, they already know what’s on the right.”

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Date
18 September 2025

Yutong hopes people say “Woo-Hu” when they see her work – and clearly people do. After graduating in Design at New York City’s School of Visual Arts, she was named one of the best New Visual Artists by Print. “If you don’t know where Zhenjiang is, it’s okay,” says Yutong Hu, the New York-based designer. “Because even most Chinese people have never heard it. I used to hate to say where I was from, but it gave me a chance to create the rebranding of ZhenJiang Vinegar.”

“I’ve been drawn to localised and sustainability-driven design which is rooted in specific cultures, habits, materials,” says Yutong. “Because in an earlier commercial project I worked under tight timelines, and there were always unresolved moments and elements I wished I had more time to develop." Frustrated by the way that brand design looks so polished in the “global template”, Yutong regards herself a bit more rebellious. “My brain tends to move in the opposite direction,” says Yutong. "Design always needs a contrarian to find energy in contradiction over consensus."

In her eclectic print work, awkwardness and a sense of ‘offness’ is at the center. When Yutong designs inside of InDesign, she pushes text right against the margins, rarely uses grids, and leads with impulse. In her project Air Max for Pace Book Design, Yutong used a sewing machine to create blind contour drawings – which looks just as reckless as you’d expect. With odd fitting pages and gnarly binding, it’s maximalist and toothy.

In another work called Irony Man, Yutong pays tribute to photographer Michael Northup by accommodating his surreal images inside of a book with minimal typographic intervention, opting for loose, unbound pages that encourage freeform interactions. “I don’t want readers to immediately know what the next page will look like. I like building in small surprises, or even moments of confusion, where visual balance is intentionally disrupted,” says Yutong. “That tension makes the design feel more alive to me.”

Gallery(Copyright © Yutong Hu, 2025)

An animation in which black halftone shapes assemble on a white background to form the words “DO IT YOURSEL”. The letters are composed of abstract, organic forms and anatomical fragments.
An open notebook with yellow and white pages. Torn strips of red paper are pasted across the pages, featuring handwritten prices such as “$20”, “$10” and “$22 or XOXO”.
Two blue booklets are displayed side by side against a black background. The left booklet features a photo of a person with a cake drawn on their torso, with the text “HAPPY BIRTHDAY SWEETIE-1981” below. The right booklet shows three smaller photos and the text “HAPPY BIRTHDAY SWEETIE-1980”, “BIRTHDAY BOY-1980” and “BIRTHDAY FLIGHT-1980”.
A white door hanger hangs from a brass handle against a brown and cream striped door. The hanger features a collage of stones and organic shapes arranged to spell “Do Not Disturb”.
An open book displays a blurry, high-contrast image in shades of deep purple and white. Small white text at the bottom provides credits for the work, including the artist “Miko Tajima” and the title “Human Synth”.
An open book with a bright yellow left page and a white right page. The left page features a hand-drawn loop of string and a block of printed text, while the right page displays a grid of circular colour swatches and small photographs.
A collection of colourful beads, charms and a metal clip are scattered across a green book. A thin blue line is scribbled over the objects in a loose, looping gesture.
An open book displays two pages of black and white photographs. The images show a person in various settings, including a cornfield and outside a brick house.
Three views of a clear plastic case showing the front, spine and back against a black background. Embossed text on the spine reads “Michael E. Northrup”.
An open book shows a page of text alongside a photograph of a textured, pale stone sculpture. The sculpture sits on a bed of small pebbles, with a single red dot painted on its lower surface.

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(Copyright © Yutong Hu, 2025)

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About the Author

Paul Moore

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Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

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