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Two side-by-side gaming machines both feature a colourful header that reads “GAME KING”. A can of Coca-Cola and a glass of dark liquid sit on the ledge of each console.

Photographer William Minke captures the odd loneliness and faded glamour of cruise ships

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Date
3 June 2016

We all have a mental picture of what a cruise holiday might be like and it’s probably very similar to the glamour Rob Brydon and his wife portray in the current P&O cruise adverts, where their carefree holiday is full of fancy dinners at the captain’s table and frolics in the sun. Taking a different perspective is Berlin-based photographer William Minke, who decided to focus on what this kind of organised fun is actually like in reality in his series End of Crisis. 

“I’ve always been fascinated by heterotopias and coexisting worlds,” says William. “After reading A Supposedly Fun Thing I’ll Never Do Again by David Foster Wallace I decided to go on a journey of cruise ships because his description of on-board life sounded very bizarre.” The photographer went on two cruises for the project: the first trip was around the Mediterranean sea for four days and the second was seven days in the Baltic sea. “Both ships were swimming holiday resorts with about 3,000 voyagers on board and I travelled by myself,” he says.

“As a traveller one can leave behind everyday life on 13 decks of roulette tables, bingo and shopping malls 24 hours a day,” explains the photographer. William brilliantly conveys the disparity between this sentiment of continuous fun and the seemingly lacklustre truth. Worn interiors with lurid carpets clash with the ageing facilities and the series gravitates towards the more solitary moments.

There’s a woman dancing on her own, people sunbathing separately and the blinking slot machines only have one person sat at them at a time. This faded glitz is enhanced by the non-plussed, often awkward portraits William captures of his fellow passengers. Despite the common goal between everyone on board – “to redeem their promise of happiness" – there’s a loneliness felt throughout the project, which makes for fascinating viewing. 

People lie on sun loungers on the deck of a white ship. Most are draped in orange towels and basking in the sun.
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Left

William Minke: End of Crisis

A person sits on a white bed wearing a black blazer and a bright orange life jacket. They hold a sheet of small, printed photographs in their lap.
A person in a pink T-shirt and beige trousers stands on a yoga mat, facing a mirrored wall. They lean against a gold handrail on the deck of a ship, overlooking a calm blue sea.
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William Minke: End of Crisis

A high-angle shot of two people sitting in a row of dark blue cinema seats. One person reads a programme, while the other reads a book with their legs draped over the seat beside them.
Above

William Minke: End of Crisis

A person lies on a sun lounger, their head and shoulders completely covered by a large yellow towel. They wear a black top and pink and orange shorts.
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Left

William Minke: End of Crisis

A person in a black suit and bow tie sits on a stool in a casino. They look towards the camera while leaning against a row of slot machines, one of which reads “END OF CRISIS”.
A high-angle shot of a carpet with a repeating, wavy pattern in ochre, teal and brown. In the top right corner, a person wearing flip-flops sits on a teal sofa.
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William Minke: End of Crisis

A person with long blonde hair sits with their back to the camera at a wicker table. They look out through a glass railing towards a hazy cityscape and water.
Above

William Minke: End of Crisis

A person in striped swim shorts lies on a sun lounger on a wooden deck. A large, white spherical lamp stands in the foreground, partially obscuring the view.
Above

William Minke: End of Crisis

Two people sit on the edge of a mini-golf course on the deck of a cruise ship. They look out across a calm, grey sea under an overcast sky.
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Left

William Minke: End of Crisis

A poster on a stand reads “Bingo” at the top and “PLAY TODAY !!!” at the bottom. It shows a person wearing dollar-sign sunglasses, laughing and holding a fan of banknotes between two large money bags.
Two people sit on a bright yellow bollard against a vast, white wall. Above them, four large circular windows are aligned in a row.
Above

William Minke: End of Crisis

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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